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Author: Elizabeth Bartman
Publisher: BRILL
ISBN: 9789004095328
Category : Art
Languages : en
Pages : 344
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Book Description
In-depth case studies of individual statuary types form the core of this analysis of sculptural copying in antiquity. By examining the popular genre of the copy, the book illuminates broad questions of Roman sculptural production and the methodological limitations of traditional approaches to the subject.
Author: Elizabeth Bartman
Publisher: BRILL
ISBN: 9789004095328
Category : Art
Languages : en
Pages : 344
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Book Description
In-depth case studies of individual statuary types form the core of this analysis of sculptural copying in antiquity. By examining the popular genre of the copy, the book illuminates broad questions of Roman sculptural production and the methodological limitations of traditional approaches to the subject.
Author: Elaine K. Gazda
Publisher: University of Michigan Press
ISBN: 9780472111893
Category : Art
Languages : en
Pages : 342
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Book Description
Are copies of Greek and Roman masterpieces as important as the originals they imitate?
Author: Sheila Dillon
Publisher: Cambridge University Press
ISBN: 0521854989
Category : Art
Languages : en
Pages : 238
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Book Description
This book offers a new approach to the history of Greek portraiture by focusing on portraits without names. Comprehensively illustrated, it brings together a wide range of evidence that has never before been studied as a group. Sheila Dillon considers the few original bronze and marble portrait statues preserved from the Classical and Hellenistic periods together with the large number of Greek portraits known only through Roman 'copies'. In focusing on a series of images that have previously been ignored, Dillon investigates the range of strategies and modes utilized in these portraits to construct their subject's identity. Her methods undermine two basic tenets of Greek portraiture: first, that is was only in the late Hellenistic period, under Roman influence, that Greek portraits exhibited a wide range of styles, including descriptive realism; and second, that in most cases, one can easily tell a subject's public role - that is, whether he is a philosopher of an orator - from the visual traits used in this portrait. The sculptures studied here instead show that the proliferation of portrait styles takes place much earlier, in the late Classical period; and that the identity encoded in these portraits is much more complex and layered than has previously been realized. Despite the fact that these portraits lack the one feature most prized by scholars of ancient portraiture - a name - they are evidence of utmost importance for the history of Greek portraiture.
Author: Giovanni Colzani
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110741741
Category : History
Languages : en
Pages : 300
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Book Description
Considerations about size and scale have always played a central role within Greek and Roman visual culture, deeply affecting sculptural production. Both Greeks and Romans, in particular, had a clear notion of “colossality” and were able to fully exploit its implications with sculpture in many different areas of social, cultural and religious life. Instead, despite their ubiquitous presence, an equal and contrary categorization for small size statues does not seem to have existed in Greek and Roman culture, leading one to wonder what were the ancient ways of conceptualizing sculptural representations in a format markedly smaller than “life-size.” Even in the context of modern scholarship on Classical Art, few notions appear to be as elusive as that of “small sculpture”, often treated with a certain degree of diffidence well summarized in the formula Klein, aber Kunst? In fact, a large and heterogeneous variety of objects corresponds to this definition: all kinds of small sculpture, from statuettes to miniatures, in a variety of materials including stone, bronze, and terracotta, associated with a great array of functions and contexts, and with extremely different levels of manufacture and patronage. It would be a major misunderstanding to think of these small sculptures in general as nothing more than a cheap and simplified alternative to larger scale statues. Compared with those, their peculiar format allowed for a wider range of choices, in terms, for example, of use of either cheap or extremely valuable materials (not only marble and bronze, but also gold and silver, ivory, hard stones, among others), methods of production (combining seriality and variation), modes of fruition (such as involving a degree of intimacy with the beholder, rather than staging an illusion of “presence”). Furthermore, their pervasive presence in both private and public spaces at many levels of Greek and Roman society presents us with a privileged point of view on the visual literacy of a large and varied public. Although very different in many respects, small-sized sculptures entertained often a rather ambivalent relationship with their larger counterparts, drawing from them at the same time schemes, forms and iconographies. By offering a fresh, new analysis of archaeological evidence and literary sources, through a variety of disciplinary approaches, this volume helps to illuminate this rather complex dynamic and aims to contribute to a better understanding of the status of Greek and Roman small size sculpture within the general development of ancient art.
Author: Dorothy Burr Thompson
Publisher: ASCSA
ISBN: 9780876616031
Category : Art
Languages : en
Pages : 36
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Book Description
Small sculptured figures of humans and animals have been found all over the Agora, ranging in date from the earliest occupation of Athens to the end of the Late Roman period. This booklet presents a representative sample of these carvings, ranging from elegant ivory figures of Apollo to small toy horses recovered from children's graves.
Author: Margarete Bieber
Publisher:
ISBN: 9780814709702
Category : Art gréco-romain
Languages : en
Pages : 302
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Book Description
Author: Carolyn Higbie
Publisher: Oxford University Press
ISBN: 0192508458
Category : Art
Languages : en
Pages : 304
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Book Description
Collectors, Scholars, and Forgers in the Ancient World focuses on the fascination which works of art, texts, and antiquarian objects inspired in Greeks and Romans in antiquity and draws parallels with other cultures and eras to offer contexts for understanding that fascination. Statues, bronze weapons, books, and bones might have been prized for various reasons: because they had religious value, were the work of highly regarded artists and writers, had been possessed by famous mythological figures, or were relics of a long disappeared past. However, attitudes towards these objects also changed over time: sculpture which was originally created for a religious purpose became valuable as art and could be removed from its original setting, while historians discovered value in inscriptions and other texts for supporting historical arguments and literary scholars sought early manuscripts to establish what authors really wrote. As early as the Hellenistic era, some Greeks and Romans began to collect objects and might even display them in palaces, villas, or gardens; as these objects acquired value, a demand was created for more of them, and so copyists and forgers created additional pieces - while copyists imitated existing pieces of art, sometimes adapting to their new settings, forgers created new pieces to complete a collection, fill a gap in historical knowledge, make some money, or to indulge in literary play with knowledgeable readers. The study of forged relics is able to reveal not only what artefacts the Greeks and Romans placed value on, but also what they believed they understood about their past and how they interpreted the evidence for it. Drawing on the latest scholarship on forgery and fakes, as well as a range of examples, this book combines stories about frauds with an analysis of their significance, and illuminates and explores the link between collectors, scholars, and forgers in order to offer us a way to better understand the power that objects held over the ancient Greeks and Romans.
Author: John Mack
Publisher: Harvard University Press
ISBN: 9780674026933
Category : Art
Languages : en
Pages : 232
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Book Description
This richly illustrated book celebrates the art of the miniature, but also looks beyond it at the many aspects of "small worlds"--in particular, their capacity to evoke responses that far exceed their physical dimensions. Mack explores the talismanic, religious, or magical properties with which miniatures are often imbued. Considering a wide range of objects, he examines the use of the miniature form in various cultural contexts.
Author: Annabel Bokern
Publisher: Oxbow Books
ISBN: 178297198X
Category : History
Languages : en
Pages : 175
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Book Description
The twenty-second Theoretical Roman Archaeology Conference (TRAC) was held at the Goethe-University Frankfurt am Main in spring 2012. During the three-day conference fifty papers were delivered, discussing issues from a wide range of geographical regions of the Roman Empire, and applying various theoretical and methodological approaches. An equally wide selection of subjects was presented: sessions looked at Greek art and philhellenism in the Roman world, the validity of the concept of ‘Romanisation’, change and continuity in Roman religion, urban neighbourhood relations in Pompeii and Ostia, the transformation of objects in and from the Roman world, frontier markets and Roman archaeology in the Provinces. In addition, two general sessions covered single topics such as the ‘transvestite of Catterick’, metal recycling or Egyptian funeral practice in the Roman period. This volume contains a selection of papers from all these sessions.
Author: Lucy Myers Wright Mitchell
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 820
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Book Description
