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Author: Henry Benjamin Wheatley
Publisher:
ISBN:
Category : Anagrams
Languages : en
Pages : 212
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Book Description
Author: Henry Benjamin Wheatley
Publisher:
ISBN:
Category : Anagrams
Languages : en
Pages : 212
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Book Description
Author: Lindsley Cash
Publisher: Balboa Press
ISBN: 1982286776
Category : Body, Mind & Spirit
Languages : en
Pages : 157
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Book Description
Angelic guidance inspired Lindsley Cash to gather a group of channellers, mediums and healers with the aim of using their gifts to receive messages from souls in the spirit world who were ready to return to earth and begin their next incarnation. During these sessions, the group found they were able to ‘fast-track’ many souls through the protocol of departure. The returning energies came from all levels of society, had a wide range of former occupations and passed at all ages. Their stories are earthy and amusing, sobering or poignant - and some are very dark. Once reborn, and by personal intention, some of these fast-tracked beings are destined to hold the power of the future in their hands!
Author: Alastair Fowler
Publisher: OUP Oxford
ISBN: 0191650994
Category : Literary Criticism
Languages : en
Pages : 420
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Book Description
Why do authors use pseudonyms and pen-names, or ingeniously hide names in their work with acrostics and anagrams? How has the range of permissible given names changed and how is this reflected in literature? Why do some characters remain mysteriously nameless? In this rich and learned book, Alastair Fowler explores the use of names in literature of all periods - primarily English but also Latin, Greek, French, and Italian - casting an unusual and rewarding light on the work of literature itself. He traces the history of names through Homer, Spenser, Shakespeare, Milton, Thackeray, Dickens, Joyce, and Nabokov, showing how names often turn out to be the thematic focus. Fowler shows that the associations of names, at first limited, become increasingly salient and sophisticated as literature itself develops.
Author: Marcel Danesi
Publisher: Routledge
ISBN: 1000185508
Category : Social Science
Languages : en
Pages : 230
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Book Description
An Anthropology of Puzzles argues that the human brain is a "puzzling organ" which allows humans to literally solve their own problems of existence through puzzle format. Noting the presence of puzzles everywhere in everyday life, Marcel Danesi looks at puzzles in society since the dawn of history, showing how their presence has guided large sections of human history, from discoveries in mathematics to disquisitions in philosophy. Danesi examines the cognitive processes that are involved in puzzle making and solving, and connects them to the actual physical manifestations of classic puzzles. Building on a concept of puzzles as based on Jungian archetypes, such as the river crossing image, the path metaphor, and the journey, Danesi suggests this could be one way to understand the public fascination with puzzles. As well as drawing on underlying mental archetypes, the act of solving puzzles also provides an outlet to move beyond biological evolution, and Danesi shows that puzzles could be the product of the same basic neural mechanism that produces language and culture. Finally, Danesi explores how understanding puzzles can be a new way of understanding our human culture.
Author: Ian Hamilton Finlay
Publisher: Univ of California Press
ISBN: 0520424530
Category : Poetry
Languages : en
Pages : 334
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Book Description
This volume surveys the life and work of the Scottish poet Ian Hamilton Finlay, who is best known for his extraordinary garden, Little Sparta, a unique "poem of place" in which poetry, sculpture, and horticulture intersect. This book directs sustained attention to Finlay the verbal artist, revealing the full breadth and richness of his poetics. It illuminates the evolution from his early years of composing plays, stories, and lyrical poems to his discovery of Concrete poetry and his emergence as a key figure in the international avant-garde of the 1960s.
Author: Honoré de Balzac
Publisher:
ISBN:
Category :
Languages : en
Pages : 384
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Book Description
Author: Honoré de Balzac
Publisher:
ISBN:
Category :
Languages : en
Pages : 600
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Book Description
Author: Honoré de Balzac
Publisher: Oregan Publishing
ISBN:
Category : Literary Collections
Languages : en
Pages : 16351
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Book Description
The Human Comedy (French: La Comédie Humaine) is the title of Honoré de Balzac's multi-volume collection of interlinked novels and stories depicting French society in the period of the Restoration (1815-1830) and the July Monarchy (1830–1848). It consists of 91 finished works (stories, novels or analytical essays) and 46 unfinished works (some of which exist only as titles). It does not include Balzac's five theatrical plays or his collection of humorous tales, the "Contes drolatiques" (1832–37). The title of the series is usually considered an allusion to Dante's Divine Comedy; while Ferdinand Brunetière, the famous French literary critic, suggests that it may stem from poems by Alfred de Musset or Alfred de Vigny. While Balzac sought the comprehensive scope of Dante, his title indicates the worldly, human concerns of a realist novelist. The stories are placed in a variety of settings, with characters reappearing in multiple stories. Notable works included in the 'Human Comedy': - The Purse - Domestic Bliss - The Imaginary Mistress - A Daughter Of Eve - Honorine - Beatrix - Gobseck - A Woman Of Thirty - Old Goriot (Father Goriot) - Colonel Chabert - A Marriage Contract - Another Study Of Woman - Ursule Mirouet - Eugenie Grandet - The Vicar Of Tours - The Illustrious Gaudissart - Cesar Birotteau - Sarrasine - Cousin Bette (Cousin Betty) - The Girl With The Golden Eyes - The Chouans - Z. Marcas ...
Author: Honoré de Balzac
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 219
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Book Description
The Government Clerks by Honore de Balzac is about Monsieur Rabourdin and his life as head of a ministry in Paris. You will enjoy reading about this peculiar family man. Excerpt: "In Paris, where men of thought and study bear a certain likeness to one another, living as they do in a common center, you must have met with several resembling Monsieur Rabourdin, whose acquaintance we are about to make at a moment when he is head of a bureau in one of our most important ministries..."
Author: Honore de Balzac
Publisher: Library of Alexandria
ISBN: 1465527745
Category : Fiction
Languages : en
Pages : 19641
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Book Description
Half-way down the Rue Saint-Denis, almost at the corner of the Rue du Petit-Lion, there stood formerly one of those delightful houses which enable historians to reconstruct old Paris by analogy. The threatening walls of this tumbledown abode seemed to have been decorated with hieroglyphics. For what other name could the passer-by give to the Xs and Vs which the horizontal or diagonal timbers traced on the front, outlined by little parallel cracks in the plaster? It was evident that every beam quivered in its mortices at the passing of the lightest vehicle. This venerable structure was crowned by a triangular roof of which no example will, ere long, be seen in Paris. This covering, warped by the extremes of the Paris climate, projected three feet over the roadway, as much to protect the threshold from the rainfall as to shelter the wall of a loft and its sill-less dormer-window. This upper story was built of planks, overlapping each other like slates, in order, no doubt, not to overweight the frail house. One rainy morning in the month of March, a young man, carefully wrapped in his cloak, stood under the awning of a shop opposite this old house, which he was studying with the enthusiasm of an antiquary. In point of fact, this relic of the civic life of the sixteenth century offered more than one problem to the consideration of an observer. Each story presented some singularity; on the first floor four tall, narrow windows, close together, were filled as to the lower panes with boards, so as to produce the doubtful light by which a clever salesman can ascribe to his goods the color his customers inquire for. The young man seemed very scornful of this part of the house; his eyes had not yet rested on it. The windows of the second floor, where the Venetian blinds were drawn up, revealing little dingy muslin curtains behind the large Bohemian glass panes, did not interest him either. His attention was attracted to the third floor, to the modest sash-frames of wood, so clumsily wrought that they might have found a place in the Museum of Arts and Crafts to illustrate the early efforts of French carpentry. These windows were glazed with small squares of glass so green that, but for his good eyes, the young man could not have seen the blue-checked cotton curtains which screened the mysteries of the room from profane eyes. Now and then the watcher, weary of his fruitless contemplation, or of the silence in which the house was buried, like the whole neighborhood, dropped his eyes towards the lower regions. An involuntary smile parted his lips each time he looked at the shop, where, in fact, there were some laughable details. A formidable wooden beam, resting on four pillars, which appeared to have bent under the weight of the decrepit house, had been encrusted with as many coats of different paint as there are of rouge on an old duchess' cheek. In the middle of this broad and fantastically carved joist there was an old painting representing a cat playing rackets. This picture was what moved the young man to mirth. But it must be said that the wittiest of modern painters could not invent so comical a caricature. The animal held in one of its forepaws a racket as big as itself, and stood on its hind legs to aim at hitting an enormous ball, returned by a man in a fine embroidered coat. Drawing, color, and accessories, all were treated in such a way as to suggest that the artist had meant to make game of the shop-owner and of the passing observer. Time, while impairing this artless painting, had made it yet more grotesque by introducing some uncertain features which must have puzzled the conscientious idler. For instance, the cat's tail had been eaten into in such a way that it might now have been taken for the figure of a spectator—so long, and thick, and furry were the tails of our forefathers' cats. To the right of the picture, on an azure field which ill-disguised the decay of the wood, might be read the name "Guillaume," and to the left, "Successor to Master Chevrel." Sun and rain had worn away most of the gilding parsimoniously applied to the letters of this superscription, in which the Us and Vs had changed places in obedience to the laws of old-world orthography. To quench the pride of those who believe that the world is growing cleverer day by day, and that modern humbug surpasses everything, it may be observed that these signs, of which the origin seems so whimsical to many Paris merchants, are the dead pictures of once living pictures by which our roguish ancestors contrived to tempt customers into their houses. Thus the Spinning Sow, the Green Monkey, and others, were animals in cages whose skills astonished the passer-by, and whose accomplishments prove the patience of the fifteenth-century artisan. Such curiosities did more to enrich their fortunate owners than the signs of "Providence," "Good-faith," "Grace of God," and "Decapitation of John the Baptist," which may still be seen in the Rue Saint-Denis.
