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Languages : en
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Author: Tav Falco
Publisher:
ISBN: 9780983248088
Category : Photography
Languages : de
Pages : 0
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Book Description
Musician/performer, filmmaker, and photographer, Tav Falco guides us through the home towns and gravel roads of America s deep South, the backwoods spiritual sanctuary that he knows so well. AN ICONOGRAPHY OF CHANCE is a psycho-iconography in pictures, with a captioned intertext of the urban specters, rural fables and visual cliches that have made the gothic South a netherworld of dreams and a necropolis of terrors. Roadside icons in Arkansas, Louisana, Mississippi, and Tennessee evoke more than indexed/nuanced signs and meanings; they are infused with emotion, and through Falco s lens become living, breathing images. Whether overtly or discreetly conjured, these images resonate with the undercurrent of sentiment, of betrayal, of lost causes in which the photographer's pictures are soaked. The secret eye of Falco is drawn to that which was overlooked, thrown out and rejected by established norms of perception, whilst his decorticated compositional framing reveals the sadness and nakedness of America forlorn, adrift, and distracted with colliding identities. In Falco's hands the camera excavates an Orphic vision of the American South, penetrating like no other in his stated mission to agitate the dark waters of the unconscious. "
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Category :
Languages : en
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Author: Robin Kelsey
Publisher: Harvard University Press
ISBN: 0674426193
Category : Photography
Languages : en
Pages : 409
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Book Description
Photography has a unique relationship to chance. Anyone who has wielded a camera has taken a picture ruined by an ill-timed blink or enhanced by an unexpected gesture or expression. Although this proneness to chance may amuse the casual photographer, Robin Kelsey points out that historically it has been a mixed blessing for those seeking to make photographic art. On the one hand, it has weakened the bond between maker and picture, calling into question what a photograph can be said to say. On the other hand, it has given photography an extraordinary capacity to represent the unpredictable dynamism of modern life. By delving into these matters, Photography and the Art of Chance transforms our understanding of photography and the work of some of its most brilliant practitioners. The effort to make photographic art has involved a call and response across generations. From the introduction of photography in 1839 to the end of the analog era, practitioners such as William Henry Fox Talbot, Julia Margaret Cameron, Alfred Stieglitz, Frederick Sommer, and John Baldessari built upon and critiqued one another’s work in their struggle to reconcile aesthetic aspiration and mechanical process. The root problem was the technology’s indifference, its insistence on giving a bucket the same attention as a bishop and capturing whatever wandered before the lens. Could such an automatic mechanism accommodate imagination? Could it make art? Photography and the Art of Chance reveals how daring innovators expanded the aesthetic limits of photography to create art for a modern world.
Author: Robin Kelsey
Publisher: Harvard University Press
ISBN: 0674744004
Category : Art
Languages : en
Pages : 409
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Book Description
As anyone who has wielded a camera knows, photography has a unique relationship to chance. It also represents a struggle to reconcile aesthetic aspiration with a mechanical process. Robin Kelsey reveals how daring innovators expanded the aesthetic limits of photography in order to create art for a modern world.
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Publisher: Pelican Publishing
ISBN: 1455603309
Category :
Languages : en
Pages : 64
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Author: Luciano Cheles
Publisher: Penn State Press
ISBN: 9780271043999
Category : Celebrities
Languages : en
Pages : 204
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Author: Nigel Jonathan Spivey
Publisher: Univ of California Press
ISBN: 9780520230224
Category : Art
Languages : en
Pages : 280
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Book Description
Sebastians pierced with arrows, self-portraits of the aging Rembrandt, and the tortured art of Vincent van Gogh. Exploring the tender, complex rapport between art and pain, Spivey guides us through the twentieth-century photographs of casualties of war, Edvard Munch's The Scream, and back to the recorded horrors of the Holocaust.".
Author: Helene E. Roberts
Publisher: Routledge
ISBN: 1136787933
Category : Art
Languages : en
Pages : 1072
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Book Description
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Hans Belting
Publisher: University of Chicago Press
ISBN: 9780226042152
Category : Art
Languages : en
Pages : 692
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Book Description
Before the Renaissance and Reformation, holy images were treated not as "art" but as objects of veneration which possessed the tangible presence of the Holy. the faithful believed that these images served as relics and were able to work miracles, deliver oracles, and bring victory to the battlefield. In this magisterial book, Hans Belting traces the long history of the sacral image and its changing role--from surrogate for the represented image to an original work of art--in European culture. Likeness and Presence looks at the beliefs, superstitions, hopes, and fears that come into play as people handle and respond to sacred images, and presents a compelling interpretation of the place of the image in Western history. -- Back cover
Author: F. A. C. Wilson
Publisher: Pickle Partners Publishing
ISBN: 1789122430
Category : History
Languages : en
Pages : 547
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Book Description
William Butler Yeats (1865-1939) was an Irish poet and one of the foremost figures of 20th century literature. A pillar of both the Irish and British literary establishments, he helped to found the Abbey Theatre, and in his later years served as an Irish Senator for two terms. Awarded the Nobel Prize in Literature in 1923, Yeats—along with Lady Gregory, Edward Martyn and others—was a driving force behind the Irish Literary Revival. “This study is a sequel to my W. B. Yeats And Tradition, and the Yeats scholar may like to take all my work in conjunction; but I have tried to make it possible for the two books to be read independently. “The aim of this book is to interpret what Yeats meant by the symbolism of five of his plays, Four Plays for Dancers and The Cat and the Moon; also by that of a number of related lyrics. I should stress, once and for all, that I am concerned primarily with what the symbols meant for the poet himself; Yeats of course hoped that the ‘words on the page’ would work for him, and he also believed in a collective unconscious which would operate to suggest his archetypal meanings to all readers; but it can of course be maintained that communication fails. I myself doubt whether this ever happens; but I cannot prove this statement in a book not concerned with technique; and this is why I define my field as I have done. What Yeats believed his plays and poems to mean is a valid field for scholarship; and the meaning he attached is certainly the archetypal meaning, which is therefore my main preoccupation.”—F. A. C. Wilson
