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Author: Charles Avison
Publisher:
ISBN:
Category :
Languages : en
Pages : 166
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Author: Charles Avison
Publisher:
ISBN:
Category :
Languages : en
Pages : 166
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Book Description
Author: Charles Avison
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 138
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Author: CHARLES. AVISON
Publisher:
ISBN: 9781033165157
Category :
Languages : en
Pages : 0
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Pierre Dubois
Publisher: Routledge
ISBN: 1351572350
Category : Music
Languages : en
Pages : 271
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Book Description
Charles Avison's Essay on Musical Expression, first published in 1752, is a major contribution to the debate on musical aesthetics which developed in the course of the 18th century. Considered by Charles Burney as the first essay devoted to 'musical criticism' proper, it established the primary importance of 'expression' and reconsidered the relative importance of harmony and melody. Immediately after its publication it was followed by William Hayes's Remarks (1753), to which Avison himself retorted in his Reply. Taken together these three texts offer a fascinating insight into the debate that raged in the 18th century between the promoters of the so-called 'ancient music' (such as Hayes) and the more 'modern' musicians. Beyond matters of taste, what was at stake in Avison's theoretical contribution was the assertion that the individual's response to music ultimately mattered more than the dry rules established by professional musicians. Avison also wrote several prefaces to the published editions of his own musical compositions. This volume reprints these prefaces and advertisements together with his Essay to provide an interesting view of eighteenth-century conceptions of composition and performance, and a complete survey of Avison's theory of music.
Author: Pierre Dubois
Publisher: Routledge
ISBN: 1351572342
Category : Music
Languages : en
Pages : 415
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Book Description
Charles Avison's Essay on Musical Expression, first published in 1752, is a major contribution to the debate on musical aesthetics which developed in the course of the 18th century. Considered by Charles Burney as the first essay devoted to 'musical criticism' proper, it established the primary importance of 'expression' and reconsidered the relative importance of harmony and melody. Immediately after its publication it was followed by William Hayes's Remarks (1753), to which Avison himself retorted in his Reply. Taken together these three texts offer a fascinating insight into the debate that raged in the 18th century between the promoters of the so-called 'ancient music' (such as Hayes) and the more 'modern' musicians. Beyond matters of taste, what was at stake in Avison's theoretical contribution was the assertion that the individual's response to music ultimately mattered more than the dry rules established by professional musicians. Avison also wrote several prefaces to the published editions of his own musical compositions. This volume reprints these prefaces and advertisements together with his Essay to provide an interesting view of eighteenth-century conceptions of composition and performance, and a complete survey of Avison's theory of music.
Author: Charles Avison
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 221
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Author: Charles Avison
Publisher:
ISBN:
Category :
Languages : en
Pages : 292
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Author: Charles Avison
Publisher: Forgotten Books
ISBN: 9780331833201
Category : Music
Languages : en
Pages : 150
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Book Description
Excerpt from An Essay on Musical Expression La Mafim zma Volta e l'z'mparawua, Tm gl' buomz'm' 1 pm grandi, ai' 'pz'ujbmofi. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 221
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