Ancient Drama in Music for the Modern Stage

Ancient Drama in Music for the Modern Stage PDF Author: Peter Brown
Publisher: OUP Oxford
ISBN: 0191610941
Category : History
Languages : en
Pages : 1755

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Book Description
Opera was invented at the end of the sixteenth century in imitation of the supposed style of delivery of ancient Greek tragedy, and, since then, operas based on Greek drama have been among the most important in the repertoire. This collection of essays by leading authorities in the fields of Classics, Musicology, Dance Studies, English Literature, Modern Languages, and Theatre Studies provides an exceptionally wide-ranging and detailed overview of the relationship between the two genres. Since tragedies have played a much larger part than comedies in this branch of operatic history, the volume mostly concentrates on the tragic repertoire, but a chapter on musical versions of Aristophanes' Lysistrata is included, as well as discussions of incidental music, a very important part of the musical reception of ancient drama, from Andrea Gabrieli in 1585 to Harrison Birtwistle and Judith Weir in the late twentieth and early twenty-first centuries.

Choruses, Ancient and Modern

Choruses, Ancient and Modern PDF Author: Joshua Billings
Publisher:
ISBN: 0199670579
Category : History
Languages : en
Pages : 440

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Book Description
The ancient singing and dancing chorus has exerted a powerful influence in the modern world. This is the first book to look systematically at the points of similarity and difference between ancient and modern choruses, across time and place, in their ancient contexts in modern theatre, opera, dance, musical theatre, and in political debate.

The Ancient Dancer in the Modern World

The Ancient Dancer in the Modern World PDF Author: Fiona Macintosh
Publisher: Oxford University Press
ISBN: 0191634387
Category : Literary Criticism
Languages : en
Pages :

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Book Description
When the eighteenth-century choreographer Jean-Georges Noverre sought to develop what is now known as modern ballet, he turned to ancient pantomime as his source of inspiration; and when Isadora Duncan and her contemporaries looked for alternatives to the strictures of classical ballet, they looked to ancient Greek vases for models for what they termed 'natural' movement. This is the first book to examine systematically the long history of the impact of ideas about ancient Greek and Roman dance on modern theatrical and choreographic practices. With contributions from eminent classical scholars, dance historians, theatre specialists, modern literary critics, and art historians, as well as from contemporary practitioners, it offers a very wide conspectus on an under-explored but central aspect of classical reception, dance and theatre history, and the history of ideas.

The Cambridge Companion to Theatre History

The Cambridge Companion to Theatre History PDF Author: David Wiles
Publisher: Cambridge University Press
ISBN: 0521766362
Category : Drama
Languages : en
Pages : 339

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Book Description
A wide-ranging set of essays that explain what theatre history is and why we need to engage with it.

A Handbook to the Reception of Greek Drama

A Handbook to the Reception of Greek Drama PDF Author: Betine van Zyl Smit
Publisher: John Wiley & Sons
ISBN: 1118347757
Category : Literary Criticism
Languages : en
Pages : 619

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Book Description
A Handbook to the Reception of Greek Drama offers a series of original essays that represent a comprehensive overview of the global reception of ancient Greek tragedies and comedies from antiquity to the present day. Represents the first volume to offer a complete overview of the reception of ancient drama from antiquity to the present Covers the translation, transmission, performance, production, and adaptation of Greek tragedy from the time the plays were first created in ancient Athens through the 21st century Features overviews of the history of the reception of Greek drama in most countries of the world Includes chapters covering the reception of Greek drama in modern opera and film

Music in the London Theatre from Purcell to Handel

Music in the London Theatre from Purcell to Handel PDF Author: Colin Timms
Publisher: Cambridge University Press
ISBN: 1107154642
Category : Art
Languages : en
Pages : 285

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Book Description
This book discusses literary and dramatic aspects of musical works for voices and instruments performed in English theatres (c.1650 and 1750).

New Perspectives on Handel's Music

New Perspectives on Handel's Music PDF Author: David Vickers
Publisher: Boydell & Brewer
ISBN: 1783271469
Category : Music
Languages : en
Pages : 476

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Book Description
An international collaboration between leading scholars showcases a broad spectrum of observations on Handel and his music, covering many aspects of modern interdisciplinary and traditional philological musicology.

Theorising Performance

Theorising Performance PDF Author: Edith Hall
Publisher: A&C Black
ISBN: 0715638262
Category : Literary Criticism
Languages : en
Pages : 320

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Book Description
Constitutes the first analysis of the modern performance of ancient Greek drama from a theoretical perspective.

(Dis)embodying Myths in Ancien Régime Opera

(Dis)embodying Myths in Ancien Régime Opera PDF Author: Bruno Forment
Publisher: Leuven University Press
ISBN: 9058679004
Category : Music
Languages : en
Pages : 185

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Book Description
Will appeal to all music, literature, and art lovers seeking to deepen their knowledge of an increasingly popular repertoire.

Historical Dictionary of Baroque Music

Historical Dictionary of Baroque Music PDF Author: Joseph P. Swain
Publisher: Scarecrow Press
ISBN: 0810878259
Category : Music
Languages : en
Pages : 396

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Book Description
Although it lies far back, running roughly from about 1600 to 1750, the Baroque period is far from forgotten and Baroque music is played widely today as well, exercising numerous musicians and attracting rather substantial audiences. It experienced the emergence of a new sort of music, increasingly secular and increasingly good listening, if you will, and also the start of opera. Some of the Baroque composers appear among the most popular of all time, such as Bach, Handel and Vivaldi. So yes, this is a book for researchers, but it is also a good book for anyone who enjoys this music. The Historical Dictionary of Baroque Music certainly fills a significant space in the whole sub-series on music, since it tells us much more not only about the music but also the age that generated it. This is done particularly well in an insightful introduction, with the flow of events traced by the chronology. The dictionary section fills in the missing details with over 400 entries on the most important composers and musicians, some of the musical works themselves, important places and institutions, and a smattering of technical terms. The bibliography directs us to further reading.