An Analysis of Folk Songs by Luciano Berio PDF Download
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Author: Carrie Cleaver
Publisher:
ISBN:
Category : Folk songs
Languages : en
Pages : 66
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Author: Carrie Cleaver
Publisher:
ISBN:
Category : Folk songs
Languages : en
Pages : 66
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Author: Jamison Tyler Fritts
Publisher:
ISBN:
Category : Folk music
Languages : en
Pages : 136
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Book Description
In this preliminary search for a coherent and continuous cohesion of western art and folk music-cultures, Berio utilizes folk songs from seven distinct as the basis for composition. The technique for combining western classical and folk music is one that Berio modified throughout his career, although it is with Folk Songs that the appropriation of vernacular musical idioms is most transparent. In the arrangement of the songs for this cycle, Berio circumvents his earlier handling of the vocal line as evident in Circles (1960) and Epifianie (1961/65). The unencumbered lyricism demonstrates a desire, on some level, to preserve the identifying characteristics of the songs he has appropriated and the workings out of a methodology for incorporating folk materials in his compositional language. Through a critical analysis of his arrangements and the folk materials from which he draws inspirations, the significance of the symbiotic interrelationship between music and culture will be exposed.
Author: JanetK. Halfyard
Publisher: Routledge
ISBN: 1351574205
Category : Music
Languages : en
Pages : 328
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Book Description
Between 1958 and 2002, Luciano Berio wrote fourteen pieces entitled Sequenza, along with several versions of the same work for different instruments, revisions of the original pieces and also the parallel Chemins series, where one of the Sequenzas is used as the basis for a new composition on a larger scale. The Sequenza series is one of the most remarkable achievements of the late twentieth century - a collection of virtuoso pieces that explores the capabilities of a solo instrument and its player, making extreme technical demands of the performer whilst developing the musical vocabulary of the instrument in compositions so assured and so distinctive that each piece both initiates and potentially exhausts the repertoire of a new genre. The Sequenzas have significantly influenced the development of composition for solo instruments and voice, and there is no comparable series of works in the output of any other composer. Series of pieces tend to be linked by the instruments for which the composer writes, but this is a series in which the pieces are linked instead by the variety of instruments for which Berio composed. The varied approaches taken by the contributors in discussing the pieces demonstrate the richness of this repertoire and the many levels on which Berio and these landmark compositions can be considered. Contributions are arranged under three main headings: Performance Issues; Berio's Compositional Process and Aesthetics; and Analytical Approaches.
Author: Helen Myers
Publisher: W. W. Norton & Company
ISBN: 9780393033786
Category : Alm
Languages : en
Pages : 578
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Book Description
Complementing Ethnomusicology: An Introduction, this volume of studies, written by world-acknowledged authorities, places the subject of ethnomusicology in historical and geographical perspective. Part I deals with the intellectual trends that contributed to the birth of the discipline in the period before World War II. Organized by national schools of scholarship, the influence of 19th-century anthropological theories on the new field of "comparative musicology" is described. In the second half of the book, regional experts provide detailed reviews by geographical areas of the current state of ethnomusicological research.
Author: Evelyn Lilian Hazeldine Carrington Martinengo-Cesaresco (contessa)
Publisher:
ISBN:
Category : Folk songs
Languages : en
Pages : 450
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Author: Vanessa Hawes
Publisher: Cambridge Scholars Publishing
ISBN: 1443898392
Category : Music
Languages : en
Pages : 265
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Book Description
Music and/as Process brings together ideas about music and the notion of process from different sub-fields within musicology and from related fields in the creative arts as a whole. These can be loosely categorised into three broad areas – composition, performance and analysis – but work in all three of these groups in the volume overlaps into the others, covers a broad range of other musicological sub-fields, and draws inspiration from, non-musicological fields. Music and/as Process comprises chapters written by a mix of scholars; some are leaders in their field and some are newer researchers, but all share an innovative and forward-thinking attitude to music research, often not well represented within ‘traditional’ musicology. Much of the work represented here started as papers or discussions at one of the Royal Musical Association (RMA) Music and/as Process Study Group Annual Conferences. The first section of the book deals with the analysis of performance and the performance of analysis. The historical nature of music and the recognition of pieces as musical ‘works’ in the traditional sense is questioned by the authors, and is a factor in the analyses which address processes in composing, performing, and listening, and the links between these, in three very different but interlinking ways. These three approaches posit new directions and territory for musical analysis. The second section builds on the first, framing performance and/as process from the individual perspectives of the authors and their experiences as practitioners. Music by Berio, de Falla, music by the authors and their collaborators, and music composed for the authors are explored through looking at processes of interpretation and risk; processes which further undermine the ontology of the musical ‘work’ as traditionally understood, and bring the practitioner as active agent to the foreground of an examination of musical discourse. The third section encounters and questions the musical ‘work’ at its inception, exploring composition and/as process through its encounters with performance, analysis, collaboration, improvisation, translation, experimentation and cross-disciplinarity. Through explorations of new music, the way in which practitioners relate to music frame a personal and reflective account of the creative process, finally looking beyond music to musicology.
Author: Evelyn Lilian Hazeldine Carrington contessa Martinengo-Cesaresco
Publisher: Good Press
ISBN:
Category : Music
Languages : en
Pages : 341
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Book Description
Evelyn Lilian Hazeldine Carrington contessa Martinengo-Cesaresco's 'Essays in the Study of Folk-Songs' (1886) is a comprehensive exploration of the cultural significance and historical context of folk songs. Carrington delves into the origins of these traditional songs, analyzing their themes, melodies, and variations across different regions. Her analytical approach uncovers the rich tapestry of storytelling and collective memory embedded within folk songs, shedding light on the deep-rooted traditions passed down through generations. Written in a scholarly yet accessible style, the book provides valuable insights into the role of folk songs in shaping cultural identities and fostering communal bonds. As a pioneering work in the study of folklore, Carrington's essays offer a nuanced understanding of the complex interplay between oral traditions and literary artistry. This timeless work continues to inspire scholars and enthusiasts to explore the enduring legacy of folk songs in contemporary society.
Author: Countess Evelyn Martinengo-Cesaresco
Publisher: Forgotten Books
ISBN: 9780483952645
Category : Poetry
Languages : en
Pages : 336
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Excerpt from Essays in the Study of Folk-Songs The folk -song probably preceded the folk tale. If we are to Judge either by early record or by the analogy of back ward peoples, it seems proved that in infant communities anything that was thought worth remembering was sung. It must have been soon ascertained that words rhythmically arranged take, as a rule firmer root than prose. As I do not know how to read, says a modern Greek folk-singer, I have made this story into a song so as not to forget it. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Alan D. Cheney
Publisher:
ISBN:
Category : Folk songs
Languages : en
Pages : 276
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Author: Evelyn Lilian Hazeldine Carrington Martinengo-Cesaresco (contessa)
Publisher:
ISBN:
Category : Folk songs
Languages : en
Pages : 316
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Book Description
