An Analysis of Theater and Screen Illumination Data

An Analysis of Theater and Screen Illumination Data PDF Author: S. K. Wolf
Publisher:
ISBN:
Category : Theaters
Languages : en
Pages : 11

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An Analysis of Theater and Screen Illumination Data

An Analysis of Theater and Screen Illumination Data PDF Author: S. K. Wolf
Publisher:
ISBN:
Category : Theaters
Languages : en
Pages : 11

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On the Screen

On the Screen PDF Author: Ariel Rogers
Publisher: Columbia University Press
ISBN: 0231548036
Category : Performing Arts
Languages : en
Pages : 382

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Book Description
Today, in a world of smartphones, tablets, and computers, screens are a pervasive part of daily life. Yet a multiplicity of screens has been integral to the media landscape since cinema’s golden age. In On the Screen, Ariel Rogers rethinks the history of moving images by exploring how experiments with screen technologies in and around the 1930s changed the way films were produced, exhibited, and experienced. Marshalling extensive archival research, Rogers reveals the role screens played at the height of the era of “classical” Hollywood cinema. She shows how filmmakers, technicians, architects, and exhibitors employed a variety of screens within diverse spaces, including studio soundstages, theaters, homes, stores, and train stations. Far from inert, screens served as means of structuring mediated space and time, contributing to the transformations of modern culture. On the Screen demonstrates how particular approaches to the use of screens traversed production and exhibition, theatrical and extratheatrical practice, mainstream and avant-garde modes, and even cinema and television. Rogers’s history challenges conventional narratives about the novelty of the twenty-first-century multiscreen environment, showing how attention to the variety of historical screen practices opens up new ways to understand contemporary media.

Journal of the Society of Motion Picture Engineers

Journal of the Society of Motion Picture Engineers PDF Author:
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 1432

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Journal of the Society of Motion Picture and Television Engineers

Journal of the Society of Motion Picture and Television Engineers PDF Author: Society of Motion Picture and Television Engineers
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 862

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Recommended Procedure and Equipment Specifications for Educational 16 Mm Projection

Recommended Procedure and Equipment Specifications for Educational 16 Mm Projection PDF Author: Society of Motion Picture and Television Engineers
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 64

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International Projectionist

International Projectionist PDF Author:
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 794

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Journal of the Society of Motion Picture and Television Engineers

Journal of the Society of Motion Picture and Television Engineers PDF Author:
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 1390

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Navships Display Illumination Design Guide: Section1, Introduction to Light and Color

Navships Display Illumination Design Guide: Section1, Introduction to Light and Color PDF Author: United States. Naval Ship Systems Command
Publisher:
ISBN:
Category :
Languages : en
Pages : 464

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Incorporation and Bylaws

Incorporation and Bylaws PDF Author: Society of Motion Picture and Television Engineers
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 662

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The Motion Picture Theater, Its Interior Illumination and the Selection of the Screen

The Motion Picture Theater, Its Interior Illumination and the Selection of the Screen PDF Author: Eastman Kodak Company
Publisher:
ISBN: 9781332159994
Category : Technology & Engineering
Languages : en
Pages : 30

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Excerpt from The Motion Picture Theater, Its Interior Illumination and the Selection of the Screen: A Booklet for Motion Picture Theater Owners and Managers The motion picture theater did not spring at once into popularity, due, in part, to the fact that little attention was given to the comfort of the spectators. In the early days, the pictures were usually exhibited in a stuffy improvised hall and in total darkness. After the arrival of the motion picture theater with its more pleasing and comfortable surroundings, the number of persons attending the theater increased enormously. In the modern theater every detail of decoration, ventilation and temperature regulation has been most carefully worked out. The public will invariably prefer to patronize the modern theater in which the optical and physical comforts have been looked after. It will fill the up-to-date picture house to capacity and at good prices even when another theater, where the surroundings are not pleasant, is showing the same picture for less money. People may be easily attracted to a theater for the first time by a good picture. They will come again if they viewed the picture in comfort. When Mr. Eastman, in connection with his gift of a school of music to the people of the City of Rochester, conceived the idea of an endowed motion picture theater, it was found that little attention had been paid in the past to the scientific illumination of the interior of the theater, or to the choice of a suitable projection screen. It was Mr. Eastman's wish that this theater should offer the best surroundings for the exhibition of the pictures and should be a model theater in every detail. Consequently, the problem was turned over to the Kodak Research Laboratory to find the maximum of permissible lighting of the interior of the theater and to choose the screen best suited to the installation. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.