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Author: Clark V. Poling
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 220
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Book Description
This richly documented book examines the attempts of the French Surrealist artist Andr� Masson (1896-1987) to define "self” in his art in the period between the early 1920s and 1940, the most fruitful period of classic Surrealism, culminating in the emergence of existentialism. Through a close reading of Masson’s paintings, drawings, and writings, Clark Poling explores the ways in which the artist figured the self--as fragmented, dissolved, merged with other selves and with the natural environment, and, ultimately, reconstituted and consolidated. Masson’s work, Poling argues, reveals his involvement with modern conceptions of the self that he absorbed from Nietzsche and the Surrealist writers, as well as from other sources in philosophy, psychology, psychoanalysis and ethnography. He traces Masson’s articulation of these ideas in paintings and graphic works, using his correspondence from the Surrealist period and his many subsequent writings as supporting evidence.
Author: Clark V. Poling
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 220
Get Book Here
Book Description
This richly documented book examines the attempts of the French Surrealist artist Andr� Masson (1896-1987) to define "self” in his art in the period between the early 1920s and 1940, the most fruitful period of classic Surrealism, culminating in the emergence of existentialism. Through a close reading of Masson’s paintings, drawings, and writings, Clark Poling explores the ways in which the artist figured the self--as fragmented, dissolved, merged with other selves and with the natural environment, and, ultimately, reconstituted and consolidated. Masson’s work, Poling argues, reveals his involvement with modern conceptions of the self that he absorbed from Nietzsche and the Surrealist writers, as well as from other sources in philosophy, psychology, psychoanalysis and ethnography. He traces Masson’s articulation of these ideas in paintings and graphic works, using his correspondence from the Surrealist period and his many subsequent writings as supporting evidence.
Author: Patrick Cramer
Publisher: Alan Wofsy Fine Arts
ISBN: 9781556601446
Category : Art
Languages : en
Pages : 357
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Book Description
Author: André Breton
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 454
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Book Description
Long unavailable in English, Surrealism and Painting remains one of the masterworks of twentieth-century art criticism."--BOOK JACKET.
Author: William Rubin
Publisher: Australian Geographic
ISBN: 9780870704659
Category : Art
Languages : en
Pages : 0
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Book Description
Author:
Publisher: University of Texas Press
ISBN: 9780292705999
Category : Design
Languages : en
Pages : 208
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Book Description
Quilty as Charged is not a history or how-to-guide; it is a collection of many small stories, including Gillespie's, stitched together in the spirit of quilting, separate scraps made into a cohesive cloth.
Author: Isabelle Dervaux
Publisher: National Academy Museum and School of Fine Arts
ISBN:
Category : Art
Languages : en
Pages : 198
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Book Description
While Surrealism was becoming out of fashion in Europe in the 1930s, it enjoyed a growing popularity on the other side of the Atlantic. This text traces the history of this movement in the United States from about 1930 to 1950 by examining its manifestations throughout the country.
Author: André Masson
Publisher: Allemandi
ISBN:
Category : Art
Languages : it
Pages : 152
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Book Description
This is the catalogue of the thematic exhibition Andr Masson and Ancient Greece, to be staged in 2007 at the Museum of Contemporary Art of the Basil and Elise Goulandris Foundation in Andros, Greece (1 July - 30 September 2007). It illustrates exceptio
Author: Tate Gallery
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 832
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Book Description
Author: Robert James Belton
Publisher: University of Calgary Press
ISBN: 1895176549
Category : Art, Modern
Languages : en
Pages : 353
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Book Description
Surrealism was ostensibly directed at the emancipation of the human spirit, but it represented only male aspirations and fantasies until a number of women artists began to redefine its agenda in the later 1930s. This book addresses the former, using a 'thick description' of the historically specific circumstances which required the male Surrealists to manufacture a sexual reputation of narcissism and misogyny. These circumstances were determined by 'hegemonic masculinity', an ideological construct which had little to do with individual masculinities. In male Surrealism, the 'beribboned bomb' signified something both attractive and volatile, a specific instance of the Surrealist principle of convulsive beauty. In hegemonic masculinity, similar devices served as metaphors of the sexuality all men were supposed to possess. The intersection of these two axes produced an imagery of unrepentant violence.
Author: Desmond Morris
Publisher: National Geographic Books
ISBN: 0500296375
Category : Art
Languages : en
Pages : 0
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Book Description
A lively history of the Surrealists, both known and unknown, by one of the last surviving members of the movement—artist and bestselling author Desmond Morris. Surrealism did not begin as an art movement but as a philosophical strategy, a way of life, and a rebellion against the establishment that gave rise to the World War I. In The Lives of the Surrealists, surrealist artist and celebrated writer Desmond Morris concentrates on the artists as people—as remarkable individuals. What were their personalities, their predilections, their character strengths and flaws? Unlike the impressionists or the cubists, the surrealists did not obey a fixed visual code, but rather the rules of surrealist philosophy: work from the unconscious, letting your darkest, most irrational thoughts well up and shape your art. An artist himself, and contemporary of the later surrealists, Morris illuminates the considerable variation in each artist’s approach to this technique. While some were out-and-out surrealists in all they did, others lived more orthodox lives and only became surrealists at the easel or in the studio. Focusing on the thirty-two artists most closely associated with the surrealist movement, Morris lends context to their life histories with narratives of their idiosyncrasies and their often complex love lives, alongside photos of the artists and their work.
