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Author: Wolfgang Lederer
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 32
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Book Description
Author: Wolfgang Lederer
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 32
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Book Description
Author: Joyce Bourne Kennedy
Publisher: Oxford University Press, USA
ISBN: 0199550395
Category : Music
Languages : en
Pages : 375
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Book Description
A unique reference work containing over 2,500 A-Z entries on operatic characters. Includes synopses for over 200 operas and operettas, as well as feature articles written by well-known personalities from the world of opera, including Plácido Domingo and Dame Janet Baker. It is an essential book for anyone with an interest in opera.
Author: Nancy November
Publisher: Cambridge University Press
ISBN: 1009409808
Category : Music
Languages : en
Pages : 267
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Book Description
A unique window on the world of nineteenth-century amateur music-making provided by the study of domestic musical arrangements of opera.
Author: Axel Englund
Publisher: Univ of California Press
ISBN: 0520974700
Category : Music
Languages : en
Pages : 275
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Book Description
The first book to use subversive sexuality as a lens through which to provocatively view opera in the 21st century. Imagine Armida, Handel’s Saracen sorceress, performing her breakneck coloraturas in a black figure-hugging rubber dress, beating her insubordinate furies into submission with a cane, suspending a captive Rinaldo in chains from the ceiling of her dungeon. Mozart’s peasant girl Zerlina, meanwhile, is tying up and blindfolding her fiancé to seduce him out of his jealousy of Don Giovanni. And how about Wagner’s wizard, Klingsor, ensnaring his choir of flower maidens in elaborate Japanese rope bondage? Opera, it would appear, has developed a taste for sadomasochism. For decades now, radical stage directors have repeatedly dressed canonical operas—from Handel and Mozart to Wagner and Puccini, and beyond—in whips, chains, leather, and other regalia of SM and fetishism. Deviant Opera seeks to understand this phenomenon, approaching the contemporary visual code of perversion as a lens through which opera focuses and scrutinizes its own configurations of sex, gender, power, and violence. The emerging image is that of an art form that habitually plays with an eroticization of cruelty and humiliation, inviting its devotees to take sensual pleasure in the suffering of others. Ultimately, Deviant Opera argues that this species of opera fantasizes about breaking the boundaries of its own role-playing, and pushing its erotic power exchanges from the enacted to the actual.
Author: David Charlton
Publisher: Cambridge University Press
ISBN: 1139789066
Category : Music
Languages : en
Pages : 437
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Book Description
Historians of French politics, art, philosophy and literature have long known the tensions and fascinations of Louis XV's reign, the 1750s in particular. David Charlton's study comprehensively re-examines this period, from Rameau to Gluck and elucidates the long-term issues surrounding opera. Taking Rousseau's Le Devin du Village as one narrative centrepiece, Charlton investigates this opera's origins and influences in the 1740s and goes on to use past and present research to create a new structural model that explains the elements of reform in Gluck's tragédies for Paris. Charlton's book opens many new perspectives on the musical practices and politics of the period, including the Querelle des Bouffons. It gives the first detailed account of intermezzi and opere buffe performed by Eustachio Bambini's troupe at the Paris Opéra from August 1752 to February 1754 and discusses Rameau's comedies Platée and Les Paladins and their origins.
Author: Jane W. Davidson
Publisher: Durham Modern Languages
ISBN: 9780907310655
Category : DVD-Video discs
Languages : en
Pages : 406
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Book Description
Author: Garland Encyclopedia of World Music
Publisher: Routledge
ISBN: 1136095942
Category : Music
Languages : en
Pages : 651
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Book Description
The Concise Garland Encyclopedia of World Music comprises two volumes, and can only be purchased as the two-volume set.To purchase the set please go to:http://www.routledge.com/9780415972932.
Author: Ellen Koskoff
Publisher: Routledge
ISBN: 0415994047
Category : Music
Languages : en
Pages : 652
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Book Description
The critical importance of past for the present--of music histories in local and global forms--asserts itself. The history of world music, as each chapter makes clear, is one of critical moments and paradigm shifts.
Author: Iris J. Arnesen
Publisher: McFarland
ISBN: 0786460067
Category : Music
Languages : en
Pages : 205
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Book Description
This book contains analyses of the stories and music of nine operas, presented in chronological order from 1791 to 1928. These great works are most readily approached with an understanding of the conventions of the several operatic genres as well as the social conditions that influenced the composers and librettists. The popular and intellectual movements that influenced the operas and the original source material are also discussed. The operas are Mozart's The Magic Flute, Beethoven's Fidelio, Donizetti's Lucia di Lammermoor, Wagner's The Flying Dutchman, Verdi's Rigoletto, Bizet's Carmen, Leoncavallo's Pagliacci, Strauss' Salome, and Brecht's The Threepenny Opera.
Author: Marian Elizabeth Smith
Publisher: Princeton University Press
ISBN: 9780691049946
Category : Music
Languages : en
Pages : 336
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Book Description
Marian Smith recaptures a rich period in French musical theater when ballet and opera were intimately connected. Focusing on the age of Giselle at the Paris Opéra (from the 1830s through the 1840s), Smith offers an unprecedented look at the structural and thematic relationship between the two genres. She argues that a deeper understanding of both ballet and opera--and of nineteenth-century theater-going culture in general--may be gained by examining them within the same framework instead of following the usual practice of telling their histories separately. This handsomely illustrated book ultimately provides a new portrait of the Opéra during a period long celebrated for its box-office successes in both genres. Smith begins by showing how gestures were encoded in the musical language that composers used in ballet and in opera. She moves on to a wide range of topics, including the relationship between the gestures of the singers and the movements of the dancers, and the distinction between dance that represents dancing (entertainment staged within the story of the opera) and dance that represents action. Smith maintains that ballet-pantomime and opera continued to rely on each other well into the nineteenth century, even as they thrived independently. The "divorce" between the two arts occurred little by little, and may be traced through unlikely sources: controversies in the press about the changing nature of ballet-pantomime music, shifting ideas about originality, complaints about the ridiculousness of pantomime, and a little-known rehearsal score for Giselle. ?
