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Author: Allen Clayton Cadwallader
Publisher: Oxford University Press, USA
ISBN:
Category : Music
Languages : en
Pages : 424
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Book Description
Introduces the fundamental principles of Schenkerian analysis within the context of the music itself.
Author: Allen Clayton Cadwallader
Publisher: Oxford University Press, USA
ISBN:
Category : Music
Languages : en
Pages : 424
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Book Description
Introduces the fundamental principles of Schenkerian analysis within the context of the music itself.
Author: Douglass Marshall Green
Publisher: Cengage Learning
ISBN:
Category : Education
Languages : en
Pages : 344
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Book Description
Like many texts on musical analysis, FORMS IN TONAL MUSIC equips students to critically examine a wide range of compositions and forms. However, Green's text takes students a step further by enabling them to approach musical works unencumbered by preconceived notions of what characteristics the text should or should not have. Providing specific help on every aspect of musical analysis, this text uses many of the compositions found in Charles Burkhart's ANTHOLOGY FOR MUSICAL ANALYSIS, but it allows students the freedom to explore works that they already own.
Author: Carl Schachter
Publisher: Oxford University Press
ISBN: 0190227397
Category : Music
Languages : en
Pages : 313
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Book Description
Carl Schachter is the world's leading practitioner of Schenkerian theory and analysis. His articles and books have been broadly influential, and are seen by many as models of musical insight and lucid prose. Yet, perhaps his greatest impact has been felt in the classroom. At the Mannes College of Music, the Juilliard School of Music, Queens College and the Graduate Center of the City University of New York, and at special pedagogical events around the world, he has taught generations of musical performers, composers, historians, and theorists over the course of his long career. In Fall 2012, Schachter taught a doctoral seminar at the CUNY Graduate Center in which he talked about the music and the musical issues that have concerned him most deeply; the course was in essence a summation of his extensive and renowned teaching. In The Art of Tonal Analysis, winner of the Society for Music Theory's 2017 Citation of Special Merit, music theorist Joseph Straus presents edited transcripts of those lectures. Accompanied by abundant music examples, including analytical examples transcribed from the classroom blackboard, Straus's own visualizations of material that Schachter presented aurally at the piano, and Schachter's own extended Schenkerian graphs and sketches, this book offers a vivid account of Schachter's masterful pedagogy and his deep insight into the central works of the tonal canon. In making the lectures of one of the world's most extraordinary musicians and musical thinkers available to a wide audience, The Art of Tonal Analysis is an invaluable resource for students and scholars of music.
Author: Felix Salzer
Publisher: Courier Corporation
ISBN: 0486222756
Category : Music
Languages : en
Pages : 687
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Book Description
Written by a pupil of Heinrich Schenker, this outstanding work develops and extends Schenker's approach. More than 500 examples of music from the Middle Ages to the 20th century complement the detailed discussions and analyses.
Author: Joseph N. Straus
Publisher: Oxford University Press
ISBN: 0197543979
Category : Music
Languages : en
Pages : 241
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Book Description
"This book consists of analyses of thirty-three musical passages or entire short works in a variety of post-tonal styles. The works under study are taken from throughout the long twentieth century, from 1909 to the present. Within the atonal wing of modern classical music, the composers discussed here, some canonical and some not, represent a diversity of musical style, chronology, geography, gender, and race/ethnicity. Composers studied include Schoenberg, Webern, Berg, Bartok, Stravinsky, Copland, Crawford-Seeger, Babbitt, Dallapiccola, Carter, Louise Talma, Hale Smith, Elisabeth Lutyens, Ursula Mamlok, Tania León, Tan Dun, Shulamit Ran, Kaija Saariaho, Joan Tower, John Adams, Sofia Gubaidulina, Thomas Adès, Caroline Shaw, Chen Yi, and Suzanne Farrin. The approach is pedagogical, in the somewhat informal style of a classroom. Musical examples and analytical videos carry the burden of the analytical argument, with relatively little prose. For each piece, the book suggests ways of making sense of the music, using basic concepts of post-tonal theory to tease out rich networks of musical relationships and reveal something of the fascination and beauty of this challenging music"--
Author: Stefan Kostka
Publisher: Routledge
ISBN: 1351859226
Category : Music
Languages : en
Pages : 355
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Book Description
Materials and Techniques of Post-Tonal Music, Fifth Edition provides the most comprehensive introduction to post-tonal music and its analysis available. Covering music from the end of the nineteenth century through the beginning of the twenty-first, it offers students a clear guide to understanding the diverse and innovative compositional strategies that emerged in the post-tonal era, from Impressionism to computer music. This updated fifth edition features: chapters revised throughout to include new examples from recent music and insights from the latest scholarship; the introduction of several new concepts and topics, including parsimonius voice-leading, scalar transformations, the New Complexity, and set theory in less chromatic contexts; expanded discussions of spectralism and electronic music; timelines in each chapter, grounding the music discussed in its chronological context; a companion website that provides students with links to recordings of musical examples discussed in the text and provides instructors with an instructor’s manual that covers all of the exercises in each chapter. Offering accessible explanations of complex concepts, Materials and Techniques of Post-Tonal Music, Fifth Edition is an essential text for all students of post-tonal music theory.
Author: Jeffrey Kresky
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 200
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Book Description
A frequent approach to musical analysis is to consider one term or concept at a time, illustrating it with fragments of several compositions. But the format of this original and lucidly written book features entire tonal compositions, one per chapter, analyzed on several levels simultaneously. The author builds up from very simple musical forms, skillfully leading the reader through a measure-by-measure, indeed often beat-by-beat or note-by-note, analysis. The literature chosen for study is that of the standard common-practice period, ranging from Corelli to Debussy, and hence illustrates both the flexibility and the historical development of the tonal system. At the same time, Kresky suggests a structural view of the tonal system, and the pieces come to be viewed as instances of tonal language. Hence, each chapter addresses the two questions, 'What makes this item a piece?' and, more specifically, 'What makes it a tonal piece?' A concluding essay projects the development of music into the twentieth century, with implications for the analysis of nontonal music. The music discussed in five of the twelve chapters is supplied; the rest of the compositions are standard works. The analyses center on the pitch information of the pieces, with the various non-pitch compositional elements (primarily rhythm; secondarily dynamics, texture, timbre, and register) playing reinforcing roles. Pitch is studied vertically, for a detailed as well as an overall harmonic view, and horizontally, for a local as well as a long-range view. Ultimately, the author joins both approaches in an embracing two-dimensional summary of compositional unity. As a series of connecting essays, this book is intended both for classroom use and for professional reading. In the classroom, the work can serve as a principal text in an undergraduate or graduate analysis course or seminar, or as an adjunct text in a variety of places in the theory and counterpoint curriculum. As professional reading, the book brings the reader through various pieces of music according to the observations of one listener who is sensitive and concerned, as both composer and teacher, about musical coherence.
Author: Nicholas Cook
Publisher: Oxford University Press, USA
ISBN: 9780198165088
Category : Music
Languages : en
Pages : 388
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Book Description
This extremely practical introduction to musical analysis explores the factors that give unity and coherence to musical masterpieces. Having first identified and explained the most important analytical methods, Nicholas Cook examines given compositions from the last two hundred years to show how different analytical procedures suit different types of music.
Author: Douglass Marshall Green
Publisher: New York : Holt, Rinehart, and Winston
ISBN:
Category : Music appreciation
Languages : en
Pages : 342
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Book Description
Author: Miguel A. Roig-Francolí
Publisher: Routledge
ISBN: 1000332632
Category : Music
Languages : en
Pages : 457
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Book Description
Understanding Post-Tonal Music is a student-centered textbook that explores the compositional and musical processes of twentieth-century post-tonal music. Intended for undergraduate or general graduate courses on the theory and analysis of twentieth-century music, this book will increase the accessibility of post-tonal music by providing students with tools for understanding pitch organization, rhythm and meter, form, texture, and aesthetics. By presenting the music first and then deriving the theory, Understanding Post-Tonal Music leads students to greater understanding and appreciation of this challenging and important repertoire. The updated second edition includes new "Explorations" features that guide students to engage with pieces through listening and a process of exploration, discovery, and discussion; a new chapter covering electronic, computer, and spectral musics; and additional coverage of music from the twenty-first century and recent trends. The text has been revised throughout to enhance clarity, both by streamlining the prose and by providing a visual format more accessible to the student.
