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Author: Johan Cederlund
Publisher: Rizzoli Publications
ISBN: 0847841510
Category : Art
Languages : en
Pages : 226
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Book Description
Accompanying a major retrospective of Anders Zorn’s work, this is the first volume in English to explore the Swedish Impressionist’s entire career in depth. Anders Zorn (1860–1920) is one of Sweden’s most accomplished and beloved artists. Renowned for his light, expressive watercolors, he attained mastery of the genre at an early age and later applied his techniques to oil painting. Zorn is often compared with the artists John Singer Sargent and Joaquín Sorolla y Bastida, contemporaries who also were known for their portraits of high-society figures. Taking up residence in London and then in Paris, Zorn established himself as an international portrait painter, depicting fashionable clients in a style both elegant and relaxed. He became a favorite among wealthy American collectors, bankers, and industrialists who sat for him, including art collector Isabella Stewart Gardner and three U.S. presidents. Although perhaps best known for his portraits, Zorn brought equal skill to painting genre scenes and views of nature. This handsome volume provides a thorough introduction to the artist and his works, from portraiture to landscapes and his famous nudes. Four illustrated essays are accompanied by a chronology, selected bibliography, an exhibition checklist, and an index.
Author: Johan Cederlund
Publisher: Rizzoli Publications
ISBN: 0847841510
Category : Art
Languages : en
Pages : 226
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Book Description
Accompanying a major retrospective of Anders Zorn’s work, this is the first volume in English to explore the Swedish Impressionist’s entire career in depth. Anders Zorn (1860–1920) is one of Sweden’s most accomplished and beloved artists. Renowned for his light, expressive watercolors, he attained mastery of the genre at an early age and later applied his techniques to oil painting. Zorn is often compared with the artists John Singer Sargent and Joaquín Sorolla y Bastida, contemporaries who also were known for their portraits of high-society figures. Taking up residence in London and then in Paris, Zorn established himself as an international portrait painter, depicting fashionable clients in a style both elegant and relaxed. He became a favorite among wealthy American collectors, bankers, and industrialists who sat for him, including art collector Isabella Stewart Gardner and three U.S. presidents. Although perhaps best known for his portraits, Zorn brought equal skill to painting genre scenes and views of nature. This handsome volume provides a thorough introduction to the artist and his works, from portraiture to landscapes and his famous nudes. Four illustrated essays are accompanied by a chronology, selected bibliography, an exhibition checklist, and an index.
Author: John Singer Sargent
Publisher: Turner Palermo/Fundacion Coleccion Thyssen-Bornemisza
ISBN:
Category : Art
Languages : en
Pages : 360
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Book Description
Joaquín Sorolla y Bastida (1863-1923) studied painting from the age of 15 in his native Valencia, then in Madrid and eventually Rome. On his return to Spain, he became the major portraitist of his time, and worked with subjects including King Alphonso and Queen Victoria Eugénie. Like John Singer Sargent (1856-1925), whose career was unfolding on American shores, Sorolla remained firmly outside of the Impressionist vanguard and was all but indifferent to other popular artistic movements of the day, but nevertheless achieved international renown in the late 1800s and early 1900s. Both artists focused on society portraits but also undertook independent work and commissions for cultural institutions. They encountered one another occasionally, and held one another in very special regard. Sargent & Sorolla highlights the affinities between not just their personal and professional lives but their work itself: the expressive use of color and light, the development of a Modernist sensibility from Naturalist techniques, and the tremendous renown and commercial success each man reached independently. An essential exploration of how the careers of the two great artists ran parallel to each other, intersected, and also diverged.
Author: Marlene Willow Hagans
Publisher:
ISBN: 9780914819066
Category : Impressionism (Art)
Languages : en
Pages : 390
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Book Description
Author: Antonin Proust
Publisher:
ISBN:
Category : Painting, French
Languages : en
Pages : 456
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Book Description
Author:
Publisher:
ISBN: 9789171009067
Category :
Languages : en
Pages :
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Book Description
Anders Zorn's life and career are almost unparalleled in Swedish art history.
Author: Raya Yotova
Publisher:
ISBN: 9781718987753
Category :
Languages : en
Pages : 84
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Book Description
Anders Leonard Zorn (1860 -1920) was Sweden's artist who obtained international success as a painter, sculptor and printmaker in etching. From 1875-1880 Zorn studied at Royal Swedish Academy of Arts in Stockholm, Sweden. He traveled extensively to London, Paris, the Balkans, Spain, Italy and the United States, becoming an international success as one of the most acclaimed painters of his era. While his early works were often brilliant, luminous watercolors, by 1887 he had switched firmly to oils. Towards the turn of the century, Zorn became increasingly interested in the history and ancient traditions of his native village of Mora and its wider cultural territories, which at the time, as a result of industrialisation and urbanisation, were beginning to disappear. In 1905 he bought an ancient cabin, which he moved to Gopsmor, a parish north-west of Mora. The simple, ritualistic way of life of the local people, with whom he felt a deep affinity, and the geographical isolation of Gopsmor, became for him a refuge. The serene yet wild character of the surrounding landscape provided Zorn with the backdrop to many of his depictions of nudes, enabling him to explore his ideas of showing them in a natural environment, in spontaneous action, rather than approaching the subject in the studio, painting contrived poses. In the 1906-09 series especially, he placed his young models deep in the forest amongst saplings by a tarn or brook. Beginning in 1910, Zorn focused on developing his control of the technique and motif. He accomplished this with such certainty that the process of painting can assume the dominant role, sometimes to the detriment of the work's emotional expression.
Author: A.L. Zorn
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Odd Nerdrum
Publisher: Schibsted Forlag
ISBN: 9788251636384
Category : Kitsch
Languages : en
Pages : 0
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Book Description
Kitsch is Odd Nerdrum's luxuriously produced apologia for the enduring relevance of the old master style. Containing writings and interviews by and with Nerdrum alongside hefty plate sections of both Nerdrum's own paintings and those by painters he sees as exemplars of a certain kind of figurative art, it is a bold attack on the foundations of modernism. In Nerdrum's view, what we call "kitsch" art is a consequence of modernism's "make it new" ethic. For Nerdrum, this insistence on novelty has permeated the thinking of institutions, critics, artists and the public, and has effectively suppressed what Nerdrum most values in a work of art: sentimentality, passion, pathos and the self-evident skill and emotion of sheer craft. By this latter value in particular, the kitsch painter is able to work according to knowable standards that painting prior to modernism has established--standards that are "more than art," for, as Nerdrum puts it, "the kitsch painter commits himself to the eternal: love, death and the sunrise." Kitsch is a manifesto that recruits figurative painters both old and new, such as William Dyce, Paul Fenniak, Sampo Kaikkonen, Isaac Levitan, Osiris Rain, Ilya Repin, Giovanni Segantini, Valentin Serov, George Tooker, George Frederick Watts and Anders Zorn, and situates their work alongside more than 70 of Nerdrum's recent paintings. Alongside essays, poems and plays by the artist, Kitsch contains an extended dialogue on the topic between Nerdrum and Maria Kreyn.
Author: John Singer Sargent
Publisher: Mfa Publications
ISBN: 9780878467914
Category : Art
Languages : en
Pages : 247
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Book Description
John Singer Sargents approach to watercolour was unconventional. Disregarding late-nineteenth-century aesthetic standards that called for carefully delineated and composed landscapes filled with transparent washes, his confidently bold, dense strokes and loosely defined forms startled critics and fellow practitioners alike. One reviewer in England, where Sargent spent much of his adult life, called his work swagger watercolours. For Sargent, however, the watercolours were not so much about swagger as about a new way of thinking. In watercolour as opposed to oils his vision became more personal and his works more interconnected. Presenting nearly 100 works of art, this book is the first major publication of Sargents watercolours in twenty years. Each chapter highlights a different subject or theme that attracted the artists attention during his travels through Europe and the Middle East: sunlight on stone, figures reclining on grass, patterns of light and shadow. Insightful essays by the worlds leading experts enhance this book and introduce readers to the full sweep of Sargents accomplishments in the medium, in works that delight the eye as well as challenge our understanding of this prodigiously gifted artist.
Author: Raia Iotova
Publisher:
ISBN: 9781986498623
Category :
Languages : en
Pages : 108
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Book Description
Anders Leonard Zorn was born in Yvraden, a hamlet in the village of Utmeland in the parish of Mora, Dalarna, and was raised on his grandparents' farm in Yvraden. He studied until the age of twelve in the school at Mora Strand before progressing in the autumn of 1872 to a secondary grammar school in Enkoping.From 1875-1880 Zorn studied at Royal Swedish Academy of Arts in Stockholm, Sweden. He traveled extensively to London, Paris, the Balkans, Spain, Italy and the United States, becoming an international success as one of the most acclaimed painters of his era. While his early works were often brilliant, luminous watercolors, by 1887 he had switched firmly to oils. In 1886, Anders Zorn and his wife Emma had bought land close to Mora church and here they moved a cottage from his maternal grandfather's farm. When Anders and Emma Zorn decided to return to Sweden after several years abroad, they began to enlarge the cottage. Zorngarden was completed in 1910.In 1893, the Columbian World Fair was arranged in Chicago. Zorn was chosen as the superintendent of the Swedish art exhibition and travelled to the States. He stayed for almost a year. This trip to the USA, the first of seven, was very important for him. Zorn enjoyed the American lifestyle and felt at home there. This first trip to the States was also of great importance for his art. Subsequent visits to the USA were in 1896-1897, and 1898-1899, 1900-1901, 1903-1904, 1907, and 1911. He generally travelled during the fall, winter and spring. The 1907 trip was primarily for pleasure, but the others included a large number of paintings, mostly portraits. Naturally, the high points were the commissions to portray American presidents. One of the benefits of the presidential portraits was the number of commissions that Zorn received in the USA.Beginning in 1910, Zorn focused on developing his control of the technique and motif. He accomplished this with such certainty that the process of painting can assume the dominant role, sometimes to the detriment of the work's emotional expression.Zorn's health deteriorated markedly during his last years. He died on August 22, 1920. The funeral was conducted by Archbishop Nathan Soderblom and attended among others by representatives of the Swedish royal family and many cultural personalities. He is buried in Mora Cemetery.
