Author:
Publisher:
ISBN: 9783903187788
Category :
Languages : en
Pages : 290
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Book Description
Zwischen den 1920er und 1950er Jahren existierten in Paris sowohl liberale als auch konservative Kunstakademien. Besonders begehrt war die Académie André Lhote (1885-1962), die von 1925 bis 1962 operierte. Diese zog eine bemerkenswerte Zahl von internationalen Künstlern und Studenten an. Aufgrund des sehr guten Zustands seines Archivs können wir heute davon ausgehen, dass während vier Jahrzehnten an die 1600 Studenten bei André Lhote in Montparnasse, 18 rue d?Odessa und an seinen Landakademien (L?Académie aux champs) in Mirmande (seit 1926), Gordes (seit 1938) und in Cadière d'Azur (seit 1948) studierten. André Lhote and His International Students ist eine Sammlung von 13 Aufsätzen. Diese verweisen auf den bedeutenden Beitrag von André Lhote an der Verbreitung von spezifischen Regeln im Umgang mit formalen und theoretischen modernistischen Trends. Diese Regeln vermochte er sowohl durch seinen Unterricht, aber auch durch seine Kunstpraxis und seine Schriften zu vermitteln. Dabei leistet dieses Buch nicht nur eine Hommage an einen zu Unrecht vernachlässigten Künstler, Theoretiker und Lehrer, sondern untersucht zugleich, wie Künstler aus allen Regionen der Welt durch ihre Aufenthalte in Paris zum Projekt zur künstlerischen Moderne beitrugen und diese re-interpretierten. André Lhote and His International Students ist ein Bericht über eine mikrokosmische Version des kosmopolitischen Paris, welches durch den Fluss und die Zirkulation tausender einzelner Künstler aus der ganzen Welt geprägt wurde.
Author: André Lhote
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author:
Publisher: BRILL
ISBN: 9401203989
Category : Art
Languages : en
Pages : 361
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Book Description
Avant-Garde and Criticism sheds new light on the complex aims, functions, practices and contexts of art-criticism in relation to the European avant-garde. Although many avant-garde works and the avant-gardes of various countries have been analyzed, considerably less attention has been given to the reviews in newspapers and journals on avant-garde literature, art, architecture and film. This volume of Avant-Garde Critical Studies will look at how art critics operated in a strategic way. The strategies of avant-garde criticism are diverse. Art critics, especially when they are artists themselves, attempt to manipulate the cultural climate in their favour. They use their position to legitimize avant-garde concepts and to conquer a place in the cultural field. But they are also markedly influenced by the context in which they operate. The position of fellow-critics and the ideological bias of the papers in which they publish can be as important as the political climate in which their criticism flourishes. The analysis of avant-garde art criticism can also make clear how strategies sometimes fail and involuntarily display non-avant-garde characteristics. On the other hand traditionalist criticism on the avant-garde offers new insights into its status and reception in a given time and place. This volume is of interest for scholars, teachers and students who are interested in the avant-garde of the interbellum-period and work in the field of literature, art, film and architecture.
Author: Mary Tompkins Lewis
Publisher: Univ of California Press
ISBN: 052094044X
Category : Art
Languages : en
Pages : 368
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Book Description
The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France—including detailed looks at Monet, Manet, Pissarro, Degas, Cézanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, Martha Ward
Author: André Lhote
Publisher:
ISBN:
Category : Figure painting
Languages : en
Pages : 196
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Book Description
Author: André Lhote
Publisher:
ISBN:
Category : Painting, French
Languages : en
Pages : 35
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Author: Tamara de Lempicka
Publisher: Flammarion-Pere Castor
ISBN:
Category : Art
Languages : en
Pages : 170
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Book Description
Tamara de Lempicka, a beautiful and provocative artist, was a star of the period between the great wars, an iconic symbol of the era. This is a monograph of the artist and her work.
Author: André Lhote
Publisher:
ISBN:
Category : Painting, French
Languages : en
Pages : 0
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Author: Alexandre Mercereau
Publisher:
ISBN:
Category :
Languages : fr
Pages : 146
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Book Description
Author: Lesley Harding
Publisher: The Miegunyah Press
ISBN: 052285673X
Category : Art
Languages : en
Pages : 273
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Book Description
Cubism was a movement that changed fundamentally the course of twentieth-century art. It had far-reaching effects, both conceptual and stylistic, which are still being felt today. Described in 1912 by French poet and commentator Guillaume Apollinaire as 'not an art of imitation, but an art of conception', Cubism irreversibly altered art's relationship to visual reality. 'I paint things as I think them, not as I see them', Picasso said. Cubism and Australian Art examines for the first time the impact of this transformative art movement on the work of Australian artists, from the early 1920s to the present day. The authors argue that by its very nature, Cubism was characterised by variation and change, that the idea of a pure or original Cubism was short lived, and that its appearance in Australian art parallels its uptake and re-interpretation by artists internationally. In the words of French artist Andr Lhote, mentor to several Australians who studied at his Academy in Paris: 'There are a thousand defi nitions of Cubism, because there are a thousand painters practising it'. More than eighty international and Australian artists are showcased with over 300 works, featuring Sam Atyeo, Ralph Balson, Grace Crowley, Frank Hinder, Roger Kemp, Godfrey Miller, Stephen Bram and Daniel Crooks, as well as Pablo Picasso, Georges Braque and Fernand L ger.
