An Aesthetic Analysis of the Beethoven Quartet Opus 59 Number I, First Movement PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download An Aesthetic Analysis of the Beethoven Quartet Opus 59 Number I, First Movement PDF full book. Access full book title An Aesthetic Analysis of the Beethoven Quartet Opus 59 Number I, First Movement by Howard Waltz. Download full books in PDF and EPUB format.
Author: Howard Waltz
Publisher:
ISBN:
Category : String quartets
Languages : en
Pages : 98
Get Book Here
Book Description
Author: Howard Waltz
Publisher:
ISBN:
Category : String quartets
Languages : en
Pages : 98
Get Book Here
Book Description
Author: Nancy November
Publisher: Cambridge University Press
ISBN: 1107512425
Category : Music
Languages : en
Pages : 297
Get Book Here
Book Description
Beethoven's middle-period quartets, Opp. 59, 74 and 95, are pieces that engage deeply with the aesthetic ideas of their time. In the first full contextual study of these works, Nancy November celebrates their uniqueness, exploring their reception history and early performance. In detailed analyses, she explores ways in which the quartets have both reflected and shaped the very idea of chamber music and offers a new historical understanding of the works' physical, visual, social and ideological aspects. In the process, November provides a fresh critique of three key paradigms in current Beethoven studies: the focus on his late period; the emphasis on 'heroic' style in discussions of the middle period; and the idea of string quartets as 'pure', 'autonomous' artworks, cut off from social moorings. Importantly, this study shows that the quartets encompass a new lyric and theatrical impetus, which is an essential part of their unique, explorative character.
Author: Vilem Mark Sokol
Publisher:
ISBN:
Category :
Languages : en
Pages : 268
Get Book Here
Book Description
Author: Christopher Reynolds
Publisher: U of Nebraska Press
ISBN: 9780803239098
Category : Music
Languages : en
Pages : 254
Get Book Here
Book Description
An annual of international Beethoven studies, Beethoven Forum sustains and promotes the high level of scholarship inspired by Beethoven's extraordinary works. Volume 2 represents the wide range of approaches that enrich the understanding and appreciation of Beethoven and his interpreters. Michael C. Tusa describes Beethoven's life-long affinity for the key of C-minor, showing Beethoven's consistencies in technique and structure. Tia Denora clarifies how Beethoven's early recognition as a great musician was linked to the social aspirations of his Viennese patrons. Beginning with Tovey's renowned metaphor of the harmonic "Cloud" in the Eroica symphony, Lawrence Earp reconsiders the extensive attention Beethoven gave to the passage. Lewis Lockwood resolves issues that have troubled scholars and musicians about the Scherzo of the F Major String Quartet (Op. 59, No. 1). William Drabkin, one of the world's premier authorities on the Missa Solemnis, analyzes the sketches and autographs of that mass's later movements. Noting the renewed interest in questions about the meaning of music, Kevin Korsyn proposes a rereading of J. W. N. Sullivan's Beethoven: His Spiritual Development and shows its relevance to the comprehension of the A Minor String Quartet, (Op. 132). The importance of Carl Dahlhaus's Ludwig van Beethoven und seine Zeit was immediately acknowledged upon its publication in 1987. Translated into English in 1991, the book will further extend its influence. To assess that influence, three Beethoven scholars provide independent appraisals of the book. Hermann Danuser places the book in the context of Dahlhaus's other works and stresses Beethoven's determination to give each of his works individuality. John Daverio discusses the cultural background to Dahlhaus's outlook on "wit" and "reflectivity." And James Webster critiques the assumptions that underlie Dahlhaus's musical analyses. All relate the book to Dahlhaus's other works and indicate in what ways the book can serve as a catalyst for future study.
Author: Lewis Lockwood
Publisher: Harvard University Press
ISBN: 0674028090
Category : Music
Languages : en
Pages : 300
Get Book Here
Book Description
Beethoven's string quartets have rewarded the engagement of scholars, performers, and audiences for almost two hundred years. This book and its accompanying recording invite you to experience three of these profound and beautiful works of music from the inside, with a renowned Beethoven scholar and the Juilliard String Quartet as your guides.
Author: Kathleen Thompson
Publisher:
ISBN:
Category :
Languages : en
Pages : 252
Get Book Here
Book Description
Author: Kym Meagher
Publisher:
ISBN:
Category : String quartet
Languages : en
Pages :
Get Book Here
Book Description
A stylistic analysis of the seventh, eighth and ninth string quartets (the op. 59 quartets) by Beethoven gives musical support to the argument that the op. 59 quartets are unified.
Author: Charles Rex Eggleston
Publisher:
ISBN:
Category :
Languages : en
Pages : 84
Get Book Here
Book Description
Author: Joseph Kerman
Publisher: W. W. Norton & Company
ISBN: 9780393009095
Category : Music
Languages : en
Pages : 412
Get Book Here
Book Description
A critical study of the structure, style, and significance of the sixteen string quartets.
Author: Robin Wallace
Publisher: CUP Archive
ISBN: 9780521386340
Category : Literary Collections
Languages : en
Pages : 196
Get Book Here
Book Description
This 1990 book is a survey of the critical reaction to Beethoven's music as it appeared in the major musical journals, French as well as German, of his day, and represents the first published history of Beethoven reception. The author discusses the philosophical and analytical implications of these reviews and reassesses what has come to be the accepted view of a nineteenth-century musical aesthetics rooted in Romantic Idealism. Wallace sees Beethoven's critics as in fact providing a link between two apparently antithetical approaches to music: the eighteenth-century emphasis on expression and extra-musical interpretation and the nineteenth-century emphasis on 'absolute' music and formal analysis. This book thus provides, in addition to a carefully documented study of Beethoven's critical reception, a re-evaluation of his oeuvre and its significance in music history. An index of all reviews cited is provided, and a further appendix contains the quoted material in its original language.
