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Author: Michael T.G. Yepes
Publisher: Xlibris Corporation
ISBN: 1499055447
Category : Fiction
Languages : en
Pages : 282
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Book Description
"Outsider Amongst the Thespians" derived from two sources. First, my 25-year-long commuting career in Los Angeles provided me with approximately 5,000-6,000 hours of uninterrupted music listening. Second, my love for Haydn eventually pointed towards a book of some sort. The combination of these two impetus (?impeti) resulted in the present novel. Since this is a work of fiction, I took liberties with some dates, such as the original performances of Mozart's three great Italian operas, as well as with a few details in Luigia Polzelli's adventurous life. For the purposes of the story, I'd also simplified the complexities of the then existing London theater companies. (Anyone interested in all the arcane details is hereby referred to the Theatre Museum and Library in Covent Garden!) I've also conjured up Lorenzo da Ponte for a brief, cameo appearance. And, "Wien, Wien nur Du allein" was written about 100+ years after these events. Otherwise, I tried to be as accurate as I knew how. Le Matin, Le Midi and Le Soir refer, of course, to three early Haydn symphonies by those names. The three books which helped me most were: 1) Karl Geiringer: Haydn, A Creative Life in Music, U. of California Press, Revised 1982 (Originally published in English in 1946). 2) H.C.C. Taylor: Goldoni: A Biography, (London, 1914). 3) M. Dorothy George: London Life in the Eighteenth Century, Academy Chicago Publishers, 1984. (First published in London in 1925) Visits to Drottningholm, Eisenstadt and Eszterhaza were of paramount importance; my last theatrical journey to London cemented in earlier impressions. The two final Haydn operas were revelations, in spite of their poor librettos. Regardless of the circumstances, Haydn, a consummate professional, always did his best. * I would like to express my deepest thanks to my sister, Mrs. Sioretine Gyepes Judit for her detailed editorial comments, and to Dr. Linda Schubert for her advice on the musical aspects of this book.
Author: Michael T.G. Yepes
Publisher: Xlibris Corporation
ISBN: 1499055447
Category : Fiction
Languages : en
Pages : 282
Get Book Here
Book Description
"Outsider Amongst the Thespians" derived from two sources. First, my 25-year-long commuting career in Los Angeles provided me with approximately 5,000-6,000 hours of uninterrupted music listening. Second, my love for Haydn eventually pointed towards a book of some sort. The combination of these two impetus (?impeti) resulted in the present novel. Since this is a work of fiction, I took liberties with some dates, such as the original performances of Mozart's three great Italian operas, as well as with a few details in Luigia Polzelli's adventurous life. For the purposes of the story, I'd also simplified the complexities of the then existing London theater companies. (Anyone interested in all the arcane details is hereby referred to the Theatre Museum and Library in Covent Garden!) I've also conjured up Lorenzo da Ponte for a brief, cameo appearance. And, "Wien, Wien nur Du allein" was written about 100+ years after these events. Otherwise, I tried to be as accurate as I knew how. Le Matin, Le Midi and Le Soir refer, of course, to three early Haydn symphonies by those names. The three books which helped me most were: 1) Karl Geiringer: Haydn, A Creative Life in Music, U. of California Press, Revised 1982 (Originally published in English in 1946). 2) H.C.C. Taylor: Goldoni: A Biography, (London, 1914). 3) M. Dorothy George: London Life in the Eighteenth Century, Academy Chicago Publishers, 1984. (First published in London in 1925) Visits to Drottningholm, Eisenstadt and Eszterhaza were of paramount importance; my last theatrical journey to London cemented in earlier impressions. The two final Haydn operas were revelations, in spite of their poor librettos. Regardless of the circumstances, Haydn, a consummate professional, always did his best. * I would like to express my deepest thanks to my sister, Mrs. Sioretine Gyepes Judit for her detailed editorial comments, and to Dr. Linda Schubert for her advice on the musical aspects of this book.
Author: Michael T.G. Yepes
Publisher: Xlibris Corporation
ISBN: 149905534X
Category : Literary Criticism
Languages : en
Pages : 194
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Book Description
I wrote this novel last, but, in fact it is the first volume of what had now become The Enlightenment Quartet. I look upon Memoirs as an introductory novel to the series. It covers an extended period, from the late 17th to the early-mid 18th century. What happens in this novel chronologically precedes the three others, and it also fills in a lacuna. In a sense, it wraps itself around the second volume. The four novels are in different formats: Memoirs are, well, memoirs. Hotel Transylvania, the next volume is a straightforward narrative. Child of Europe is largely in letters. The last, An Outsider among the Thespians is a narrative again. The Quartet deals with wars, exile, European outreach, art, and music. The protagonists are diplomats, generals, refugees, aristocrats, missionaries, artists, men and women. My overall aim was to evoke my favorite century from various viewing angles. Of course, the Quartet presents only a small portion of the times in which it is set. The Enlightenment reached its apex in the 18th century. Then, two revolutions, one political and one industrial, irrevocably changed Europe. And, as they say, progress cannot be reversed. P.S. A volume entitled Memoirs of Prince Eugene appeared in London in 1811. It turned out to be a well-meaning forgery by the Prince de Ligne I would like to repeat, once again that this novel is fiction.
Author: Ashok Raj
Publisher: Hay House, Inc
ISBN: 9381398038
Category : Performing Arts
Languages : en
Pages : 269
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Book Description
This volume focuses on the life and times of the ‘star of the millennium’, Amitabh Bachchan, and goes on to describe his contemporaries such as Shashi Kapoor, Dharmendra and Vinod Khanna, and also the next generation of heroes, including the Khans, Govinda, Hrithik Roshan and others who have followed. Ashok Raj is a research coordinator based in New Delhi. An alumnus of the Indian Institute of Technology, New Delhi, he has served as a consultant to several national and international organizations and NGOs in various spheres such as science, culture and the media. His significant work is a sixteen-part series on cinema, which was published in Screen (in 1988).
Author: Michael T.G. Yepes
Publisher: Xlibris Corporation
ISBN: 1499055374
Category : Comics & Graphic Novels
Languages : en
Pages : 203
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Book Description
The Hotel Transylvania is my third novel set in the eighteenth century. Together with Child of Europe and An Outsider Among the Thespians, they form a trio. I propose to call it The Enlightenment Trilogy. I first became interested in the person of Franois II Rkczi, Prince of Transylvania, when I read Gyula Szckfs 1909 monograph, The Exiled Rkczi. (See the appendix.) I was very impressed with Szekfs unmatched scholarship (Sz. was an archivist in Vienna and had unlimited access to the primary sources.) Equally, I was captivated by the novelistic possibilities. The juxtaposition of Rkczi, the Jansenist recluse, and the gambling house at the Hotel fascinated me. However, I sensed that Szekf had an ideological bias with which I disagreed. This book is neither an historical nor political treatise but a novel, that is, largely fiction. Ive perused a great deal of material in English, Hungarian, and French, etc., while doing research for the novel. And, I have returned to both Hungary and Paris to take a personal look at the scenes. I have had gracious help wherever I went and explained the project. Where I could identify the exact date of a book or quote, I did so. Otherwise, I gave the authors name and years. I have slightly modified a short French poem by Dorothy L. Sayers, and used Richard Wilburs excellent translations from Racine and Molire. The other translations, unless otherwise noted, are mine. I would like to thank my sister, Mrs. Sirtin Gyepes Judit not only for her literary review, but also for many of the sources. My niece, Ms. Barbara Gyepes Giammona did the editing work, and Ms. Evelyne Pnia Fodor thoroughly reviewed and edited all the French aspects. Finally, my sincere thanks to Ms. Adele Katz, who valiantly struggled through the handwritten manuscript and the many subsequent drafts. To all of them: MERCI!! thank you!
Author: Urmila Lanba
Publisher: Vision Books
ISBN: 9386268310
Category : Biography & Autobiography
Languages : en
Pages : 156
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Book Description
Known variously as the last emperor in the Indian film world, a living legend, the thespian, few would contest that Dilip Kumar has been a dominant figure for over five decades in an industry where actors spring up like mushrooms and are wiped out quickly. This book attempts to flesh out the person behind the star and how Kumar's cultured dignity and grace have given him a credibility which transcends the silver screen, making him a public figure who is both widely admired and respected. The book also contains his complete filmography and an array of photographs that chronicle his life and films. Lovingly and film-by-film, this book traces Dilip Kumar’s legendary career which started by pure chance when he was barely twenty-two and with no interest in films to speak of. Dilip Kumar achieved his undisputed status as India’s outstanding film actor through sheer hard work and astonishing dedication. Acting in only fifty-four films in nearly as many years, Dilip helped create landmark films from the 1940s to the 1980s, including Shaheed, Jogan, Devdas, Naya Daur, Mughal-e-Azam, Gunga Jumna, Sagina Mahato and Shakti, to name a few. Intensely interested in all aspects of the films he worked in, Dilip also directed several of them. Dilip Kumar is a very private man in a very public industry. Thus, while so much has been written about him in the media there remains an aura of mystery about him. This book attempts to flesh out the person behind the star and how Dilip Kumar’s cultured dignity and grace have given him a credibility which transcends the silver screen, making him a public figure who is both widely admired and respected. The book also contains a complete filmography of Dilip Kumar and an array of photographs that chronicle his life and films.
Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 560
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Book Description
Author: Clement Scott
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 366
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Book Description
Vol. for 1888 includes dramatic directory for Feb.-Dec.; vol. for 1889 includes dramatic directory for Jan.-May.
Author: John A. TenBrook
Publisher: CSS Publishing
ISBN: 0788019953
Category : Drama
Languages : en
Pages : 99
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Book Description
Stimulate audiences to see the scriptural message in a new light with these inspiring sketches based on Cycle C lectionary readings for the Lent and Easter seasons. Originally developed for presentation by a high school-age youth group, the simple, easy-to-perform scenes in this latest installment of John TenBrook's popular Thespian Theology series are an excellent tool for sharing the Gospel with unchurched people and getting them excited about Jesus Christ. Each skit is introduced by brief "Thespian Theological Thoughts" on the drama and the scripture texts. These versatile pieces can be staged as an alternative to the Sunday sermon or used for youth programs and other fellowship settings -- they're sure to enlighten audiences of all ages while leaving an indelible impression. Some of the intriguing titles include: - Dust Thou Art... Art Thou Dust? (Ash Wednesday) - Moses The Fig Tree (Lent 3) - The Spiritual Struggle Of Sidney Centurion (Passion/Palm Sunday) - "But I Wasn't There... Ya Gotta Show Me!" (Easter 2) - Let Everyone Who Is Thirsty Come (Easter 7) A graduate of Harvard University (B.A. and M.B.A.), John A. TenBrook has been addicted to the theatre ever since he appeared in Harvard's famous Hasty Pudding Show as an undergraduate. His career has included marketing and public relations positions with the Westvaco and Friendly Ice Cream corporations, and TenBrook also served as community relations director for two social service agencies in the Springfield, Massachusetts, area.
Author: Paul Mckechnie
Publisher: Routledge
ISBN: 1317808002
Category : History
Languages : en
Pages : 251
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Book Description
During the fourth century BC the number of Greeks who did not live as citizens in the city-states of southern mainland Greece increased considerably: mercenaries, pirates, itinerant artisans and traders, their origins differed widely. It has been argued that this increase was caused by the destruction of many Greek cities in the wars of the fourth century, accompanied by the large programme of settlement begun by Alexander in the East and Timoleon in the West. Although this was an important factor, argues Dr McKechnie, more crucial was an ideological deterioration of loyalties to the city: the polis was no longer absolutely normative in the fourth century and Hellenistic periods. With so many outsiders with specialist skills, Alexander and his successors were able to recruit the armies and colonists needed to conquer and maintain empires many times larger than any single polis had ever controlled.
Author: Harvey Young
Publisher: Cambridge University Press
ISBN: 1009359584
Category : Drama
Languages : en
Pages : 359
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Book Description
This new edition provides an expanded, comprehensive history of African American theatre, from the early nineteenth century to the present day. Including discussions of slave rebellions on the national stage, African Americans on Broadway, the Harlem Renaissance, African American women dramatists, and the New Negro and Black Arts movements, the Companion also features fresh chapters on significant contemporary developments, such as the influence of the Black Lives Matter movement, the mainstream successes of Black Queer Drama and the evolution of African American Dance Theatre. Leading scholars spotlight the producers, directors, playwrights, and actors who have fashioned a more accurate appearance of Black life on stage, revealing the impact of African American theatre both within the United States and around the world. Addressing recent theatre productions in the context of political and cultural change, it invites readers to reflect on where African American theatre is heading in the twenty-first century.
