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Author: Julian Barnes
Publisher: Vintage
ISBN: 1101874791
Category : Art
Languages : en
Pages : 310
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Book Description
An extraordinary collection of essays on the great masters of nineteenth- and twentieth-century art—from the Booker Prize-winning, bestselling author of The Sense of an Ending. “An engaging and empathetic volume.” —The New York Times Book Review As Julian Barnes notes: “Flaubert believed that it was impossible to explain one art form in terms of another, and that great paintings required no words of explanation. Braque thought the ideal state would be reached when we said nothing at all in front of a painting … But it is a rare picture that stuns, or argues, us into silence. And if one does, it is only a short time before we want to explain and understand the very silence into which we have been plunged.” This is the exact dynamic that informs his new book. In his 1989 novel A History of the World in 10½ Chapters, Barnes had a chapter on Géricault’s The Raft of the Medusa, and since then he has written about many great masters of art, including Delacroix, Manet, Fantin-Latour, Cézanne, Degas, Redon, Bonnard, Vuillard, Vallotton, Braque, Magritte, Oldenburg, Lucian Freud and Howard Hodgkin. The seventeen essays gathered here help trace the arc from Romanticism to Realism and into Modernism; they are adroit, insightful and, above all, a true pleasure to read.
Author: Julian Barnes
Publisher: Vintage
ISBN: 1101874791
Category : Art
Languages : en
Pages : 310
Get Book Here
Book Description
An extraordinary collection of essays on the great masters of nineteenth- and twentieth-century art—from the Booker Prize-winning, bestselling author of The Sense of an Ending. “An engaging and empathetic volume.” —The New York Times Book Review As Julian Barnes notes: “Flaubert believed that it was impossible to explain one art form in terms of another, and that great paintings required no words of explanation. Braque thought the ideal state would be reached when we said nothing at all in front of a painting … But it is a rare picture that stuns, or argues, us into silence. And if one does, it is only a short time before we want to explain and understand the very silence into which we have been plunged.” This is the exact dynamic that informs his new book. In his 1989 novel A History of the World in 10½ Chapters, Barnes had a chapter on Géricault’s The Raft of the Medusa, and since then he has written about many great masters of art, including Delacroix, Manet, Fantin-Latour, Cézanne, Degas, Redon, Bonnard, Vuillard, Vallotton, Braque, Magritte, Oldenburg, Lucian Freud and Howard Hodgkin. The seventeen essays gathered here help trace the arc from Romanticism to Realism and into Modernism; they are adroit, insightful and, above all, a true pleasure to read.
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 638
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Book Description
Author: John R. Blakinger
Publisher: MIT Press
ISBN: 0262039869
Category : Art
Languages : en
Pages : 505
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Book Description
How Gyorgy Kepes, the last disciple of Bauhaus modernism, became the single most significant artist within a network of scientific experts and elites. Gyorgy Kepes (1906–2001) was the last disciple of Bauhaus modernism, an acolyte of László Moholy-Nagy and a self-styled revolutionary artist. But by midcentury, transplanted to America, Kepes found he was trapped in the military-industrial-aesthetic complex. In this first book-length study of Kepes, John Blakinger argues that Kepes, by opening the research laboratory to the arts, established a new paradigm for creative practice: the artist as technocrat. First at Chicago's New Bauhaus and then for many years at MIT, Kepes pioneered interdisciplinary collaboration between the arts and sciences—what he termed “interthinking” and “interseeing.” Kepes and his colleagues—ranging from metallurgists to mathematicians—became part of an important but little-explored constellation: the Cold War avant-garde. Blakinger traces Kepes's career in the United States through a series of episodes: Kepes's work with the military on camouflage techniques; his development of a visual design pedagogy, as seen in the exhibition The New Landscape and his book The New Landscape in Art and Science; his encyclopedic Vision + Value series; his unpublished magnum opus, the Light Book; the Center for Advanced Visual Studies (CAVS), an art-science research institute established by Kepes at MIT in 1967; and the Center's proposals for massive environmental installations that would animate the urban landscape. CAVS was entangled in the antiwar politics of the late 1960s, as many students and faculty protested MIT's partnerships with defense contractors—some of whom had ties to the Center. In attempting to “undream” the Bauhaus into existence in the postwar world, Kepes faced profound resistance. Generously illustrated, drawing on the vast archive of Kepes's papers at Stanford and MIT's CAVS Special Collection, this book supplies a missing chapter in our understanding of midcentury modern and Cold War visual culture.
Author: John Burnet
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 140
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Book Description
Author: George S. Davis
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 408
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Book Description
Author: John Burnet
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 392
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Book Description
Author: John Paull
Publisher: Xlibris Corporation
ISBN: 1469125676
Category : Biography & Autobiography
Languages : en
Pages : 312
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Book Description
Through My Eyes, the first of three memoirs, describes Johns childhood in a working class community in SW England, , and its impact on his lifetime work as a teacher of children and teacher of teachers. John began his career in the swinging 60s, teaching in Leicestershire, then the leading light in progressive education. Perceived to be a successful and effective teacher, he quickly moved out of the classroom, joining the Leicestershire Advisory team, with a brief to support the classroom development of hands-on science activity. Converting an old one-teacher village school, John created Foxton Field Study Center, inviting teachers and students to visit for hands-on activity. In the mid 1960s, his work in the field of science soon came to the notice of American educators, and John was invited to run several science workshops for teachers in various parts of the U.S. In 1970, he joined Professor David Hawkins at CU Boulder, when David opened the Mountain View Center for Environmental Education, a base for teachers wanting to do more and more hands-on science with their students.
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 698
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Book Description
Author: Sandra Hagan
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754657521
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
This interdisciplinary collection presents new research on the Brontës' intense and varied relationship to the wider world of the arts. With essays by scholars who represent the fields of literary studies, music, art, theatre studies, and material culture, the volume brings together the strongest current research and suggests areas for future work on the Brontës and their cultural contexts.
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 726
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Book Description
