Anatomía del Barroco hispánico: Historia de una idea PDF Download
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Author: Gustavo Hernández Sánchez
Publisher: ESIC
ISBN: 8411706427
Category : History
Languages : es
Pages : 172
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Book Description
Author: Gustavo Hernández Sánchez
Publisher: ESIC
ISBN: 8411706427
Category : History
Languages : es
Pages : 172
Get Book Here
Book Description
![Formas del barroco hispánico [Material gráfico proyectable] PDF](https://books.google.com/books/content/images/frontcover/BABgAQAACAAJ?fife=w80-h100)
Author:
Publisher:
ISBN: 9788471333704
Category :
Languages : es
Pages : 47
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Book Description
Author:
Publisher:
ISBN: 9788437098531
Category : Education
Languages : es
Pages : 466
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Book Description
Author: Enrique Valdivieso
Publisher:
ISBN: 9788420505862
Category :
Languages : es
Pages : 374
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Book Description
Author: Ángel Valbuena Briones
Publisher:
ISBN:
Category :
Languages : es
Pages : 14
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Book Description
Author: Juan de Contreras y López de Ayala Lozoya (Marqués de)
Publisher:
ISBN:
Category :
Languages : es
Pages : 684
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Book Description
Author: José María López Piñero
Publisher:
ISBN:
Category :
Languages : es
Pages : 37
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Book Description
Author: Alfonso E. Pérez Sánchez
Publisher:
ISBN:
Category : Art, European
Languages : es
Pages : 180
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Book Description
Author: Folke Gernert
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110695758
Category : Foreign Language Study
Languages : en
Pages : 260
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Book Description
Magicians, necromancers and astrologers are assiduous characters in the European golden age theatre. This book deals with dramatic characters who act as physiognomists or palm readers in the fictional world and analyses the fictionalisation of physiognomic lore as a practice of divination in early modern Romance theatre from Pietro Aretino and Giordano Bruno to Lope de Vega, Calderón de la Barca and Thomas Corneille.
Author: Kevin Ingram
Publisher: Springer
ISBN: 3319932365
Category : History
Languages : en
Pages : 370
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Book Description
This book examines the effects of Jewish conversions to Christianity in late medieval Spanish society. Ingram focuses on these converts and their descendants (known as conversos) not as Judaizers, but as Christian humanists, mystics and evangelists, who attempt to create a new society based on quietist religious practice, merit, and toleration. His narrative takes the reader on a journey from the late fourteenth-century conversions and the first blood purity laws (designed to marginalize conversos), through the early sixteenth-century Erasmian and radical mystical movements, to a Counter-Reformation environment in which conversos become the advocates for pacifism and concordance. His account ends at the court of Philip IV, where growing intolerance towards Madrid’s converso courtiers is subtly attacked by Spain’s greatest painter, Diego Velázquez, in his work, Los Borrachos. Finally, Ingram examines the historiography of early modern Spain, in which he argues the converso reform phenomenon continues to be underexplored.
