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Author: Kathryn Piquette
Publisher:
ISBN: 9781013292255
Category : Social Science
Languages : en
Pages : 360
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Book Description
"An Archaeology of Art and Writing offers an in-depth treatment of the image as material culture. Centring on early Egyptian bone, ivory, and wooden labels-one of the earliest inscribed and decorated object groups from burials in the lower Nile Valley-the research is anchored in the image as the site of material action. A key aim of this book is to outline a contextual and reflexive approach to early art and writing as a complement to the traditional focus on iconographic and linguistic meanings. Archaeological and anthropological approaches are integrated with social theories of practice and agency to develop a more holistic perspective that situates early Egyptian imagery in relation to its manufacture, use and final deposition in the funerary context. The dialectical relationships between past embodied practitioners and materials, production techniques, and compositional principles are examined for the insight they provide into changes and continuities in early Egyptian graphical expression across time and space. The electronic version of this book is accompanied by an online database of the inscribed labels, enabling the reader to explore via hyperlinks the fascinating body of evidence that underpins this innovative study. Kathryn Piquette lectures on the archaeology of ancient Egypt and the Near East at the University of Reading. She also lectures in digital humanities at University College London, where she serves as a senior research consultant in advanced digital imaging techniques for cultural heritage. Recent publications include the co-edited Writing as Material Practice: Substance, surface and medium." This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.
Author: Kathryn Piquette
Publisher:
ISBN: 9781013292255
Category : Social Science
Languages : en
Pages : 360
Get Book Here
Book Description
"An Archaeology of Art and Writing offers an in-depth treatment of the image as material culture. Centring on early Egyptian bone, ivory, and wooden labels-one of the earliest inscribed and decorated object groups from burials in the lower Nile Valley-the research is anchored in the image as the site of material action. A key aim of this book is to outline a contextual and reflexive approach to early art and writing as a complement to the traditional focus on iconographic and linguistic meanings. Archaeological and anthropological approaches are integrated with social theories of practice and agency to develop a more holistic perspective that situates early Egyptian imagery in relation to its manufacture, use and final deposition in the funerary context. The dialectical relationships between past embodied practitioners and materials, production techniques, and compositional principles are examined for the insight they provide into changes and continuities in early Egyptian graphical expression across time and space. The electronic version of this book is accompanied by an online database of the inscribed labels, enabling the reader to explore via hyperlinks the fascinating body of evidence that underpins this innovative study. Kathryn Piquette lectures on the archaeology of ancient Egypt and the Near East at the University of Reading. She also lectures in digital humanities at University College London, where she serves as a senior research consultant in advanced digital imaging techniques for cultural heritage. Recent publications include the co-edited Writing as Material Practice: Substance, surface and medium." This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.
Author: Tim Ingold
Publisher: Routledge
ISBN: 1136763678
Category : Social Science
Languages : en
Pages : 215
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Book Description
Making creates knowledge, builds environments and transforms lives. Anthropology, archaeology, art and architecture are all ways of making, and all are dedicated to exploring the conditions and potentials of human life. In this exciting book, Tim Ingold ties the four disciplines together in a way that has never been attempted before. In a radical departure from conventional studies that treat art and architecture as compendia of objects for analysis, Ingold proposes an anthropology and archaeology not of but with art and architecture. He advocates a way of thinking through making in which sentient practitioners and active materials continually answer to, or ‘correspond’, with one another in the generation of form. Making offers a series of profound reflections on what it means to create things, on materials and form, the meaning of design, landscape perception, animate life, personal knowledge and the work of the hand. It draws on examples and experiments ranging from prehistoric stone tool-making to the building of medieval cathedrals, from round mounds to monuments, from flying kites to winding string, from drawing to writing. The book will appeal to students and practitioners alike, with interests in social and cultural anthropology, archaeology, architecture, art and design, visual studies and material culture.
Author: Douglass Whitfield Bailey
Publisher: Oxford University Press
ISBN: 0190611871
Category : Architecture
Languages : en
Pages : 355
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Book Description
In Breaking the Surface, Doug Bailey offers a radical alternative for understanding Neolithic houses, providing much-needed insight not just into prehistoric practice, but into another way of doing archaeology. Using his years of fieldwork experience excavating the early Neolithic pit-houses of southeastern Europe, Bailey exposes and elucidates a previously under-theorized aspect of prehistoric pit construction: the actions and consequences of digging defined as breaking the surface of the ground. Breaking the Surface works through the consequences of this redefinition in order to redirect scholarship on the excavation and interpretation of pit-houses in Neolithic Europe, offering detailed critiques of current interpretations of these earliest European architectural constructions. The work of the book is performed by juxtaposing richly detailed discussions of archaeological sites (Etton and The Wilsford Shaft in the UK, and Magura in Romania), with the work of three artists-who-cut (Ron Athey, Gordon Matta-Clark, Lucio Fontana), with deep and detailed examinations of the philosophy of holes, the perceptual psychology of shapes, and the linguistic anthropology of cutting and breaking words, as well as with cultural diversity in framing spatial reference and through an examination of pre-modern ungrounded ways of living. Breaking the Surface is as much a creative act on its own-in its mixture of work from disparate periods and regions, its use of radical text interruption, and its juxtaposition of text and imagery-as it is an interpretive statement about prehistoric architecture. Unflinching and exhilarating, it is a major development in the growing subdiscipline of art/archaeology.
Author: Kathryn E. Piquette
Publisher: Ubiquity Press
ISBN: 1909188263
Category : Social Science
Languages : en
Pages : 366
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Book Description
Writing as Material Practice grapples with the issue of writing as a form of material culture in its ancient and more recent manifestations, and in the contexts of production and consumption. Fifteen case studies explore the artefactual nature of writing — the ways in which materials, techniques, colour, scale, orientation and visibility inform the creation of inscribed objects and spaces, as well as structure subsequent engagement, perception and meaning making. Covering a temporal span of some 5000 years, from c.3200 BCE to the present day, and ranging in spatial context from the Americas to the Near East, the chapters in this volume bring a variety of perspectives which contribute to both specific and broader questions of writing materialities. The authors also aim to place past graphical systems in their social contexts so they can be understood in relation to the people who created and attributed meaning to writing and associated symbolic modes through a diverse array of individual and wider social practices.
Author: John H. Jameson (Jr.)
Publisher: University of Alabama Press
ISBN: 0817312749
Category : Art
Languages : en
Pages : 278
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Book Description
Known widely in Europe as "interpretive narrative archaeology", the practice of using creative methods to interpret and present current knowledge of the past is gaining popularity in North America. This is a compilation of international case studies of the various artistic methods used in this new form of education. Plays, opera, visual art, stories, poetry, performance dance, music, sculpture, digital imagery - all can effectively communicate archaeological processes and cultural values to public audiences. The 23 contributors to this volume are a diverse group of archaeologists, educators and artisans who have direct experience in schools, museums and at archaeological sites. Citing specific examples, such as the film, "The English Patient", science fiction mysteries and hypertext environments, they explain how creative imagination and the power of visual and audio media can personalize, contextualize and demystify the research process
Author: Karen Gocsik
Publisher:
ISBN: 9780500841815
Category :
Languages : en
Pages :
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Book Description
A complete guide for introductory students that demystifies writing about art.
Author: Thomas DaCosta Kaufmann
Publisher: University of Chicago Press
ISBN: 0226427307
Category : Art
Languages : en
Pages : 576
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Book Description
In this book, Thomas DaCosta Kaufmann chronicles more than three hundred years of painting, sculpture, and architecture in Germany, Poland, the Czech Republic, Slovakia, Hungary, Austria, Ukraine, Lithuania and western parts of the Russian Federation. Massive in scale, the book is highly accessible and lavishly illustrated. The readability of the text and the entirely new insights it provides into three hundred years of Central European history make this a vital introduction to one of the least understood periods in the history of art.
Author: Kevin L. Braun
Publisher:
ISBN: 9780841298323
Category : Archaeology
Languages : en
Pages :
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Book Description
"This book is about Contextualizing Chemistry in Art and Archaeology: Inspiration for Instructors"--
Author: Jaś Elsner
Publisher: Cambridge University Press
ISBN: 1108473075
Category : Art
Languages : en
Pages : 533
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Book Description
Explores the problems for studying art and religion in Eurasia arising from ancestral, colonial and post-colonial biases in historiography.
Author: Gilda Williams
Publisher: Thames & Hudson
ISBN: 0500772177
Category : Art
Languages : en
Pages : 228
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Book Description
An essential handbook for students and professionals on writing eloquently, accurately, and originally about contemporary art How to Write About Contemporary Art is the definitive guide to writing engagingly about the art of our time. Invaluable for students, arts professionals and other aspiring writers, the book first navigates readers through the key elements of style and content, from the aims and structure of a piece to its tone and language. Brimming with practical tips that range across the complete spectrum of art-writing, the second part of the book is organized around its specific forms, including academic essays; press releases and news articles; texts for auction and exhibition catalogues, gallery guides and wall labels; op-ed journalism and exhibition reviews; and writing for websites and blogs. In counseling the reader against common pitfalls—such as jargon and poor structure—Gilda Williams points instead to the power of close looking and research, showing how to deploy language effectively; how to develop new ideas; and how to construct compelling texts. More than 30 illustrations throughout support closely analysed case studies of the best writing, in Source Texts by 64 authors, including Claire Bishop, Thomas Crow, T.J. Demos, Okwui Enwezor, Dave Hickey, John Kelsey, Chris Kraus, Rosalind Krauss, Stuart Morgan, Hito Steyerl, and Adam Szymczyk. Supplemented by a general bibliography, advice on the use and misuse of grammar, and tips on how to construct your own contemporary art library, How to Write About Contemporary Art is the essential handbook for all those interested in communicating about the art of today.
