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Author: Bernd Herzogenrath
Publisher: BRILL
ISBN: 9004456864
Category : History
Languages : en
Pages : 255
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Book Description
An Art of Desire. Reading Paul Auster the first book-length study solely devoted to the novels of Paul Auster. From the vantage-point of poststructuralist theory, especially Lacanian psychoanalysis and Derridean deconstruction, this book explores the relation of Auster's novels City of Glass, In the Country of Last Things, Moon Palace, and The Music of Chance to the rewriting and deconstruction of genre conventions; their connections to concepts such as catastrophe theory, the sublime, Freud's notion of the 'death drive;' as well as the philosophical underpinnings of his work. At the focus of this study, however, is the concept of desire, an important concept in the writings of both Auster and Lacan, and the various manifestations of this concept in Auster's novels. Auster's novels always emphasize a kind of outside of the text (chance, the real, the unsayable), a kind of hope for a 'transparent language, ' a hope, however, that is exactly posited as impossible to fulfill. The relation of Daniel Quinn, Anna Blume, Marco Fogg and Jim Nashe to this lack is the motor of their desire, the driving force for the subject that has always already left the real and has been inscribed into the representational system called 'reality.' It is here, in its relation to the signifier, that the subject's desire is played out, that its experience is ordered, interpreted, and articulated. It is their ability to make connections, to proliferate, to 'affirm free-play, ' their ability 'not to bemoan the absence of the centre' that ultimately decides over success or failure of Auster's subjects - whether they partake in the 'joyous errance of the sign, ' or whether their fate is that of the 'unfortunate traveler.'
Author: Bernd Herzogenrath
Publisher: BRILL
ISBN: 9004456864
Category : History
Languages : en
Pages : 255
Get Book Here
Book Description
An Art of Desire. Reading Paul Auster the first book-length study solely devoted to the novels of Paul Auster. From the vantage-point of poststructuralist theory, especially Lacanian psychoanalysis and Derridean deconstruction, this book explores the relation of Auster's novels City of Glass, In the Country of Last Things, Moon Palace, and The Music of Chance to the rewriting and deconstruction of genre conventions; their connections to concepts such as catastrophe theory, the sublime, Freud's notion of the 'death drive;' as well as the philosophical underpinnings of his work. At the focus of this study, however, is the concept of desire, an important concept in the writings of both Auster and Lacan, and the various manifestations of this concept in Auster's novels. Auster's novels always emphasize a kind of outside of the text (chance, the real, the unsayable), a kind of hope for a 'transparent language, ' a hope, however, that is exactly posited as impossible to fulfill. The relation of Daniel Quinn, Anna Blume, Marco Fogg and Jim Nashe to this lack is the motor of their desire, the driving force for the subject that has always already left the real and has been inscribed into the representational system called 'reality.' It is here, in its relation to the signifier, that the subject's desire is played out, that its experience is ordered, interpreted, and articulated. It is their ability to make connections, to proliferate, to 'affirm free-play, ' their ability 'not to bemoan the absence of the centre' that ultimately decides over success or failure of Auster's subjects - whether they partake in the 'joyous errance of the sign, ' or whether their fate is that of the 'unfortunate traveler.'
Author: Chaitanya Sambran
Publisher: Philip Wilson Publishers
ISBN:
Category : Art
Languages : en
Pages : 230
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Book Description
The book presents a decade-long perspective on contemporary visual practices in India, with stunning visuals and insightful essays by leading intellectuals in the field. Engaging with a diversity of art practices and creative conditions, the publication (and exhibition) questions cultural structures that segregate visual practices, making a case for a polycentric aesthetic. In this argument for an inclusive and non-hierarchical consideration of visual culture, Edge of Desire presents a new contribution from the sub-continent to the debate on the nature and purpose of art practices and art histories. At the same time, it offers a visually exciting and intellectually stimulating array of new art from India generated through an intermingling of influences and traditions.
Author: Jadranka Skorin-Kapov
Publisher: Lexington Books
ISBN: 1498518478
Category : Philosophy
Languages : en
Pages : 213
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Book Description
The Aesthetics of Desire and Surprise: Phenomenology and Speculation covers issues central to contemporary continental philosophy (desire, expectations, excess, rupture, transcendence, immanence, surprise). The proposed term desire||surprise captures the phenomenological-speculative character of the pair not yet and no longer. Non-obvious parallels between different thinkers are drawn, and the argumentation is organized around philosophical figures relevant in the sequence desire – excess –pause (rupture, break) – recuperation (surprise). The works of Levinas, Žižek, Bataille, Blanchot, Foucault, and Ricoeur are interpreted and positioned according to the proposed template of desire - excess - pause. The consideration of limit experiences involves authors fascinated by transgression, and the question of whether excess is immanent or transcendent. This discussion considers works by Nietzsche, Deleuze, Žižek, and Foucault. The analysis of surprise and the beginning of recovery after the pause considers works by Fink, Merleau-Ponty, Nancy, Lyotard, Dufrenne, Bachelard, and Seel. The provocative argument elaborated in this work is that surprise starts with indifference. Furthermore, the argument is that surprise begins where the concept reaches its ending, hence that the limit of speculative thinking at its ending is the limit of aesthetics at its beginning. The work of Hegel, Schelling and Jaspers are discussed in order to argue for the beginning of aesthetics there where knowledge ends. Philosophical thematic is contextualized via sections on artists such as Duchamp and Mondrian, and on some films, provoking interest of aestheticians working in art history and cultural studies departments.
Author: Jos De Mul
Publisher: SUNY Press
ISBN: 9780791442173
Category : Philosophy
Languages : en
Pages : 340
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Book Description
In this erudite and wide-ranging discussion of postmodernism and romanticism in twentieth-century art and philosophy, Jos de Mul sheds a fascinating light on the ambivalent character of our present culture, which oscillates between modern enthusiasm and postmodern irony. Along the way, he engages the work of such thinkers as Nietzsche, Freud, Heidegger, Habermas, Lacan, Barthes, and Derrida; visual artists Magritte and Stella; poets Georg and Coleridge; and composers Schonberg, Cage, and Reich, among others, providing a sort of intellectual history of Romantic, Modernist, and Postmodernist "tempers."
Author: David Bayles
Publisher: Souvenir Press
ISBN: 1800815999
Category : Self-Help
Languages : en
Pages : 109
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Book Description
'I always keep a copy of Art & Fear on my bookshelf' JAMES CLEAR, author of the #1 best-seller Atomic Habits 'A book for anyone and everyone who wants to face their fears and get to work' DEBBIE MILLMAN, author and host of the podcast Design Matters 'A timeless cult classic ... I've stolen tons of inspiration from this book over the years and so will you' AUSTIN KLEON, NYTimes bestselling author of Steal Like an Artist 'The ultimate pep talk for artists. ... An invaluable guide for living a creative, collaborative life.' WENDY MACNAUGHTON, illustrator Art & Fear is about the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. Drawing on the authors' own experiences as two working artists, the book delves into the internal and external challenges to making art in the real world, and shows how they can be overcome every day. First published in 1994, Art & Fear quickly became an underground classic, and word-of-mouth has placed it among the best-selling books on artmaking and creativity. Written by artists for artists, it offers generous and wise insight into what it feels like to sit down at your easel or keyboard, in your studio or performance space, trying to do the work you need to do. Every artist, whether a beginner or a prizewinner, a student or a teacher, faces the same fears - and this book illuminates the way through them.
Author: Jennifer Doyle
Publisher: U of Minnesota Press
ISBN: 9780816645268
Category : Social Science
Languages : en
Pages : 228
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Book Description
The declaration that a work of art is “about sex” is often announced to the public as a scandal after which there is nothing else to say about the work or the artist-controversy concludes a conversation when instead it should begin a new one. Moving beyond debates about pornography and censorship, Jennifer Doyle shows us that sex in art is as diverse as sex in everyday life: exciting, ordinary, emotional, traumatic, embarrassing, funny, even profoundly boring. Sex Objects examines the reception and frequent misunderstanding of highly sexualized images, words, and performances. In chapters on the “boring parts” of Moby-Dick, the scandals that dogged the painter Thomas Eakins, the role of women in Andy Warhol's Factory films, “bad sex” and Tracey Emin's crudely evocative line drawings, and L.A. artist Vaginal Davis's pornographic parodies of Vanessa Beecroft's performances, Sex Objects challenges simplistic readings of sexualized art and instead investigates what such works can tell us about the nature of desire. In Sex Objects, Doyle offers a creative and original exploration of how and where art and sex connect, arguing that to proclaim a piece of art “about sex” reveals surprisingly little about the work, the artist, or the spectator. Deftly interweaving anecdotal and personal writing with critical, feminist, and queer theory, she reimagines the relationship between sex and art in order to better understand how the two meet-and why it matters. Jennifer Doyle is associate professor of English at the University of California, Riverside. She is coeditor, with Jonathan Flatley and Jos Esteban Muoz, of Pop Out: Queer Warhol.
Author: Andrew Stewart
Publisher: Cambridge University Press
ISBN: 0521853214
Category : Art
Languages : en
Pages : 0
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Book Description
Addresses the 'Classical Revolution' in Greek art, its contexts, aims, achievements, and impact.
Author: Mary Kelly
Publisher: MIT Press
ISBN: 9780262611411
Category : Architecture
Languages : en
Pages : 288
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Book Description
In the 1970s, Kelly's transgressive projects helped to instigate conceptual art's second phase; her daring critiques of the female body as a fetishized, allegorized, commodified site were debated long after they were first seen in galleries and discussed in catalogues, and long before the debut of the "bad girls" in the 1990s. In fact, the debates currently surrounding Kelly's work are a necessary and defining element of theoretical discourse about art today.
Author: Jonah Siegel
Publisher: Princeton University Press
ISBN: 1400849829
Category : Art
Languages : en
Pages : 381
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Book Description
In this fascinating look at the creative power of institutions, Jonah Siegel explores the rise of the modern idea of the artist in the nineteenth century, a period that also witnessed the emergence of the museum and the professional critic. Treating these developments as interrelated, he analyzes both visual material and literary texts to portray a culture in which art came to be thought of in powerful new ways. Ultimately, Siegel shows that artistic controversies commonly associated with the self-consciously radical movements of modernism and postmodernism have their roots in a dynamic era unfairly characterized as staid, self-satisfied, and stable. The nineteenth century has been called the Age of the Museum, and yet critics, art theorists, and poets during this period grappled with the question of whether the proliferation of museums might lead to the death of Art itself. Did the assembly and display of works of art help the viewer to understand them or did it numb the senses? How was the contemporary artist to respond to the vast storehouses of art from disparate nations and periods that came to proliferate in this era? Siegel presents a lively discussion of the shock experienced by neoclassical artists troubled by remains of antiquity that were trivial or even obscene, as well as the anxious aesthetic reveries of nineteenth-century art lovers overwhelmed by the quantity of objects quickly crowding museums and exhibition halls. In so doing, he illuminates the fruitful crises provoked when the longing for admired art is suddenly satisfied. Drawing upon neoclassical art and theory, biographies of early nineteenth-century writers including Keats and Scott, and the writings of art critics such as Hazlitt, Ruskin, and Wilde, this book reproduces a cultural matrix that brings to life the artistic passions and anxieties of an entire era.
Author: Eike D. Schmidt
Publisher: Getty Publications
ISBN: 089236940X
Category : Art
Languages : en
Pages : 58
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Book Description
An extraordinary achievement in terms of its artistic rendering of the human body, its masterful carving of details, and its profound philosophical meaning, Balthasar Griessmann's large ivory goblet in the J. Paul Getty Museum celebrates wine and explores the benefits and risks of its consumption. Culminating with an allegory of youth, it challenges the viewer to think about the degree to which pleasure and duty play their parts in our making life choices. This handsome gift book is illustrated with stunning photographic details and includes an essay that traces the visual and literary sources that inspired Griessmann's designs. Although long considered a master of German Baroque ivory carving, Griessmann was identified by name only fifteen years ago. This photo essay and analysis is the first overview of Griessmann in the English language.
