An Account of the National Anthem entitled God Save the King. With authorities ... Selected, edited, and arranged, by R. Clark. [With plates and musical notes.] PDF Download
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Author: Richard CLARK (Gentleman of Her Majesty's Chapels Royal.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 316
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Book Description
![An Account of the National Anthem entitled God Save the King. With authorities ... Selected, edited, and arranged, by R. Clark. [With plates and musical notes.] PDF](https://books.google.com/books/content/images/frontcover/0qBGrO3roeYC?fife=w80-h100)
Author: Richard CLARK (Gentleman of Her Majesty's Chapels Royal.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 316
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Book Description
![An Account of the National Anthem Entitled God Save the King! [...] Selected, Edited, Arranged by Richard Clark [...] PDF](https://books.google.com/books/content/images/frontcover/73WziLBhjUMC?fife=w80-h100)
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 308
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Author: Richard Clark
Publisher: London : Printed for W. Wright
ISBN:
Category : Glees, catches, rounds, etc
Languages : en
Pages : 306
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Author: Richard Clark
Publisher: London : Printed for W. Wright
ISBN:
Category : Glees, catches, rounds, etc
Languages : en
Pages : 308
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Book Description
Author: Geoffrey Lancaster
Publisher: ANU Press
ISBN: 1922144657
Category : Music
Languages : en
Pages : 919
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Book Description
During the late eighteenth century, a musical–cultural phenomenon swept the globe. The English square piano—invented in the early 1760s by an entrepreneurial German guitar maker in London—not only became an indispensable part of social life, but also inspired the creation of an expressive and scintillating repertoire. Square pianos reinforced music as life’s counterpoint, and were played by royalty, by musicians of the highest calibre and by aspiring amateurs alike. On Sunday, 13 May 1787, a square piano departed from Portsmouth on board the Sirius, the flagship of the First Fleet, bound for Botany Bay. Who made the First Fleet piano, and when was it made? Who owned it? Who played it, and who listened? What music did the instrument sound out, and within what contexts was its voice heard? What became of the First Fleet piano after its arrival on antipodean soil, and who played a part in the instrument’s subsequent history? Two extant instruments contend for the title ‘First Fleet piano’; which of these made the epic journey to Botany Bay in 1787–88? The First Fleet Piano: A Musician’s View answers these questions, and provides tantalising glimpses of social and cultural life both in Georgian England and in the early colony at Sydney Cove. The First Fleet piano is placed within the musical and social contexts for which it was created, and narratives of the individuals whose lives have been touched by the instrument are woven together into an account of the First Fleet piano’s conjunction with the forces of history. View ‘The First Fleet Piano: Volume Two Appendices’. Note: Volume 1 and 2 are sold as a set ($180 for both) and cannot be purchased separately.
Author: William Hayman Cummings
Publisher: London, Novello
ISBN:
Category : God save the King
Languages : en
Pages : 146
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Author: Isaac Disraeli
Publisher:
ISBN:
Category : Authors
Languages : en
Pages : 568
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Author: ISAAC DISRAELI
Publisher:
ISBN:
Category :
Languages : en
Pages : 566
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Author: Isaac Disraeli
Publisher:
ISBN:
Category :
Languages : en
Pages : 572
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Book Description
Author: Esteban Buch
Publisher: University of Chicago Press
ISBN: 0226078124
Category : Music
Languages : en
Pages : 334
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Book Description
Who hasn't been stirred by the strains of Beethoven's Ninth Symphony? That's a good question, claims Esteban Buch. German nationalists and French republicans, communists and Catholics have all, in the course of history, embraced the piece. It was performed under the direction of Leonard Bernstein at a concert to mark the fall of the Berlin Wall, yet it also serves as a ghastly and ironic leitmotif in Stanley Kubrick's A Clockwork Orange. Hitler celebrated his birthdays with it, and the government of Rhodesia made it their anthem. And played in German concentration camps by the imprisoned, it also figured prominently at Mitterand's 1981 investiture. In his remarkable history of one of the most popular symphonic works of the modern period, Buch traces such complex and contradictory uses—and abuses—of Beethoven's Ninth Symphony since its premier in 1824. Buch shows that Beethoven consciously drew on the tradition of European political music, with its mix of sacred and profane, military and religious themes, when he composed his symphony. But while Beethoven obviously had his own political aspirations for the piece—he wanted it to make a statement about ideal power—he could not have had any idea of the antithetical political uses, nationalist and universalist, to which the Ninth Symphony has been put since its creation. Buch shows us how the symphony has been "deployed" throughout nearly two centuries, and in the course of this exploration offers what was described by one French reviewer as "a fundamental examination of the moral value of art." Sensitive and fascinating, this account of the tangled political existence of a symphony is a rare book that shows the life of an artwork through time, shifted and realigned with the currents of history.
