The Cathedral of Bourges and Its Place in Gothic Architecture PDF Download
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Author: Robert Branner
Publisher: MIT Press (MA)
ISBN:
Category : Architecture
Languages : en
Pages : 316
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Book Description
Author: Robert Branner
Publisher: MIT Press (MA)
ISBN:
Category : Architecture
Languages : en
Pages : 316
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Book Description
Author: Robert Odell Bork
Publisher: Brepols Publishers
ISBN: 9782503568942
Category : Architecture, Gothic
Languages : en
Pages : 0
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Book Description
In this book, Robert Bork offers a sweeping reassessment of late Gothic architecture and its fate in the Renaissance. In a chronologically organized narrative covering the whole of western and central Europe, he demonstrates that the Gothic design tradition remained inherently vital throughout the fourteenth and fifteenth centuries, creating spectacular monuments in a wide variety of national and regional styles. Bork argues that the displacement of this Gothic tradition from its long-standing position of artistic leadership in the years around 1500 reflected the impact of three main external forces: the rise of a rival architectural culture that championed the use of classical forms with a new theoretical sophistication; the appropriation of that architectural language by patrons who wished to associate themselves with papal and imperial Rome; and the chaos of the Reformation, which disrupted the circumstances of church construction on which the Gothic tradition had formerly depended. Bork further argues that art historians have much to gain from considering the character and fate of late Gothic architecture, not only because the monuments in question are intrinsically fascinating, but also because examination of the way their story has been told-and left untold, in many accounts of the Northern Renaissance-can reveal a great deal about schemes of categorization and prioritization that continue to shape the discipline even in the twenty-first century.
Author: Raphael Brandon
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 240
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Book Description
Author: Edouard Corroyer
Publisher:
ISBN:
Category : Architecture, Gothic
Languages : en
Pages : 416
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Book Description
Author: Paul Frankl
Publisher: Yale University Press
ISBN: 9780300087994
Category : Architecture
Languages : en
Pages : 420
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Book Description
This magisterial study of Gothic architecture traces the meaning and development of the Gothic style through medieval churches across Europe. Ranging geographically from Poland to Portugal and from Sicily to Scotland and chronologically from 1093 to 1530, the book analyzes changes from Romanesque to Gothic as well as the evolution within the Gothic style and places these changes in the context of the creative spirit of the Middle Ages. In its breadth of outlook, its command of detail, and its theoretical enterprise, Frankl's book has few equals in the ambitious Pelican History of Art series. It is single-minded in its pursuit of the general principles that informed all aspects of Gothic architecture and its culture. In this edition Paul Crossley has revised the original text to take into account the proliferation of recent literature--books, reviews, exhibition catalogues, and periodicals--that have emerged in a variety of languages. New illustrations have also been included.
Author: John Fitchen
Publisher: University of Chicago Press
ISBN: 0226252035
Category : Architecture
Languages : en
Pages : 371
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Book Description
"This study enables us to appreciate more fully the technical expertise and improvements which enabled the creative spirit of the day to find such splendid embodiment". -- James Lingwood, Oxford Art Journal Copyright © Libri GmbH. All rights reserved.
Author: Robert Mark
Publisher: Mit Press
ISBN: 9780262630955
Category : Architecture
Languages : en
Pages : 135
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Book Description
This fascinating study of the structural elements of Gothic cathedrals is written by an engineer who has spent the last 15 years applying analytical techniques of structural mechanics to Gothic buildings. Like a detective, he uses these techniques to solve continuing historical arguments about whether flying buttresses hold the roof up or are merely decorative, whether ornate pinnacles atop piers are structurally necessary or purely aesthetic, whether the ribs of the vaults hold up the ceiling as is generally believed, whether the cathedral at Chartres deserves its place in history as the height of innovative medieval design.
Author: Robert Bork
Publisher: Routledge
ISBN: 1351888978
Category : History
Languages : en
Pages : 783
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Book Description
The flowering of Gothic architecture depended to a striking extent on the use of drawing as a tool of design. By drawing precise "blueprints" with simple tools such as the compass and straightedge, Gothic draftsmen were able to develop a linearized architecture of unprecedented complexity and sophistication. Examination of their surviving drawings can provide valuable and remarkably intimate information about the Gothic design process. Gothic drawings include compass pricks, uninked construction lines, and other telltale traces of the draftsman's geometrically based working method. The proportions of the drawings, moreover, are those actually intended by the designer, uncompromised by errors introduced in the construction process. All of these features make these drawings ideal subjects for the study of Gothic design practice, but their geometry has to date received little systematic attention. This book offers a new perspective on Gothic architectural creativity. It shows, in a series of rigorous geometrical case studies, how Gothic design evolved over time, in two senses: in the hours of the draftsman's labor, and across the centuries of the late Middle Ages. In each case study, a series of computer graphics show in unprecedented detail how a medieval designer could have developed his architectural concept step by step, using only basic geometrical operations. Taken together, these analyses demonstrate both remarkable methodological continuity across the Gothic era, and the progressive development of new and sophisticated permutations on venerable design themes. This rich tradition ultimately gave way in the Renaissance not because of any inherent problem with Gothic architecture, but because the visual language of Classicism appealed more directly to the pretensions of Humanist princes than the more abstract geometrical order of Gothic design, as the book's final chapter demonstrates.
Author: Ethan Matt Kavaler
Publisher:
ISBN: 9780300167924
Category : Architecture
Languages : en
Pages : 332
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Book Description
This compelling book offers a new paradigm for the periodization of the arts, one that counters a prevailing Italianate bias among historians of northern Europe of this era. The years after 1500 brought the construction of several iconic Late Gothic monuments, including the transept facades of Beauvais cathedral in northern France, much of King's College in Cambridge, England, and the parish church at Annaberg in Saxony. Most designers and patrons preferred this elite Gothic style, which was considered fashionable and highly refined, to alternative Italianate styles. Ethan Matt Kavaler connects Gothic architecture to related developments in painting and other media, and considers the consequences of the breakdown of the Gothic system in the early 16th century. Late Gothic architecture is recognized for its sensuous and abundant ornament. Its visually rich surfaces signify wealth and magnificence, and its flamboyant geometric designs portray a system of perfect and essential forms that convey spiritual authority, while often serving as signs of personal or corporate identity. Renaissance Gothic presents a groundbreaking and detailed study of the Gothic architecture of the late 15th and 16th centuries across Europe.
Author: Roland Recht
Publisher: University of Chicago Press
ISBN: 0226706060
Category : Art
Languages : en
Pages : 389
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Book Description
Developments in medieval science that elevated sight above the other senses found religious expression in the Christian emphasis on miracles, relics, and elaborate structures. In his incisive survey of Gothic art and architecture, Roland Recht argues that this preoccupation with vision as a key to religious knowledge profoundly affected a broad range of late medieval works. In addition to the great cathedrals of France, Recht explores key religious buildings throughout Europe to reveal how their grand designs supported this profusion of images that made visible the signs of scripture. Metalworkers, for example, fashioned intricate monstrances and reliquaries for the presentation of sacred articles, and technical advances in stained glass production allowed for more expressive renderings of holy objects. Sculptors, meanwhile, created increasingly naturalistic works and painters used multihued palettes to enhance their subjects’ lifelike qualities. Reimagining these works as a link between devotional practices in the late Middle Ages and contemporaneous theories that deemed vision the basis of empirical truth, Recht provides students and scholars with a new and powerful lens through which to view Gothic art and architecture.
