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Author: Harry Furniss
Publisher: elt press
ISBN: 9780944318201
Category : Literary Criticism
Languages : en
Pages : 144
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Book Description
Author: Harry Furniss
Publisher: elt press
ISBN: 9780944318201
Category : Literary Criticism
Languages : en
Pages : 144
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Book Description
Author: David Paroissien
Publisher: John Wiley & Sons
ISBN: 0470691220
Category : Literary Criticism
Languages : en
Pages : 536
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Book Description
A Companion to Charles Dickens concentrates on the historical, ideological, and social forces that defined Dickens’s world. Puts Dickens’s work into its literary, historical, and social contexts Traces the development of Dickens’s career as a journalist and novelist Includes original essays by leading Dickensian scholars on each of Dickens’s fifteen novels Explores a broad range of topics, including criticisms of his novels, the use of history and law in his fiction, language, and the effect of political and social reform Examines Dickens's legacy and surveys the mass of secondary materials that has been generated in response and reverence to his writing
Author: Emily Bell
Publisher: White Rose University Press
ISBN: 1912482215
Category : Social Science
Languages : en
Pages : 261
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Book Description
The 20th and 21st centuries have continued the quest, so aptly described by G. K. Chesterton in 1906, to ‘find’ Charles Dickens and recapture the characteristically Dickensian. From research attempting to classify and categorise the nature of his popularity to a century of film adaptations, Dickens’s legacy encompasses an array of conventional and innovative forms. Dickens After Dickens includes chapters from rising and leading scholars in the field, offering creative and varied discussion of the continued and evolving influence of Dickens and the nature of his legacy across the 19th, 20th and 21st centuries. Its chapters show the surprising resonances that Dickens has had and continues to have, arguing that the author’s impact can be seen in mainstream cultural phenomena such as HBO’s TV series The Wire and Donna Tartt’s novel The Goldfinch, as well as in diverse areas such as Norwegian literature, video games and neo-Victorian fiction. It discusses Dickens as a biographical figure, an intertextual moment, and a medium through which to explore contemporary concerns around gender and representation. The new research represented in this book brings together a range of methodologies, approaches and sources, offering an accessible and engaging re-evaluation that will be of interest to scholars of Dickens, Victorian fiction, adaptation, and cultural history, and to teachers, students, and general readers interested in the ways in which we continue to read and be influenced by the author’s work. This collection is edited by Dr Emily Bell (Loughborough University) with a Foreword by Professor Juliet John (Royal Holloway, University of London), author of Dickens and Mass Culture (OUP). Dr Bell is a board member for the Oxford Dickens series and an editor for the Dickens Letters Project. She also acted as the first Communications Committee Chair of the international Dickens Society, and has published on Dickens, life writing and commemoration.
Author:
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Category : American literature
Languages : en
Pages : 528
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Book Description
Author: Michael Hollington
Publisher: A&C Black
ISBN: 1623560357
Category : Literary Criticism
Languages : en
Pages : 469
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Book Description
The Reception of Charles Dickens in Europe offers a full historical survey of Dickens's reception in all the major European countries and many of the smaller ones, filling a major gap in Dickens scholarship, which has by and large neglected Dickens's fortunes in Europe, and his impact on major European authors and movements. Essays by leading international critics and translators give full attention to cultural changes and fashions, such as the decline of Dickens's fortunes at the end of the nineteenth century in the period of Naturalism and Aestheticism, and the subsequent upswing in the period of Modernism, in part as a consequence of the rise of film in the era of Chaplin and Eisenstein. It will also offer accounts of Dickens's reception in periods of political upheaval and revolution such as during the communist era in Eastern Europe or under fascism in Germany and Italy in particular.
Author: Amy Matthewson
Publisher: Taylor & Francis
ISBN: 1000556085
Category : Humor
Languages : en
Pages : 197
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Book Description
This book explores the series of cartoons of China and the Chinese that were published in the popular British satirical magazine Punch over a sixty-year period from 1841 to 1901. Filled with political metaphors and racial stereotypes, these illustrations served as a powerful tool in both reflecting and shaping notions and attitudes towards China at a tumultuous time in Sino-British history. A close reading of both the visual and textual satires in Punch reveals how a section of British society visualised and negotiated with China as well as Britain’s position in the global community. By contextualising Punch’s cartoons within the broader frameworks of British socio-cultural and political discourse, the author engages in a critical enquiry of popular culture and its engagements with race, geopolitical propaganda, and public consciousness. With a wide array of illustrations, this book in the Global Perspectives in Comics Studies series will be an important resource for scholars and researchers of cultural studies, political history and Empire, Chinese studies, popular culture, Victoriana, as well as media studies. It will also be of interest to readers who want to learn more about Punch, its history, and Sino-British relations.
Author: Gerard Curtis
Publisher: Routledge
ISBN: 0429514808
Category : Art
Languages : en
Pages : 293
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Book Description
First Published in 2002, Visual Words provides a unique and interdisciplinary evaluation of the relationship between images and words in this period.Victorian England witnessed a remarkable growth in literacy culminating in the new literary nationalism that emerged at the beginning of the twentieth century. Each chapter explores a different aspect of this relationship: the role of Dickens as the heroic author, the book as an iconic object, the growing graphic presence of the text, the role of the graphic trace, the ’Sister Arts/ pen and pencil’ tradition, and the competition between image and word as systems of communication. Examining the impact of such diverse areas as advertising, graphic illustration, narrative painting, frontispiece portraits, bibliomania, and the merchandising of literary culture, Visual Words shows that the influence of the ’Sister Arts’ tradition was more widespread and complex than has previously been considered. Whether discussing portraits of authors, the uses of iconography in Ford Madox Brown’s painting Work, or examining why the British Library was equipped with false bookcases for doors, Gerard Curtis looks at artistic and literary culture from an art historical and ’object’ perspective to gain a better understanding of why some Victorians called their culture ’hieroglyphic’.
Author:
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Category :
Languages : en
Pages : 322
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Category : American literature
Languages : en
Pages : 598
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Author:
Publisher:
ISBN:
Category : Bibliographical literature
Languages : en
Pages : 946
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