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Author: William Thomas Chase
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 116
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Book Description
This catalog focuses on the casting techniques of archiac bronzes.
Author: William Thomas Chase
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 116
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Book Description
This catalog focuses on the casting techniques of archiac bronzes.
Author: Albert James Koop
Publisher:
ISBN:
Category : Bronzes, Chinese
Languages : en
Pages : 332
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Book Description
Author: Shanghai bo wu guan
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 104
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Book Description
Author: St. Louis Art Museum
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 196
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870994832
Category : Art
Languages : en
Pages : 97
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Book Description
Author: Edward L. Shaughnessy
Publisher:
ISBN: 9780760780558
Category : China
Languages : en
Pages : 148
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Book Description
Even today the economic powerhouse of modern China takes strength and nourishment from its legacy of antiquity. Ancient China illuminates this venerable heritage with unprecedented scholarship and vividness.
Author:
Publisher:
ISBN:
Category : Bronzes, Chinese
Languages : en
Pages : 174
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Book Description
Author:
Publisher: Harvard University Press
ISBN: 9780916724542
Category : Bronzes, Chinese
Languages : en
Pages : 157
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Book Description
Author: Song Li
Publisher: Cambridge University Press
ISBN: 0521186854
Category : Art
Languages : en
Pages : 165
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Book Description
Chinese Bronze Ware provides an accessible introduction to ancient China's magnificent bronze culture with full colour illustrations.
Author: Robert W. Bagley
Publisher: Cornell East Asia Series
ISBN:
Category : Art
Languages : en
Pages : 204
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Book Description
Max Loehr (1903-1988), the most distinguished historian of Chinese art of his generation, is celebrated above all for a 1953 art historical study of Chinese bronzes that effectively predicted discoveries Chinese archaeologists were about to make. Those discoveries in turn overthrew the theories of Loehr's great rival Bernhard Karlgren (1889-1978), a Swedish sinologue whose apparently scientific use of classification and statistics had long dominated Western studies of the bronzes. Revisiting a controversy that was ended by archaeology before the issues at stake were fully understood, Robert Bagley shows its methodological implications to be profound. Starting with a close reading of the work of Karlgren, he uses an analogy with biological taxonomy to clarify questions of method and to distinguish between science and the appearance of science. Then, turning to Loehr, he provides the rationale for an art history that is concerned above all with constructing a meaningful history of creative events, one that sees the intentionality of designers and patrons as the driving force behind stylistic change. In a concluding chapter he analyzes the concept of style, arguing that many classic confusions in art historical theorizing arise from a failure to recognize that style is not a property of objects. Addressed not just to ancient China specialists or historians of Chinese art, this book uses Loehr's work on bronzes as a case study for exploring central issues of art history. It will be of interest to anyone concerned with the analysis of visual materials.