Author: Marvin Heiferman
Publisher: Conran Octopus
ISBN:
Category : Art
Languages : en
Pages : 228
Book Description
Image World
Author: Marvin Heiferman
Publisher: Conran Octopus
ISBN:
Category : Art
Languages : en
Pages : 228
Book Description
Publisher: Conran Octopus
ISBN:
Category : Art
Languages : en
Pages : 228
Book Description
A World of Images
Author: Laura H. Chapman
Publisher:
ISBN: 9780871922304
Category : Art
Languages : en
Pages : 314
Book Description
Publisher:
ISBN: 9780871922304
Category : Art
Languages : en
Pages : 314
Book Description
Picture World
Author: Rachel Teukolsky
Publisher: Oxford University Press, USA
ISBN: 0198859732
Category : Art
Languages : en
Pages : 481
Book Description
The modern media world came into being in the nineteenth century, when machines were harnessed to produce texts and images in unprecedented numbers. In the visual realm, new industrial techniques generated a deluge of affordable pictorial items, mass-printed photographs, posters, cartoons, and illustrations. These alluring objects of the Victorian parlor were miniaturized spectacles that served as portals onto phantasmagoric versions of 'the world.' Although new kinds of pictures transformed everyday life, these ephemeral items have received remarkably little scholarly attention. Picture World shines a welcome new light onto these critically neglected yet fascinating visual objects. They serve as entryways into the nineteenth century's key aesthetic concepts. Each chapter pairs a new type of picture with a foundational keyword in Victorian aesthetics, a familiar term reconceived through the lens of new media. 'Character' appears differently when considered with caricature, in the new comics and cartoons appearing in the mass press in the 1830s; likewise, the book approaches 'realism' through pictorial journalism; 'illustration' via illustrated Bibles; 'sensation' through carte-de-visite portrait photographs; 'the picturesque' by way of stereoscopic views; and 'decadence' through advertising posters. Picture World studies the aesthetic effects of the nineteenth century's media revolution: it uses the relics of a previous era's cultural life to interrogate the Victorian world's most deeply-held values, arriving at insights still relevant in our own media age.
Publisher: Oxford University Press, USA
ISBN: 0198859732
Category : Art
Languages : en
Pages : 481
Book Description
The modern media world came into being in the nineteenth century, when machines were harnessed to produce texts and images in unprecedented numbers. In the visual realm, new industrial techniques generated a deluge of affordable pictorial items, mass-printed photographs, posters, cartoons, and illustrations. These alluring objects of the Victorian parlor were miniaturized spectacles that served as portals onto phantasmagoric versions of 'the world.' Although new kinds of pictures transformed everyday life, these ephemeral items have received remarkably little scholarly attention. Picture World shines a welcome new light onto these critically neglected yet fascinating visual objects. They serve as entryways into the nineteenth century's key aesthetic concepts. Each chapter pairs a new type of picture with a foundational keyword in Victorian aesthetics, a familiar term reconceived through the lens of new media. 'Character' appears differently when considered with caricature, in the new comics and cartoons appearing in the mass press in the 1830s; likewise, the book approaches 'realism' through pictorial journalism; 'illustration' via illustrated Bibles; 'sensation' through carte-de-visite portrait photographs; 'the picturesque' by way of stereoscopic views; and 'decadence' through advertising posters. Picture World studies the aesthetic effects of the nineteenth century's media revolution: it uses the relics of a previous era's cultural life to interrogate the Victorian world's most deeply-held values, arriving at insights still relevant in our own media age.
Image Brokers
Author: Zeynep Devrim Gursel
Publisher: Univ of California Press
ISBN: 0520961617
Category : Social Science
Languages : en
Pages : 425
Book Description
How does a photograph become a news image? An ethnography of the labor behind international news images, Image Brokers ruptures the self-evidence of the journalistic photograph by revealing the many factors determining how news audiences are shown people, events, and the world. News images, Zeynep Gürsel argues, function as formative fictions – fictional insofar as these images are constructed and culturally mediated, and formative because their public presence and circulation have real consequences in the world. Set against the backdrop of the War on Terror and based on fieldwork conducted at photojournalism’s centers of power, Image Brokers offers an intimate look at an industry in crisis. At the turn of the 21st century, image brokers—the people who manage the distribution and restriction of news images—found the core technologies of their craft, the status of images, and their own professional standing all changing rapidly with the digitalization of the infrastructures of representation. From corporate sales meetings to wire service desks, newsrooms to photography workshops and festivals, Image Brokers investigates how news images are produced and how worldviews are reproduced in the process.
Publisher: Univ of California Press
ISBN: 0520961617
Category : Social Science
Languages : en
Pages : 425
Book Description
How does a photograph become a news image? An ethnography of the labor behind international news images, Image Brokers ruptures the self-evidence of the journalistic photograph by revealing the many factors determining how news audiences are shown people, events, and the world. News images, Zeynep Gürsel argues, function as formative fictions – fictional insofar as these images are constructed and culturally mediated, and formative because their public presence and circulation have real consequences in the world. Set against the backdrop of the War on Terror and based on fieldwork conducted at photojournalism’s centers of power, Image Brokers offers an intimate look at an industry in crisis. At the turn of the 21st century, image brokers—the people who manage the distribution and restriction of news images—found the core technologies of their craft, the status of images, and their own professional standing all changing rapidly with the digitalization of the infrastructures of representation. From corporate sales meetings to wire service desks, newsrooms to photography workshops and festivals, Image Brokers investigates how news images are produced and how worldviews are reproduced in the process.
Human Image World Image
Author: Philip Sherrard
Publisher:
ISBN: 9789607120175
Category : Religion
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9789607120175
Category : Religion
Languages : en
Pages : 0
Book Description
The Age of the Image
Author: Stephen Apkon
Publisher: Macmillan
ISBN: 0374102430
Category : Art
Languages : en
Pages : 290
Book Description
This book describes the history of storytelling, including how each form, from scrolls to printing presses to film and social media, works on the human brain, and discusses the rules of effective visual storytelling.
Publisher: Macmillan
ISBN: 0374102430
Category : Art
Languages : en
Pages : 290
Book Description
This book describes the history of storytelling, including how each form, from scrolls to printing presses to film and social media, works on the human brain, and discusses the rules of effective visual storytelling.
How to See the World
Author: Nicholas Mirzoeff
Publisher: Basic Books
ISBN: 0465096018
Category : Social Science
Languages : en
Pages : 219
Book Description
Every two minutes, Americans alone take more photographs than were printed in the entire nineteenth century; every minute, people from around the world upload over 300 hours of video to YouTube; and in 2014, we took over one trillion photographs. From the funny memes that we send to our friends to the disturbing photographs we see in the news, we are consuming and producing images in quantities and ways that could never have been anticipated. In the process, we are producing a new worldview powered by changing demographics -- one where the majority of people are young, urban, and globally connected. In How to See the World, visual culture expert Nicholas Mirzoeff offers a sweeping look at history's most famous images -- from Velezquez's Las Meninas to the iconic "Blue Marble" -- to contextualize and make sense of today's visual world. Drawing on art history, sociology, semiotics, and everyday experience, he teaches us how to close read everything from astronaut selfies to Impressionist self-portraits, from Hitchcock films to videos taken by drones. Mirzoeff takes us on a journey through visual revolutions in the arts and sciences, from new mapping techniques in the seventeenth century to new painting styles in the eighteenth and the creation of film, photography, and x-rays in the nineteenth century. In today's networked world, mobile technology and social media enable us to exercise "visual activism" -- the practice of producing and circulating images to drive political and social change. Whether we are looking at pictures showing the effects of climate change on natural and urban landscapes or an fMRI scan demonstrating neurological addiction, Mirzoeff helps us to find meaning in what we see. A powerful and accessible introduction to this new visual culture, How to See the World reveals how images shape our lives, how we can harness their power for good, and why they matter to us all.
Publisher: Basic Books
ISBN: 0465096018
Category : Social Science
Languages : en
Pages : 219
Book Description
Every two minutes, Americans alone take more photographs than were printed in the entire nineteenth century; every minute, people from around the world upload over 300 hours of video to YouTube; and in 2014, we took over one trillion photographs. From the funny memes that we send to our friends to the disturbing photographs we see in the news, we are consuming and producing images in quantities and ways that could never have been anticipated. In the process, we are producing a new worldview powered by changing demographics -- one where the majority of people are young, urban, and globally connected. In How to See the World, visual culture expert Nicholas Mirzoeff offers a sweeping look at history's most famous images -- from Velezquez's Las Meninas to the iconic "Blue Marble" -- to contextualize and make sense of today's visual world. Drawing on art history, sociology, semiotics, and everyday experience, he teaches us how to close read everything from astronaut selfies to Impressionist self-portraits, from Hitchcock films to videos taken by drones. Mirzoeff takes us on a journey through visual revolutions in the arts and sciences, from new mapping techniques in the seventeenth century to new painting styles in the eighteenth and the creation of film, photography, and x-rays in the nineteenth century. In today's networked world, mobile technology and social media enable us to exercise "visual activism" -- the practice of producing and circulating images to drive political and social change. Whether we are looking at pictures showing the effects of climate change on natural and urban landscapes or an fMRI scan demonstrating neurological addiction, Mirzoeff helps us to find meaning in what we see. A powerful and accessible introduction to this new visual culture, How to See the World reveals how images shape our lives, how we can harness their power for good, and why they matter to us all.
Focus, Passages
Author: Lark Books
Publisher: Lark Books (NC)
ISBN: 9781600596803
Category : Architectural photography
Languages : en
Pages : 0
Book Description
Just look closely-and creative doors will open! This second book in the successful FOCUS series unlocks a doorway to the imagination, with a collection of approximately 250 photographs of passages of all kinds, captured by amateur photographers. Doors are rich in meaning: they literally allow us to move from one place to the other, but also symbolize temptation, invitation, separation, and mystery. For these reasons, as well as their physical beauty, photographers have found them irresistible. From a graffiti-scrawled urban door and an aged barn door to an elegant glass door glowing with dappled light and a curious circular door set into an ivy-covered rock wall, these images redefine the ordinary…and shine a new light on the world.
Publisher: Lark Books (NC)
ISBN: 9781600596803
Category : Architectural photography
Languages : en
Pages : 0
Book Description
Just look closely-and creative doors will open! This second book in the successful FOCUS series unlocks a doorway to the imagination, with a collection of approximately 250 photographs of passages of all kinds, captured by amateur photographers. Doors are rich in meaning: they literally allow us to move from one place to the other, but also symbolize temptation, invitation, separation, and mystery. For these reasons, as well as their physical beauty, photographers have found them irresistible. From a graffiti-scrawled urban door and an aged barn door to an elegant glass door glowing with dappled light and a curious circular door set into an ivy-covered rock wall, these images redefine the ordinary…and shine a new light on the world.
The World Book Encyclopedia
Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 554
Book Description
An encyclopedia designed especially to meet the needs of elementary, junior high, and senior high school students.
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 554
Book Description
An encyclopedia designed especially to meet the needs of elementary, junior high, and senior high school students.
Dynamis of the Image
Author: Emmanuel Alloa
Publisher:
ISBN: 9783110528749
Category : Art
Languages : en
Pages : 384
Book Description
Images are not neutral conveyors of messages that are sent around the globe in order to reach a global audience. They represent a force that can trigger very different reactions and counteract new visual tendencies towards hegemony within a global world. The volume contains a compilation of case studies from the media, art, political and religious sciences, as well as from anthropology and the natural sciences. By focusing on the power of images outside their use in the media, the authors venture into new territory: the contributions from Hans Belting, Georges Didi-Huberman, W.J.T. Mitchell and others provide proof that globalization is not the same as homogenization, and that images are very capable of opening paths towards alternative facts in order to portray the future.
Publisher:
ISBN: 9783110528749
Category : Art
Languages : en
Pages : 384
Book Description
Images are not neutral conveyors of messages that are sent around the globe in order to reach a global audience. They represent a force that can trigger very different reactions and counteract new visual tendencies towards hegemony within a global world. The volume contains a compilation of case studies from the media, art, political and religious sciences, as well as from anthropology and the natural sciences. By focusing on the power of images outside their use in the media, the authors venture into new territory: the contributions from Hans Belting, Georges Didi-Huberman, W.J.T. Mitchell and others provide proof that globalization is not the same as homogenization, and that images are very capable of opening paths towards alternative facts in order to portray the future.