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Author: Wendy Martin
Publisher: UNC Press Books
ISBN: 9780807841129
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
Traces the lives of three American women, Puritan, Victorian, and modern, and compares the themes and philosophy of their poetry
Author: Wendy Martin
Publisher: UNC Press Books
ISBN: 9780807841129
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
Traces the lives of three American women, Puritan, Victorian, and modern, and compares the themes and philosophy of their poetry
Author: Mark Van Wienen
Publisher: University of Michigan Press
ISBN: 0472028081
Category : Literary Criticism
Languages : en
Pages : 401
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Book Description
"A meticulously researched, highly informed, carefully argued, and very accessible account of American socialism, socialists, and socialistic thinking, from the late nineteenth century through the 1960s . . . challenges the intellectual and political legacy of Werner Sombart's Why Is There No Socialism in the United States?, whose spirit still hovers over animated discussions about the 'failures' of socialism in the United States." ---James A. Miller, George Washington University "A valuable rethinking and reframing of the traditions of leftist literary scholarship in the U.S." ---Sylvia Cook, University of Missouri, St. Louis American Socialist Triptych: The Literary-Political Work of Charlotte Perkins Gilman, Upton Sinclair, and W. E. B. Du Bois explores the contributions of three writers to the development of American socialism over a fifty--year period and asserts the vitality of socialism in modern American literature and culture. Drawing upon a wide range of texts including archival sources, Mark W. Van Wienen demonstrates the influence of reform-oriented, democratic socialism both in the careers of these writers and in U.S. politics between 1890 and 1940. While offering unprecedented in-depth analysis of modern American socialist literature, this book charts the path by which the supposedly impossible, dangerous ideals of a cooperative commonwealth were realized, in part, by the New Deal. American Socialist Triptych provides in-depth, innovative readings of the featured writers and their engagement with socialist thought and action. Upton Sinclair represents the movement's most visible manifestation, the Socialist Party of America, founded in 1901; Charlotte Perkins Gilman reflects the socialist elements in both feminism and 1890s reform movements, and W. E. B. Du Bois illuminates social democratic aspirations within the NAACP. Van Wienen's book seeks to re-energize studies of Sinclair by treating him as a serious cultural figure whose career peaked not in the early success of The Jungle but in his nearly successful 1934 run for the California governorship. It also demonstrates as never before the centrality of socialism throughout Gilman's and Du Bois's literary and political careers. More broadly, American Socialist Triptych challenges previous scholarship on American radical literature, which has focused almost exclusively on the 1930s and Communist writers. Van Wienen argues that radical democracy was not the phenomenon of a decade or of a single group but a sustained tradition dispersed within the culture, providing a useful genealogical explanation for how socialist ideas were actually implemented through the New Deal. American Socialist Triptych also revises modern American literary history, arguing for the endurance of realist and utopian literary modes at the height of modernist literary experimentation and showing the importance of socialism not only to the three featured writers but also to their peers, including Edward Bellamy, Hamlin Garland, Jack London, Edna St. Vincent Millay, and Claude McKay. Further, by demonstrating the importance of social democratic thought to feminist and African American campaigns for equality, the book dialogues with recent theories of radical egalitarianism. Readers interested in American literature, U.S. history, political theory, and race, gender, and class studies will all find in American Socialist Triptych a valuable and provocative resource.
Author: PEARL S. BUCK
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Karin Slaughter
Publisher: Delacorte Press
ISBN: 0440336236
Category : Fiction
Languages : en
Pages : 402
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Book Description
NEW YORK TIMES BESTSELLER • Features a new introduction on the origins of the Will Trent novels and Triptych’s place in the series “Crime fiction at its finest.”—Michael Connelly From Atlanta’s wealthiest suburbs to its stark inner-city housing projects, a killer has crossed the boundaries of wealth and race. And the people who are chasing him must cross those boundaries, too. Among them is Michael Ormewood, a veteran detective whose marriage is hanging by a thread—and whose arrogance and explosive temper are threatening his career. And Angie Polaski, a beautiful vice cop who was once Michael’ s lover before she became his enemy. But unbeknownst to both of them, another player has entered the game: a loser ex-con who has stumbled upon the killer’s trail in the most coincidental of ways—and who may be the key to breaking the case wide open. In this gritty, gripping firecracker of a novel, the author of the bestselling Grant County, Georgia, series breaks thrilling new ground, weaving together the threads of a complex, multilayered story with the skill of a master craftsman. Packed with body-bending switchbacks, searing psychological suspense and human emotions, Triptych ratchets up the tension one revelation at a time as it races to a shattering and unforgettable climax.
Author: Wendy Martin
Publisher: UNC Press Books
ISBN: 1469616955
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
Anne Bradstreet, Emily Dickinson, and Adrienne Rich share nationality, gender, and an aesthetic tradition, but each expresses these experiences in the context of her own historical moment. Puritanism imposed stringent demands on Bradstreet, romanticism both inspired and restricted Dickinson, and feminism challenged as well as liberated Rich. Nevertheless, each poet succeeded in forming a personal vision that counters traditional male poetics. Their poetry celebrates daily life, demonstrates their commitment to nurturance rather than dominance, shows their resistance to the control of both their earthly and heavenly fathers, and affirms their experience in a world that has often denied women a voice. Wendy Martin recreates the textures of these women's lives, showing how they parallel the shifts in the status of American women from private companion to participant in a wider public life. The three portraits examine in detail the life and work of the Puritan wife of a colonial magistrate, the white-robed, reclusive New England seer, and the modern feminist and lesbian activist. Their poetry, Martin argues, tells us much about the evolution of feminist and patriarchal perspectives, from Bradstreet's resigned acceptance of traditional religion, to Dickinson's private rebellion, to Rich's public criticism of traditional masculine culture. Together, these portraits compose the panels of an American triptych. Beyond the dramatic contrasts between the Puritan and feminist vision, Martin finds striking parallels in form. An ideal of a new world, whether it be the city on the hill or a supportive community of women, inspires both. Like the commonwealth of saints, this concept of a female collectivity, which all three poets embrace, is a profoundly political phenomenon based on a pattern of protest and reform that is deeply rooted in American life. Martin suggests that, through their belief in regeneration and renewal, Bradstreet Dickinson, and Rich are part of a larger political as well as literary tradition. An American Triptych both enhances our understanding of the poets' work as part of the web of American experience and suggests the outlines of an American female poetic.
Author: Marie Vieux-Chauvet
Publisher: Modern Library
ISBN: 0812976924
Category : Fiction
Languages : en
Pages : 434
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Book Description
The only English translation of “a masterpiece” (The Nation)—a stunning trilogy of novellas about the soul-crushing cost of life under a violent Haitian dictatorship, featuring an introduction by Edwidge Danticat Originally published in 1968, Love, Anger, Madness virtually disappeared from circulation until its republication in France in 2005. Set in the barely fictionalized Haiti of “Papa Doc” Duvalier’s repressive rule, Marie Vieux-Chauvet’s writing was so powerful and so incendiary that she was forced to flee to the United States. Yet Love, Anger, Madness endures. Claire, the narrator of Love, is the eldest of three daughters who surrenders her dreams of marriage to run the household after her parents die. Insecure about her dark skin, she fantasizes about her middle sister’s French husband, while he has an affair with the youngest sister, setting in motion a complicated family dynamic that echoes the growing chaos outside their home. In Anger, the police terrorize a middle-class family by threatening to seize their land. The father insinuates that their only hope of salvation lies with an unspeakable act—his daughter Rose must prostitute herself—which leads to all-consuming guilt, shame, and rage. And finally, Madness paints a terrifying portrait of a Haitian village that has been ravaged by militants. René, a young poet, is trapped in his family’s house for days with no food and becomes obsessed with the souls of the dead that surround him.
Author: Peter Grandbois
Publisher:
ISBN: 9780999753422
Category : American poetry
Languages : en
Pages : 248
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Book Description
Triptych disrupts conventions of book authorship. Between two covers are three books, The Three-Legged World by Peter Grandbois, In Time by James McCorkle, and Orpheus & Echo by Robert Miltner. Of course, books converse with other books, and poetry, rippling from unmeasured sound into rampant forms, is especially polyphonic. Etruscan brings these three books together because they exerted upon our editors a gravitational pull, causing the shadow of one to fall across the reading of another. Sufficient on their own, these books achieve new altitudes when aligned. Triptych launches no school. It backs no cause. What these books share is not easily labeled. None follows narrative conventions. None dwells on confession. None abides predictable meter. None is easily parsed. Each climbs eerie heights where ego finds no purchase. Each takes a kaleidoscopic view of selfhood. Each takes flight toward apotheosis. Each blesses the moments "Before we turn into air," or give way to "tongue of trees, language of clouds," and before "Gods and dogs begin their talking back," before birds "are falling through their late bodies." In Miltner's ogham-deep caesuras, in McCorkle's speech-song, and in Grandbois's cadences which whisper like ghostly passersby, "sound is emanation," and emanation asks, "what would this line be without the words?"
Author: Jerome Rothenberg
Publisher: New Directions Publishing
ISBN: 9780811216920
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
The key book by the internationally celebrated poet with the only Polish ghetto-hassidic-cowboy and Indian American comic voice (Robert Duncan) in history.
Author: Nick Turse
Publisher: Macmillan
ISBN: 0805086919
Category : Biography & Autobiography
Languages : en
Pages : 401
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Book Description
Based on classified documents and interviews, argues that American acts of violence against millions of Vietnamese civilians during the Vietnam War were a pervasive and systematic part of the war.
Author: Henry Miller
Publisher: New Directions Publishing
ISBN: 0811219704
Category : Literary Criticism
Languages : en
Pages : 420
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Book Description
In his great triptych "The Millennium," Bosch used oranges and other fruits to symbolize the delights of Paradise. In his great triptych “The Millennium,” Bosch used oranges and other fruits to symbolize the delights of Paradise. Whence Henry Miller’s title for this, one of his most appealing books; first published in 1957, it tells the story of Miller’s life on the Big Sur, a section of the California coast where he lived for fifteen years. Big Sur is the portrait of a place—one of the most colorful in the United States—and of the extraordinary people Miller knew there: writers (and writers who did not write), mystics seeking truth in meditation (and the not-so-saintly looking for sex-cults or celebrity), sophisticated children and adult innocents; geniuses, cranks and the unclassifiable, like Conrad Moricand, the “Devil in Paradise” who is one of Miller’s greatest character studies. Henry Miller writes with a buoyancy and brimming energy that are infectious. He has a fine touch for comedy. But this is also a serious book—the testament of a free spirit who has broken through the restraints and clichés of modern life to find within himself his own kind of paradise.
