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Author: Philippe Lacoue-Labarthe
Publisher: SUNY Press
ISBN: 9780887066603
Category : Philosophy
Languages : en
Pages : 218
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Book Description
The first authoritative study of the emergence of the modern concept of literature in German romanticism.
Author: Philippe Lacoue-Labarthe
Publisher: SUNY Press
ISBN: 9780887066603
Category : Philosophy
Languages : en
Pages : 218
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Book Description
The first authoritative study of the emergence of the modern concept of literature in German romanticism.
Author: Diana McLellan
Publisher: Macmillan
ISBN: 9780312283209
Category : Biography & Autobiography
Languages : en
Pages : 484
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Book Description
Diana McLellan reveals the complex and intimate connections that roiled behind the public personae of Greta Garbo, Marlene Dietrich, Tallulah Bankhead, and the women who loved them. Private correspondence, long-secret FBI files, and troves of unpublished documents reveal a chain of lesbian affairs that moved from the theater world of New York, through the heights of chic society, to embed itself in the power structure of the movie business. The Girls serves up a rich stew of film, politics, sexuality, psychology, and stardom.
Author: Paul Maurice Clogan
Publisher: Rowman & Littlefield
ISBN: 9780742513037
Category : History
Languages : en
Pages : 180
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Book Description
Medievalia et Humanistica, No. 28 contains five original articles exploring topics ranging from medieval ethnicity and self-identity to little-known documents in fifteenth century Italy. In addition to the articles, fourteen review notices examine recent publications in medieval and early modern studies.
Author: Joscelyn Godwin
Publisher: Red Wheel Weiser
ISBN: 1609258908
Category : Literary Criticism
Languages : en
Pages : 247
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Book Description
Ian Caldwell and Dustin Thomason’s The Rule of Four is already a bookselling phenomenon. The Ivy League super-achievers drew upon an authentic 1499 Renaissance text to create their thriller about two Princeton undergraduates who try to unravel the mysteries of the Hypnerotomachia Poliphili (pronounced “HIP-ne-RO-to-MA-kia PO-li-FEE-li”). The Hypnerotomachia Poliphili is an erotic, pagan epic, written in a private language peppered with words taken from Latin and Greek and decorated with Egyptian hieroglyphs. It was not translated into English for 500 years, until 1999, when Joscelyn Godwin finally achieved that near-impossible task. The Real Rule of Four, Professor Godwin carefully investigates each aspect of the history of the Hypnerotomachia Poliphili and its use in The Rule of Four, including: What is the Hypnerotomachia? Who wrote the Hypnerotomachia? (A central theme of The Rule of Four) What does the Hypnerotomachia mean? Places and people in The Rule of Four Glossary of names and terms in The Rule of Four Lavishly illustrated with reproductions of the many beautiful woodcuts in the Hypnerotomachia Poliphili, a fold-out color map and photographs of the featured locations at Princeton University, The Real Rule of Four is an indispensable guide to the many fans of Caldwell and Thomason’s best-selling novel.
Author: John F. Moffitt
Publisher: State University of New York Press
ISBN: 0791486907
Category : Religion
Languages : en
Pages : 512
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Book Description
Acknowledged as the "Artist of the Century," Marcel Duchamp (1887–1968) left a legacy that dominates the art world to this day. Inventing the ironically dégagé attitude of "ready-made" art-making, Duchamp heralded the postmodern era and replaced Pablo Picasso as the role model for avant-garde artists. John F. Moffitt challenges commonly accepted interpretations of Duchamp's art and persona by showing that his mature art, after 1910, is largely drawn from the influence of the occult traditions. Moffitt demonstrates that the key to understanding the cryptic meaning of Duchamp's diverse artworks and writings is alchemy, the most pictorial of all the occult philosophies and sciences.
Author: Raymond Radiguet
Publisher: Melville House
ISBN: 161219057X
Category : Fiction
Languages : en
Pages : 162
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Book Description
Hailed by Jean Cocteau as a "masterpiece," and by the Guardian as "Bret Easton Ellis's Less Than Zero, avant la lettre," this taut tale written by a teenager in the form of a frank "confession" is a gem of early twentieth century romanticism. Long unavailable in the U.S., it is here presented in a sparkling new translation. Set in Paris during the First World War, it tells the story of Francois, the 16-year-old narrator, who falls in love with Marthe, an older, married woman whose husband is off fighting at the front. What seems to begin as a charming tale of puppy love quickly darkens, and they launch into a steamy affair. In the tense environment of the wartime city, their love takes on a desperation transcending their youthfulness. And as the badly-kept secret of their relationship unfolds, scandal descends, leading the story to a final, startling conclusion—and causing the book itself to become a scandal when it was first published in 1923, just before the author's death at the age of 20.
Author: Jan Baetens
Publisher: Leuven University Press
ISBN: 9789058671097
Category : Comics & Graphic Novels
Languages : en
Pages : 216
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Book Description
The essays collected in this volume were first presented at the international and interdisciplinary conference on the Graphic Novel hosted by the Institute for Cultural Studies (University of Leuven) in 2000.The issues discusses by the conference are twofold. Firstly, that of trauma representation, an issue escaping by definition from any imaginable specific field. Secondly, that of a wide range of topics concerning the concept of "visual narrative," an issue which can only be studied by comparing as many media and practices as possible.The essays of this volume are grouped here in two major parts, their focus depending on either a more general topic or on a very specific graphic author. The first part of the book, "Violence and trauma in the Graphic Novel", opens with a certain number of reflections on the representation of violence in literary and visual graphic novels, and continues with a whole set of close readings of graphic novels by Art Spiegelman (Maus I and II) and Jacques Tardi (whose masterwork "C'?tait la guerre des tranch'es" is still waiting for its complete English translation). The second part of the book presents in the first place a survey of the current graphic novel production, and insists sharply on the great diversity of the range in the various 'continental' traditions (for instance underground 'comix', and feminist comics, high-art graphic novels, critical superheroes-fiction) whose separation is nowadays increasingly difficult to maintain. It continues and ends with a set of theoretical interventions where not only the reciprocal influences of national and international traditions, but also those between genres and media are strongly forwarded, the emphasis being here mainly on problems concerning ways of looking and positions of spectatorship.
Author: María Zambrano
Publisher: SUNY Press
ISBN: 1438457294
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
First English translation of these important works by two of Spains most gifted writers and intellectuals. Following the defeat of the Second Spanish Republic, María Zambrano (19041991) and Rosa Chacel (18981994), two of Spains most gifted intellectuals and writers, wrote compelling meditations on the meaning of confession in life and literature. Noël Valis and Carol Maier provide the first complete English-language translations of these essays. Zambrano and Chacel were friends, if not always amicably so; supporters of the Republic; and exiles. Both disciples of the philosopher Ortega y Gasset, they were nevertheless able to establish their own creative independence in their writing. Not only do the essays address national issues centered on Spanish literature, culture, and history, they also offer a unique philosophical-spiritual and literary approach to confession within the areas of philosophy, literature, religion, autobiography, womens and gender studies, and cultural studies. The translators introduction, afterword, and meticulous annotations supplement the texts.
Author: Gary Lachman
Publisher: TarcherPerigee
ISBN: 0399166807
Category : History
Languages : en
Pages : 530
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Book Description
"Running alongside the mainstream of Western intellectual history there is another current which, in a very real sense, should take pride of place, but which for the last few centuries has occupied a shadowy, inferior position, somewhere underground. This "other" stream forms the subject of Gary Lachman's epic history and analysis, The Secret Teachers of the Western World. In this clarifying, accessible, and fascinating study, the acclaimed historian explores the Western esoteric tradition--a thought movement with ancient roots and modern expressions, which, in a broad sense, regards the cosmos as a living, spiritual, meaningful being and humankind as having a unique obligation and responsibility in it. The historical roots of our "counter tradition," as Lachman explores, have their beginning in Alexandria around the time of Christ. It was then that we find the first written accounts of the ancient tradition, which had earlier been passed on orally. Here, in this remarkable city, filled with teachers, philosophers, and mystics from Egypt, Greece, Asia, and other parts of the world, in a multi-cultural, multi-faith, and pluralistic society, a synthesis took place, a creative blending of different ideas and visions, which gave the hidden tradition the eclectic character it retains today."--Publisher's description.
Author: Barbara L. Estrin
Publisher: Duke University Press
ISBN: 0822382253
Category : Literary Criticism
Languages : en
Pages : 362
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Book Description
How do men imagine women? In the poetry of Petrarch and his English successors—Wyatt, Donne, and Marvell—the male poet persistently imagines pursuing a woman, Laura, whom he pursues even as she continues to deny his affections. Critics have long held that, in objectifying Laura, these male-authored texts deny the imaginative, intellectual, and physical life of the woman they idealize. In Laura, Barbara L. Estrin counters this traditional view by focusing not on the generative powers of the male poet, but on the subjectivity of the imagined woman and the imaginative space of the poems she occupies. Through close readings of the Rime sparse and the works of Wyatt, Donne, and Marvell, Estrin uncovers three Lauras: Laura-Daphne, who denies sexuality; Laura-Eve, who returns the poet’s love; and Laura-Mercury, who reinvents her own life. Estrin claims that in these three guises Laura subverts both genre and gender, thereby introducing multiple desires into the many layers of the poems. Drawing upon genre and gender theories advanced by Jean-François Lyotard and Judith Butler to situate female desire in the poem’s framework, Estrin shows how genre and gender in the Petrarchan tradition work together to undermine the stability of these very concepts. Estrin’s Laura constitutes a fundamental reconceptualization of the Petrarchan tradition and contributes greatly to the postmodern reassessment of the Renaissance period. In its descriptions of how early modern poets formulate questions about sexuality, society and poetry, Laura will appeal to scholars of the English and Italian Renaissance, of gender studies, and of literary criticism and theory generally.
