Analysis of La Valse, by Maurice Ravel PDF Download
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Author: Daniel Boda
Publisher:
ISBN:
Category :
Languages : en
Pages : 130
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Book Description
Author: Daniel Boda
Publisher:
ISBN:
Category :
Languages : en
Pages : 130
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Book Description
Author: Jiyoung Chung
Publisher:
ISBN:
Category :
Languages : en
Pages : 228
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Book Description
Author: Jeni M. Maneva
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Maurice Ravel
Publisher: Courier Corporation
ISBN: 0486435881
Category : Music
Languages : en
Pages : 146
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Book Description
Among the most popular composers of the twentieth century, Ravel is loved by audiences and assiduously studied by musicians and music scholars. His masterpiece La Valse ranks among his most performed works and offers a supreme example of his compositional mastery, innovative concepts, and consummate skill at orchestration. Ideal for study in the classroom, at home, or in the concert hall, this affordable new miniature-score edition offers music lovers, performers, and students an opportunity to study Ravel's popular work in an accessible, convenient format.
Author: Peter Kaminsky
Publisher: University Rochester Press
ISBN: 1580463371
Category : Music
Languages : en
Pages : 354
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Book Description
Collection of critical and analytical scholarly essays on the music of Ravel by prominent scholars. Unmasking Ravel: New Perspectives on the Music fills a unique place in Ravel studies by combining critical interpretation and analytical focus. From the premiere of his works up to the present, Ravel has been associated with masks and the related notions of artifice and imposture. This has led scholars to perceive a lack of depth in his music and, consequently, to discourage investigation of his musical language. This volume balances and interweavesthese modes of inquiry. Part 1, "Orientations and Influences," illuminates the sometimes contradictory aesthetic, biographical, and literary strands comprising Ravel's artistry and our understanding of it. Part 2, "Analytical Case Studies," engages representative works from Ravel's major genres using a variety of methodologies, focusing on structural process and his complex relation to stylistic convention. Part 3, "Interdisciplinary Studies," integratesmusical analysis and art criticism, semiotics, and psychoanalysis in creating novel methodologies. Contributors include prominent scholars of Ravel's and fin-de-siècle music: Elliott Antokoletz, Gurminder Bhogal, Sigrun B. Heinzelmann, Volker Helbing, Steven Huebner, Peter Kaminsky, Barbara Kelly, David Korevaar, Daphne Leong, Michael Puri, and Lauri Suurpää. Peter Kaminsky is Professor of Music at the University of Connecticut, Storrs.
Author: Stephen Zank
Publisher: Routledge
ISBN: 1135173443
Category : Art
Languages : en
Pages : 417
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Book Description
This is the first guide to research on the great composer, Maurice Ravel. It includes over 2000 annotated entries of the scholarly literature on Ravel, including catalogues, facsimilies of autographs, music editions, textual criticism, bibliographies, monographs, articles, and dissertations covering his life and music.
Author: Stephen Zank
Publisher: University Rochester Press
ISBN: 1580461891
Category : Music
Languages : en
Pages : 452
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Book Description
An insightful and exquisitely written reconsideration of Ravel's modernity, his teaching, and his place in twentieth-century music and culture.
Author: Arbie Orenstein
Publisher: Courier Corporation
ISBN: 9780486266336
Category : Biography & Autobiography
Languages : en
Pages : 354
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Book Description
The standard Ravel biography by the world's foremost authority — brilliantly detailed and documented, filled with quotations from letters, interviews with the composer's friends, an illuminating analysis of each of his works, a study of his musical esthetics and language, a complete catalog of his works, and a discography. "Highly recommended" — Choice. Includes 48 illustrations.
Author: Deborah Mawer
Publisher: Routledge
ISBN: 1351546031
Category : Music
Languages : en
Pages : 493
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Book Description
Maurice Ravel, as composer and scenario writer, collaborated with some of the greatest ballet directors, choreographers, designers and dancers of his time, including Diaghilev, Ida Rubinstein, Benois and Nijinsky. In this book, the first study dedicated to Ravel's ballets, Deborah Mawer explores these relationships and argues that ballet music should not be regarded in isolation from its associated arts. Indeed, Ravel's views on ballet and other stage works privilege a synthesized aesthetic. The first chapter establishes a historical and critical context for Ravel's scores, engaging en route with multimedia theory. Six main ballets from Daphnis et Chlo?hrough to Bol? are considered holistically alongside themes such as childhood fantasy, waltzing and neoclassicism. Each work is examined in terms of its evolution, premiere, critical reception and reinterpretation through to the present; new findings result from primary-source research, undertaken especially in Paris. The final chapter discusses the reasons for Ravel's collaborations and the strengths and weaknesses of his interpersonal relations. Mawer emphasizes the importance of the performative dimension in realizing Ravel's achievement, and proposes that the composer's large-scale oeuvre can, in a sense, be viewed as a balletic undertaking. In so doing, this book adds significantly to current research interest in artistic production and interplay in early twentieth-century Paris.
Author: Emily Kilpatrick
Publisher: Cambridge University Press
ISBN: 1316395707
Category : Music
Languages : en
Pages : 287
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Book Description
Maurice Ravel's operas L'Heure espagnole (1907/1911) and L'Enfant et les sortilèges (1919–25) are pivotal works in the composer's relatively small œuvre. Emerging from periods shaped by very distinct musical concerns and historical circumstances, these two vastly different works nevertheless share qualities that reveal the heart of Ravel's compositional aesthetic. In this comprehensive study, Emily Kilpatrick unites musical, literary, biographical and cultural perspectives to shed new light on Ravel's operas. In documenting the operas' history, setting them within the cultural canvas of their creation and pursuing diverse strands of analytical and thematic exploration, Kilpatrick reveals crucial aspects of the composer's working life: his approach to creative collaboration, his responsiveness to cultural, aesthetic and musical debate, and the centrality of language and literature in his compositional practice. The first study of its kind, this book is an invaluable resource for students, specialists, opera-goers and devotees of French music.
