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Author: Richard R. Brettell
Publisher:
ISBN:
Category : Impressionism
Languages : en
Pages : 152
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Book Description
Author: Richard R. Brettell
Publisher:
ISBN:
Category : Impressionism
Languages : en
Pages : 152
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Book Description
Author: Richard R. Brettell
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 136
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Book Description
Collection includes artists such as Pissarro, Degas, Renoir, Braque, Matisse, Bonnard, Giacometti, Moore, Maillol, Kandinsky, and Leger.
Author: Martha Kapos
Publisher:
ISBN:
Category : France in art
Languages : en
Pages : 744
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Book Description
The documents in this book -- letters and recorded comments by the artists themselves, as well as selections by notable contemporaries including Baudelaire, Zola, Valery, Mallarme, Huysman, Laforgue and Proust -- show how artists and critics during and in the aftermath of Impressionism did describe themselves: how they responded to tradition, to each other and to the kaleidoscope of the contemporary scene. The ever-expanding interpretation of Impressionism and its legacy within the changing world of twentieth-century art and art criticism is examined through the writings of artists such as Leger, Kandinsky, Masson, Matisse, Bataille, Klee and Hofmann as well as recent critics, philosophers and art historians. Accompanying the texts are 235 color plates of Impressionist and Post-Impressionist masterpieces, and 242 black and white reproductions of historical photographs, original documents, contemporary cartoons, prints and drawings. - Jacket flap.
Author: Richard R. Brettell
Publisher:
ISBN: 9780896596771
Category :
Languages : en
Pages :
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Author:
Publisher:
ISBN:
Category : Impressionism (Art)
Languages : en
Pages :
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Author: Jesse Matz
Publisher: Columbia University Press
ISBN: 0231543050
Category : Literary Criticism
Languages : en
Pages : 357
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Book Description
Impressionism captured the world's imagination in the late nineteenth century and remains with us today. Portraying the dynamic effects of modernity, impressionist artists revolutionized the arts and the wider culture. Impressionism transformed the very pattern of reality, introducing new ways to look at and think about the world and our experience of it. Its legacy has been felt in many major contributions to popular and high culture, from cubism and early cinema to the works of Zadie Smith and W. G. Sebald, from advertisements for Pepsi to the observations of Oliver Sacks and Malcolm Gladwell. Yet impressionism's persistence has also been a problem, a matter of inauthenticity, superficiality, and complicity in what is merely "impressionistic" about culture today. Jesse Matz considers these two legacies—the positive and the negative—to explain impressionism's true contemporary significance. As Lasting Impressions moves through contemporary literature, painting, and popular culture, Matz explains how the perceptual role, cultural effects, and social implications of impressionism continue to generate meaning and foster new forms of creativity, understanding, and public engagement.
Author: Sue Canterbury
Publisher:
ISBN: 9780936227320
Category :
Languages : en
Pages :
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Author: Charles River Charles River Editors
Publisher: CreateSpace
ISBN: 9781515378884
Category :
Languages : en
Pages : 110
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Book Description
*Includes pictures *Includes the artists' quotes about their lives and art *Includes online resources and a bibliography for further reading *Includes a table of contents To get a sense of the kind of prestige that Claude Monet enjoys within the art world, one need only learn that his Le Bassin Aux Nympheas (1919) - from his series of paintings featuring water lilies - sold for the equivalent of more than $70 million. This is an incredibly staggering price, especially considering that early in his life, Monet had been so poor and debt-ridden that some of his paintings were taken from him by creditors. How, exactly, did Monet progress from being an impoverished young Impressionist artist working at the vanguard of European art to the legendary Master whose works command prices near the very pinnacle of the art world? Naturally, Monet's commercial success soared exponentially in the decades following his death in 1926, at a time in which the prices commanded by the great Masters of Western art began rising in price at exponential rates. Yet even during his own lifetime, Monet enjoyed a sharp rise to fame and was canonized as one of the greatest painters in France. Following sharply in the footsteps of Edouard Manet, Claude Monet was one of the first painters identified within the Impressionist circle (indeed, it was Monet himself who coined the label of Impressionist after using it in the title of one of his paintings). Where some artists reach the peak of their acclaim early in life, Monet's star continued to rise even throughout his old age; although some would argue that the last decade or so of his life were anticlimactic, at least from an artistic standpoint, his landmark water lilies were made during his elderly years. And even though Monet would continue to paint well after the canonical period of Impressionism had ended, his name was and remains synonymous with Impressionism, along with cherished acquaintances of his, including such luminaries as Pierre-August Renoir, Camille Pissarro, and Edouard Manet. Simply put, Monet is a monumental figure when it comes to examining Western art during the second half of the 19th century. Pierre-Auguste Renoir stands alongside Claude Monet at the very peak of Impressionist painting, and though neither of them can be credited with founding the movement (that honor likely goes to Edouard Manet or Edgar Degas), Renoir and Monet remain inextricably tied to the key characteristics of Impressionism: loose brushwork; outdoor painting; an emphasis on capturing natural light and shadow; and a focus on remaining in Paris and the surrounding countryside. Yet if Monet and Renoir are each remembered for their affiliation with these descriptors, differences nevertheless distinguish them, especially the fact that Renoir concentrated less on nature than did Monet, attending instead to scenes depicting Parisian leisure activity. This thematic concern for depicting scenes of idyllic Parisian enjoyment, such as rowing in boats or grand luncheons, imbues Renoir with a greater sense of joie-de-vivre than Monet or perhaps any of the other members of the Impressionist cohort. Even though Renoir's art shares much in common with his Impressionist colleagues, both his handling of paint and even his subject matter contain significant differences that render him truly unique as a painter. That Renoir captured scenes of leisure better than any of his contemporaries was surprising and unlikely considering the background in which he was raised. Denied the opportunity for a proper education, Renoir's painting, which started at a young age, was borne more out of a need to work than in pursuit of a lifelong passion. Renoir certainly loved to paint, but like Monet, painting always remained his profession, and he treated it as such. Monet & Renoir looks at the personal background that led to the two becoming artists and the cultural climate in which they rose to fame."
Author: Horst Keller
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 286
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Author:
Publisher:
ISBN:
Category : Impressionism (Art)
Languages : en
Pages :
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