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Author: Anne Bogart
Publisher: Routledge
ISBN: 1317703685
Category : Performing Arts
Languages : en
Pages : 202
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Book Description
Anne Bogart is an award-winning theatre maker, and a best-selling writer of books about theatre, art, and cultural politics. In this her latest collection of essays she explores the story-telling impulse, and asks how she, as a ‘product of postmodernism’, can reconnect to the primal act of making meaning and telling stories. She also asks how theatre practitioners can think of themselves not as stagers of plays but ‘orchestrators of social interactions’ and participants in an on-going dialogue about the future. We dream. And then occasionally we attempt to share our dreams with others. In recounting our dreams we try to construct a narrative... We also make stories out of our daytime existence. The human brain is a narrative creating machine that takes whatever happens and imposes chronology, meaning, cause and effect... We choose. We can choose to relate to our circumstances with bitterness or with openness. The stories that we tell determine nothing less than personal destiny. (From the introduction) This compelling new book is characteristically made up of chapters with one-word titles: Spaciousness, Narrative, Heat, Limits, Error, Politics, Arrest, Empathy, Opposition, Collaboration and Sustenance. In addition to dipping into neuroscience, performance theory and sociology, Bogart also recounts vivid stories from her own life. But as neuroscience indicates, the event of remembering what happened is in fact the creation of something new.
Author: Anne Bogart
Publisher: Routledge
ISBN: 1317703685
Category : Performing Arts
Languages : en
Pages : 202
Get Book Here
Book Description
Anne Bogart is an award-winning theatre maker, and a best-selling writer of books about theatre, art, and cultural politics. In this her latest collection of essays she explores the story-telling impulse, and asks how she, as a ‘product of postmodernism’, can reconnect to the primal act of making meaning and telling stories. She also asks how theatre practitioners can think of themselves not as stagers of plays but ‘orchestrators of social interactions’ and participants in an on-going dialogue about the future. We dream. And then occasionally we attempt to share our dreams with others. In recounting our dreams we try to construct a narrative... We also make stories out of our daytime existence. The human brain is a narrative creating machine that takes whatever happens and imposes chronology, meaning, cause and effect... We choose. We can choose to relate to our circumstances with bitterness or with openness. The stories that we tell determine nothing less than personal destiny. (From the introduction) This compelling new book is characteristically made up of chapters with one-word titles: Spaciousness, Narrative, Heat, Limits, Error, Politics, Arrest, Empathy, Opposition, Collaboration and Sustenance. In addition to dipping into neuroscience, performance theory and sociology, Bogart also recounts vivid stories from her own life. But as neuroscience indicates, the event of remembering what happened is in fact the creation of something new.
Author: Marian E. Hampton
Publisher: Hal Leonard Corporation
ISBN: 9781557832825
Category : Language Arts & Disciplines
Languages : en
Pages : 292
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Book Description
Twenty-four leading voice experts speak out on the changing role of voice on stage. Essay topics include: Re-Discovering Lost Voices * Thoughts on Theatre, Therapy, and the Art of Voice * Finding Our Lost Singing Voices * Voice Training, Where Have We Come From? * Vocal Coaching in Private Practice * more.
Author: Arthur Miller
Publisher: Viking Adult
ISBN:
Category : Literary Criticism
Languages : en
Pages : 104
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Book Description
At once witty, wise and deeply provocative, On Politics and the Art of Acting is essential reading for everyone seriously interested in the American political scene."--BOOK JACKET.
Author: Jack Garfein
Publisher: Northwestern University Press
ISBN: 0810126737
Category : Biography & Autobiography
Languages : en
Pages : 311
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Book Description
"Jack Garfein's book is a touching reminder of our early attempts at creating theater without artifice. It is good to know that he is still working hard at it."---Ben Gazzara --
Author: David Thomson
Publisher: Yale University Press
ISBN: 0300213697
Category : Drama
Languages : en
Pages : 191
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Book Description
Does acting matter? David Thomson, one of our most respected and insightful writers on movies and theater, answers this question with intelligence and wit. In this fresh and thought-provoking essay, Thomson tackles this most elusive of subjects, examining the allure of the performing arts for both the artist and the audience member while addressing the paradoxes inherent in acting itself. He reflects on the casting process, on stage versus film acting, and on the cult of celebrity. The art and considerable craft of such gifted artists as Meryl Streep, Laurence Olivier, Vivien Leigh, Marlon Brando, Daniel Day-Lewis, and others are scrupulously appraised here, as are notions of “good” and “bad” acting. Thomson’s exploration is at once a meditation on and a celebration of a unique and much beloved, often misunderstood, and occasionally derided art form. He argues that acting not only “matters” but is essential and inescapable, as well as dangerous, chronic, transformative, and exhilarating, be it on the theatrical stage, on the movie screen, or as part of our everyday lives.
Author: Erika Fischer-Lichte
Publisher: University of Iowa Press
ISBN: 9781587290633
Category : Language Arts & Disciplines
Languages : en
Pages : 428
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Book Description
Theatre, in some respects, resembles a market. Stories, rituals, ideas, perceptive modes, conversations, rules, techniques, behavior patterns, actions, language, and objects constantly circulate back and forth between theatre and the other cultural institutions that make up everyday life in the twentieth century. These exchanges, which challenge the established concept of theatre in a way that demands to be understood, form the core of Erika Fischer-Lichte's dynamic book. Each eclectic essay investigates the boundaries that separate theatre from other cultural domains. Every encounter between theatre and other art forms and institutions renegotiates and redefines these boundaries as part of an ongoing process. Drawing on a wealth of fascinating examples, both historical and contemporary, Fischer-Lichte reveals new perspectives in theatre research from quite a number of different approaches. Energetically and excitingly, she theorizes history, theorizes and historicizes performance analysis, and historicizes theory.
Author: Anne Bogart
Publisher: Bloomsbury Publishing
ISBN: 1350155918
Category : Performing Arts
Languages : en
Pages : 185
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Book Description
What is artistic resonance and how can it be linked to one's life and one's art? This latest book of essays from legendary theatre director Anne Bogart, considers the creation of resonance in the artistic endeavour, with a focus on the performing arts. The word 'resonance' comes from the Latin meaning to 're-sound' or 'sound together'. From music to physics, resonance is a common thread that evokes a response and, in general, is understood as a quality that makes something personally meaningful and valuable. For Bogart, curiosity is a key personal quality to be nurtured throughout life and that very same curiosity, as an artist, thinker and human being. Creating pathways between performance theory, art history, neuroscience, music, architecture and the visual arts, and consistently forging new thought-paths, the writing draws upon Anne Bogart's own life and artistic journeys to illuminate potent philosophical ideas. Woven with personal anecdotes, stories and reflections, this is a book that will be of interest to any theatre artist and anyone who reflects on the power of the arts, of theatre-making and what it means to be engaged in the artistic process.
Author: David Carter
Publisher: Oldacastle Books
ISBN: 1842434284
Category : Performing Arts
Languages : en
Pages : 138
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Book Description
Aimed at both the amateur enthusiast and those wishing to pursue their interest and undertake professional training, this basic introduction to the craft is full of valuable adviceThe basic skills that every actor needs to develop are covered in this guide, including breathing, voice control, the use of body language, timing, and handling the audience. The importance of understanding a text and the interaction of the characters within it is considered, as is the relationship between the actor/actress and director. Auxiliary activities such as actors' exercises and warm-ups are evaluated and general advice is provided. Specific skills are discussed, such as learning lines, mime, mastering dialects and accents, period manners, and how to ensure that makeup is suitable to the role. Summaries are provided of the ideas of famous theorists, directors, and actors, such as Stanislawski, Lee Strasberg, Michael Chekhov and Dorothy Heathcote, Peter Brook and Peter Hall, as well as John Gielgud, Laurence Olivier, Simon Callow, Ian McKellen, Judi Dench, Alec Guinness, Michael Caine, and Dirk Bogarde. Other topics considered are the differences between stage and screen acting; the problems of acting in the open air; and the particular demands of certain playwrights, such as Shakespeare and Brecht.
Author: Edward Gordon Craig
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 380
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Book Description
Author: Moses Goldberg
Publisher:
ISBN: 9780876020395
Category : Children's theater
Languages : en
Pages : 0
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Book Description
"Mark Twain called the theatre for young audiences "one of the great inventions of the twentieth century." Moving into the twenty-first century, the field continues to grow in importance--as an educational force, certainly, but also as an art form, and maybe even as a political weapon for change in our complex society. Moses Goldberg has been a witness to, and an important leader of, much of that development. In this collection of essays, he reveals his personal insights and passions, drawing on his years of experience in the changing field--especially his twenty-five years as Producing Director of Louisville's Stage One. The essays divide into three sections, examining the politics, the art, and the business of TYA. Sample titles include such provocative concepts as: The Actor/Priest, The 60-Minute Myth, and The Stage by Stages. Altogether they represent a heady compilation of wisdom from one of the field's most visible leaders."--Publisher's description.
