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Author: Fima Lifshitz
Publisher: AuthorHouse
ISBN: 1438934505
Category : Art
Languages : en
Pages : 236
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Book Description
There were five. They came together for reasons that no one is even sure of anymore and cut a swath through the universe. Everyone knew their name, and the lined up to follow them. They knew their symbol, the snarling wolf. The warlords formed a following, an almost religion. And then it was over. Years later, and the followings of each of the original warriors have become clans. The clans have grown and trained new warriors over time, creating the driving force in all the universe. Here are four people now, training to follow in the ways of one particular wolf. The wolf that ended it all in the first place, the Blackwolf. This is the start of their journey, the beginning of their training. Gregor Holden, a Prince, who's sense of duty is equaled only by his lust for adventure. Candace Orthon, a legacy who's father is a Blackwolf, who's gradfather was a Blackwolf, and who will be a Blackwolf if it kills her. Ran Grastle, already an accomplished warrior in his own right. He's on the run for a committing a crime to exact justice and cares very little for the clan or anyone else. Xesca, a child of the last planet that the Blackwolf attacked. She has come to learn his ways, his style, so that no one can ever attack her planet again. "These four. If no one else, let these four progress."
Author: Fima Lifshitz
Publisher: AuthorHouse
ISBN: 1438934505
Category : Art
Languages : en
Pages : 236
Get Book Here
Book Description
There were five. They came together for reasons that no one is even sure of anymore and cut a swath through the universe. Everyone knew their name, and the lined up to follow them. They knew their symbol, the snarling wolf. The warlords formed a following, an almost religion. And then it was over. Years later, and the followings of each of the original warriors have become clans. The clans have grown and trained new warriors over time, creating the driving force in all the universe. Here are four people now, training to follow in the ways of one particular wolf. The wolf that ended it all in the first place, the Blackwolf. This is the start of their journey, the beginning of their training. Gregor Holden, a Prince, who's sense of duty is equaled only by his lust for adventure. Candace Orthon, a legacy who's father is a Blackwolf, who's gradfather was a Blackwolf, and who will be a Blackwolf if it kills her. Ran Grastle, already an accomplished warrior in his own right. He's on the run for a committing a crime to exact justice and cares very little for the clan or anyone else. Xesca, a child of the last planet that the Blackwolf attacked. She has come to learn his ways, his style, so that no one can ever attack her planet again. "These four. If no one else, let these four progress."
Author: Alan Donovan
Publisher: East African Publishers
ISBN: 9789966253392
Category : Art
Languages : en
Pages : 52
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Book Description
Alan Donovan was a co-founder of African Heritage, the continent's first pan-African gallery, which became a pioneering craft retail and wholesale operation in Nairobi. He later constructed The African Heritage House, inspired by the mud architecture he discovered while traveling across the continent and was the driving force behind numerous music, dance, costume, and food festivals and exhibitions that traveled the world for over three decades. Through his work, he discovered and revealed to the world Africa's rich cultural legacy and beauty. In all, he has made an unprecedented contribution to the promotion of arts and culture in Africa and throughout the world. This work reflects all this and more. It is a panoramic documentary and history of so much that has been achieved; it is the author's own story of forty years in Africa, in which, in his own words, he "searched for the continent's beauty and creativity, passing through the glorious sunrises and magnificent sunsets that encompass the splendor and calamity of each new day ... and found an ageless and vibrant inner beauty." The narrative is chronological, presenting the developments of African Heritage from its beginnings, with its many facets and global influence, to its final days, and its failures resulting in part from the devastating impact of recent global events, terrorism and the war thereon on culture and tourism in Kenya.
Author: Boyd Varty
Publisher: Random House
ISBN: 1400069858
Category : Biography & Autobiography
Languages : en
Pages : 322
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Book Description
“This is a gorgeous, lyrical, hilarious, important book. . . . Read this and you may find yourself instinctively beginning to heal old wounds: in yourself, in others, and just maybe in the cathedral of the wild that is our true home.”—Martha Beck, author of Finding Your Own North Star Boyd Varty had an unconventional upbringing. He grew up on Londolozi Game Reserve in South Africa, a place where man and nature strive for balance, where perils exist alongside wonders. Founded more than eighty years ago as a hunting ground, Londolozi was transformed into a nature reserve beginning in 1973 by Varty’s father and uncle, visionaries of the restoration movement. But it wasn’t just a sanctuary for the animals; it was also a place for ravaged land to flourish again and for the human spirit to be restored. When Nelson Mandela was released after twenty-seven years of imprisonment, he came to the reserve to recover. Cathedral of the Wild is Varty’s memoir of his life in this exquisite and vast refuge. At Londolozi, Varty gained the confidence that emerges from living in Africa. “We came out strong and largely unafraid of life,” he writes, “with the full knowledge of its dangers.” It was there that young Boyd and his equally adventurous sister learned to track animals, raised leopard and lion cubs, followed their larger-than-life uncle on his many adventures filming wildlife, and became one with the land. Varty survived a harrowing black mamba encounter, a debilitating bout with malaria, even a vicious crocodile attack, but his biggest challenge was a personal crisis of purpose. An intense spiritual quest takes him across the globe and back again—to reconnect with nature and “rediscover the track.” Cathedral of the Wild is a story of transformation that inspires a great appreciation for the beauty and order of the natural world. With conviction, hope, and humor, Varty makes a passionate claim for the power of the wild to restore the human spirit. Praise for Cathedral of the Wild “Extremely touching . . . a book about growth and hope.”—The New York Times “It made me cry with its hard-won truths about human and animal nature. . . . Both funny and deeply moving, this book belongs on the shelf of everyone who seeks healing in wilderness.”—BookPage
Author: Marq De Villiers
Publisher: Phoenix
ISBN: 9780753804605
Category : Africa
Languages : en
Pages : 400
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Book Description
A brilliant picture of a rich, exotic, complex and fascinating continent in the style of Bruce Chatwin. Verbal snapshots, images, anecdotes, legends, tales, gossip, illustrations, photographs, art and maps lend insight and depth to this multi-layered portrait of a continent. Into Africa uses the ancient empires and trading patterns of prehistory as the primary framework, to explain how Africa was and is today. The book does not ignore the calamities, the collapse of civil authority, the wars, the famines, the human misery, the environmental degradation. But it does record the triumphs, small and large. More important, Into Africa goes beyond politics and tourism, into history and legend, art and culture, both popular and profound.
Author: Charles Johnson
Publisher: Houghton Mifflin Harcourt
ISBN: 9780156008549
Category : History
Languages : en
Pages : 554
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Book Description
Chronicles the lives of Africans as slaves in America through the eve of the Civil War.
Author: Joshua I. Cohen
Publisher: University of California Press
ISBN: 0520309685
Category : Art
Languages : en
Pages : 301
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Book Description
Reading African art’s impact on modernism as an international phenomenon, The “Black Art” Renaissance tracks a series of twentieth-century engagements with canonical African sculpture by European, African American, and sub-Saharan African artists and theorists. Notwithstanding its occurrence during the benighted colonial period, the Paris avant-garde “discovery” of African sculpture—known then as art nègre, or “black art”—eventually came to affect nascent Afro-modernisms, whose artists and critics commandeered visual and rhetorical uses of the same sculptural canon and the same term. Within this trajectory, “black art” evolved as a framework for asserting control over appropriative practices introduced by Europeans, and it helped forge alliances by redefining concepts of humanism, race, and civilization. From the Fauves and Picasso to the Harlem Renaissance, and from the work of South African artist Ernest Mancoba to the imagery of Negritude and the École de Dakar, African sculpture’s influence proved transcontinental in scope and significance. Through this extensively researched study, Joshua I. Cohen argues that art history’s alleged centers and margins must be conceived as interconnected and mutually informing. The “Black Art” Renaissance reveals just how much modern art has owed to African art on a global scale.
Author: E. M. Brotzman
Publisher: Authorhouse UK
ISBN: 9781728382760
Category : Art
Languages : en
Pages : 68
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Book Description
I migrated to Johannesburg in South Africa from London when I was twenty-one years old. The air was sultry, and the smell of Africa hit my nostrils with a twang. I was not expecting it to be so soon. The sights and sounds of Africa have influenced my life and art since then. A great love of the African savanna lay in my bosom from that moment. Many days later, when my sister and I had collected ourselves, we wandered out to greet the African people in the town. The one thing that would prove to us that we were in Africa were the sweet-spoken natives. They were kind and very helpful through all my years there. Strangely, we would later find that the change in seasons did not occur-that was something to adjust to, which I never did.
Author: M Okediji
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 228
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Book Description
African Renaissance: New Forms, Old Images in Yoruba Art describes, analyzes, and interprets the historical and cultural contexts of an African art renaissance using the twentieth- and twenty-first-century transformation of ancient Yoruba artistic heritage. Juxtaposing ancient and contemporary Yoruba art, Moyo Okediji defines this art history through the lens of colonialism, an experience that served to both destroy ancient art traditions and revive Yoruba art in the twentieth century. With vivid reproductions of paintings, prints, and drawings, Okediji describes how Yoruba art has replenished and redefined itself. Okediji groups the text into several broadly overlapping periods that intricately detail the journey of Yoruba art and artists: first through oppression by European colonialism, then the attainment of Nigeria’s independence and the new nation’s subsequent military coup, and ending with present-day native Yoruban artists fleeing their homeland.
Author: Patrick Diamond
Publisher:
ISBN: 9781732048270
Category :
Languages : en
Pages :
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Book Description
Author: Elisa Pierandrei
Publisher: Self Publishing
ISBN: 1804317535
Category : Biography & Autobiography
Languages : en
Pages : 102
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Book Description
The Italian journalist Elisa Pierandrei reflects on the present situation of the visual arts in Africa and the African diaspora through a selection of her articles and interviews that for the most have previously been published by various online media outlets. In her new e-book, she guides the reader along the stories of 12 contemporary artists (Helina Metaferia, Lunga Ntila, Benjamin Deguenon, Massinissa Selmani, among others) and 3 old masters (Ibrahim El-Salahi, Mohammed Melehi, and more) who are either originally from Africa or are of African descent. These stories are sometimes told in the form of magazine articles; others are told through interviews and editorials complete with images of the artworks. While always being creative without forgetting tradition and history, this new generation of artists brings the reader on a brief but fascinating walk through the world of African visual art and culture. This volume constitutes an ideal continuation of the work that Pierandrei began in 2011 on the verge of the Arab Spring in Cairo, when she investigated a new form of radical artistic expression, graffiti and street art from the 25 January Revolution, which became the subject of her first e-book. The foreword is by Russel Hlongwane.
