L'Amore contrastato, ossia La Molinarella. [An opera, by G. Palomba.] As represented at the King's Theatre, etc. Ital. & Eng

L'Amore contrastato, ossia La Molinarella. [An opera, by G. Palomba.] As represented at the King's Theatre, etc. Ital. & Eng PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 92

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26 Italian Songs and Arias

26 Italian Songs and Arias PDF Author: John Glenn Paton
Publisher: Alfred Music
ISBN: 9781457435614
Category : Music
Languages : en
Pages : 158

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Book Description
This authoritative, new edition of the world's most loved songs and arias draws on original manuscripts, historical first editions and recent research by prominent musicologists to meet a high standard of accuracy and authenticity. Includes fascinating background information about the arias and their composers as well as a singable rhymed translation, a readable prose translation and a literal translation of each single Italian word.

History of Music in Russia from Antiquity to 1800, Volume 2

History of Music in Russia from Antiquity to 1800, Volume 2 PDF Author: Nikolai Findeizen
Publisher: Indiana University Press
ISBN: 0253023521
Category : Music
Languages : en
Pages : 910

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In its scope and command of primary sources and its generosity of scholarly inquiry, Nikolai Findeizen's monumental work, published in 1928 and 1929 in Soviet Russia, places the origins and development of music in Russia within the context of Russia's cultural and social history. Volume 2 of Findeizen's landmark study surveys music in court life during the reigns of Elizabeth I and Catherine II, music in Russian domestic and public life in the second half of the 18th century, and the variety and vitality of Russian music at the end of the 18th century.

Music as Social and Cultural Practice

Music as Social and Cultural Practice PDF Author: Melania Bucciarelli
Publisher: Boydell & Brewer
ISBN: 1843833174
Category : Music
Languages : en
Pages : 465

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"The linking theme of the essays collected here is the intersection of musical work with social and cultural practice. Inspired by Professor Strohm's ideas, as is fitting in a volume in his honour, leading scholars in the field explore diverse conceptualizations of the 'work' within the contexts of a specific repertory, over four main sections. Music in Theory and Practice studies the link between treatises and musical practice, and analyses how historical writings can reveal period views on the 'work' in music before 1800. Art and Social Process: Music in Court and Urban Societies looks at the social and cultural practices informing composition from the late Renaissance until the mid-eighteenth century, and interrogates current notions of canon formation and the exchange between local and foreign traditions. Creating an Opera Industry focuses on how genre and artistic autonomy were defined in operas from diverse eras and countries, explaining the role of literature and politics in this process. Finally, The Crisis of Modernity treats nineteenth-century music, offering new models for 'work' and 'context' to challenge reigning theories of the meaning of these terms."--Publisher's website.

Opera in the Tropics

Opera in the Tropics PDF Author: Rogério Budasz
Publisher: Oxford University Press
ISBN: 0190215844
Category : Music
Languages : en
Pages : 505

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Opera in the Tropics is an engaging exploration of theater with music in Brazil from the mid 1500s to the early 1820s. Author Rogério Budasz delves into the practices of the actors, singers, poets, and composers who created and performed Jesuit moral plays, Spanish comedias, and Portuguese vernacular operas and entremezes during the colonial period, as well as the Italian operas that celebrated the new independent nation in 1822. A Brazilian producer claimed in 1825 that the goal of music-theater was to instruct, entertain, and distract the population. Budasz argues that this threefold goal had in fact been present throughout the colonial period, in different combinations and with different purposes, at the hands of missionaries, intellectuals, bureaucrats, political leaders, and cultural producers. While Budasz demonstrates a continuity from Portuguese theatrical practices, primarily through the circulation of artists and repertory, he also examines a number of localized departures from the metropolitan model, particularly in the ethnic and gender profile of theatrical workers, in the modifications determined by local tastes, priorities, and materials, and in the political use of theater as an ideological and civilizing tool within the paradoxical context of a slave society. An eye-opening narrative of the transformations and uses of a colonial art form, Opera in the Tropics will be essential reading for all interested in the music and theater in Iberian and Latin American culture.

A Short History of Opera

A Short History of Opera PDF Author: Donald Jay Grout
Publisher: Columbia University Press
ISBN: 0231119585
Category : Opera
Languages : en
Pages : 1049

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Book Description
"The fourth edition incorporates new scholarship that traces the most important developments in the evolution of musical drama. After surveying anticipations of the operatic form in the lyric theater of the Greeks, medieval dramatic music, and other forerunners, the book reveals the genre's beginnings in the seventeenth century and follows its progress to the present day."--Jacket.

“The” Quarterly Musical Magazine and Review

“The” Quarterly Musical Magazine and Review PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 564

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Performing Operas for Mozart

Performing Operas for Mozart PDF Author: Ian Woodfield
Publisher: Cambridge University Press
ISBN: 1107014298
Category : History
Languages : en
Pages : 291

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A study of the Prague Italian opera company and its role in performing Mozart's works in the late eighteenth-century.

The Italian Opera Singers in Mozart's Vienna

The Italian Opera Singers in Mozart's Vienna PDF Author: Dorothea Link
Publisher: University of Illinois Press
ISBN: 0252053656
Category : Music
Languages : en
Pages : 459

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Book Description
Dorothea Link examines singers’ voices and casting practices in late eighteenth-century Italian opera as exemplified in Vienna’s court opera from 1783 to 1791. The investigation into the singers’ voices proceeds on two levels: understanding the performers in terms of the vocal-dramatic categories employed in opera at the time; and creating vocal profiles for the principal singers from the music composed expressly for them. In addition, Link contextualizes the singers within the company in order to expose the court opera's casting practices. Authoritative and insightful, The Italian Opera Singers in Mozart's Vienna offers a singular look at a musical milieu and a key to addressing the performance-practice problem of how to cast the Mozart roles today.

Antonio Salieri and Viennese Opera

Antonio Salieri and Viennese Opera PDF Author: John A. Rice
Publisher: University of Chicago Press
ISBN: 9780226711256
Category : Biography & Autobiography
Languages : en
Pages : 688

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