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Author: James L. Zychowicz
Publisher: Oxford University Press
ISBN: 0195346149
Category : Music
Languages : en
Pages : 210
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Book Description
Following the earlier volumes in the Studies in Musical Genesis and Structure series, Mahler's Fourth Symphony is a study of origins of one of Mahler's most popular and accessible works. James Zychowicz examines how the composition evolved from the earliest ideas to the finished score, and in doing so sheds new light on Mahler's working process.
Author: James L. Zychowicz
Publisher: Oxford University Press
ISBN: 0195346149
Category : Music
Languages : en
Pages : 210
Get Book Here
Book Description
Following the earlier volumes in the Studies in Musical Genesis and Structure series, Mahler's Fourth Symphony is a study of origins of one of Mahler's most popular and accessible works. James Zychowicz examines how the composition evolved from the earliest ideas to the finished score, and in doing so sheds new light on Mahler's working process.
Author: Reed J. Hoyt
Publisher:
ISBN:
Category :
Languages : en
Pages : 86
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Book Description
Author: Reed J. Hoyt
Publisher:
ISBN:
Category :
Languages : en
Pages : 32
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Book Description
Author: David Jones Bowen
Publisher:
ISBN:
Category :
Languages : en
Pages : 148
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Book Description
Author: Richard Specht
Publisher:
ISBN:
Category : Symphonies
Languages : en
Pages : 70
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Book Description
Author: Erin Johnston
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
"Though widely recognized as a key figure of twentieth-century modernism, Gustav Mahler (1860-1911) frequently references classical compositional techniques in many of his symphonic works. In particular, countless authors have observed the prominent classical elements of Symphony No. 4, which are especially notable in its first movement. While a formal analysis of this opening movement does reveal similarities between Mahler's organization and classical structural norms, it also uncovers many compositional strategies that are more characteristic of late-romanticism. For instance, whereas many analyze this movement as a typical first-movement sonata form, its tonal and formal organization more closely resembles that of a sonata-rondo (though this form is typically reserved for finales and the occasional slow movement). Additionally, Mahler plays with his listeners' expectations by incorporating several formal ambiguities that call into question the passages' true functional roles. This thesis presents a form-functional analysis of the first movement from Mahler's Symphony No. 4 with the goal of revealing the similarities and dissimilarities between its formal organization and that of classical works. The theoretical work of William E. Caplin informs the analytical methodology of this project, which centers primarily on an examination of formal functions, allowing for the consideration of musical syntax on various hierarchical levels. Ultimately, this project relies on the comparison of typical form-functional organization in classical instrumental works to the events of Mahler's movement with the aim of uncovering his predecessors' influence on the symphony while also revealing the work's relationship to the music of its time." --
Author: Julian Johnson
Publisher: Oxford University Press
ISBN: 0199707081
Category : Music
Languages : en
Pages : 377
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Book Description
Mahler's Voices brings together a close reading of the renowned composer's music with wide-ranging cultural and historical interpretation, unique in being a study not of Mahler's works as such but of Mahler's musical style.
Author: Paul Stefan
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 152
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Book Description
Author: Jeremy Barham
Publisher: Routledge
ISBN: 1351554409
Category : Music
Languages : en
Pages : 354
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Book Description
Gustav Mahler's music continues to enjoy global prominence, both in live or recorded performance and within broader ranges of critical perception and cultural sensibility. In recognition of such a profile, this volume brings together a unique collection of essays exploring the diverse methods and topics characteristic of recent advances in Mahler scholarship. The book's international group of contributors is actively involved not only in bringing fresh approaches to Mahler research in areas such as analysis, sketch studies and reception history, but also in examining hitherto neglected issues of cultural and biographical interpretation, performance practice and compositional aesthetic, thereby illustrating the developing vitality and scope of this field. Engaging with its subject from reconstructive, documentary, theoretical, analytical, discursive and interpretative viewpoints, this volume provides a wide spectrum of contexts in which continuing debate about Mahler's life and works can flourish. Its varied themes and strategies nevertheless collectively recognize and negotiate the shifting space both between the composer's life and his artistic creativity, and between the musical results of that creativity and the critical-analytical process. The essays in this book accordingly fill certain gaps in the scholarly understanding of the composer, and re-orientate Mahler studies towards some of the central concerns of contemporary musicological thinking.
Author: Theodor W. Adorno
Publisher: University of Chicago Press
ISBN: 022607630X
Category : Music
Languages : en
Pages : 190
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Book Description
Theodor W. Adorno goes beyond conventional thematic analysis to gain a more complete understanding of Mahler's music through his character, his social and philosophical background, and his moment in musical history. Adorno examines the composer's works as a continuous and unified development that began with his childhood response to the marches and folk tunes of his native Bohemia. Since its appearance in 1960 in German, Mahler has established itself as a classic of musical interpretation. Now available in English, the work is presented here in a translation that captures the stylistic brilliance of the original. Theodor W. Adorno (1903-69), one of the foremost members of the Frankfurt school of critical theory, studied with Alban Berg in Vienna during the late twenties, and was later the director of the Institute of Social Research at the University of Frankfurt from 1956 until his death. His works include Aesthectic Theory, Introduction to the Sociology of Music, The Jargon of Authenticity, Prism, and Philosophy of Modern Music.
