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Author: Mike Jaccarino
Publisher: Fordham Univ Press
ISBN: 0823287394
Category : Language Arts & Disciplines
Languages : en
Pages : 336
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Book Description
NAMED A BEST BOOK OF THE WEEK BY THE NEW YORK POST ALSO AVAILABLE AS AN AUDIOBOOK A from-the-trenches view of New York Daily News and New York Post runners and photographers as they stop at nothing to break the story and squash their tabloid arch-rivals. When author Mike Jaccarino was offered a job at the Daily News in 2006, he was asked a single question: “Kid, what are you going to do to help us beat the Post?” That was the year things went sideways at the News, when the New York Post surpassed its nemesis in circulation for the first time in the history of both papers. Tasked with one job—crush the Post—Jaccarino here provides the behind-the-scenes story of how the runners and shooters on both sides would do anything and everything to get the scoop before their opponents. The New York Daily News and the New York Post have long been the Hatfields and McCoys of American media: two warring tabloids in a town big enough for only one of them. As digital news rendered print journalism obsolete, the fight to survive in NYC became an epic, Darwinian battle. In America’s Last Great Newspaper War, Jaccarino exposes the untold story of this tabloid death match of such ferocity and obsession its like has not occurred since Pulitzer– Hearst. Told through the eyes of hungry “runners” (field reporters) and “shooters” (photographers) who would employ phony police lights to overcome traffic, Mike Jaccarino’s memoir unmasks the do-whatever-it-takes era of reporting—where the ends justified the means and nothing was off-limits. His no-holds-barred account describes sneaking into hospitals, months-long stakeouts, infiltrating John Gotti’s crypt, bidding wars for scoops, high-speed car chases with Hillary Clinton, O.J. Simpson, and the baby mama of a philandering congressman—all to get that coveted front-page story. Today, few runners and shooters remain on the street. Their age and exploits are as bygone as the News–Post war and American newspapers, generally. Where armies once battled, often no one is covering the story at all. Funding for this book was provided by: Furthermore: a program of the J. M. Kaplan Fund
Author: Mike Jaccarino
Publisher: Fordham Univ Press
ISBN: 0823287394
Category : Language Arts & Disciplines
Languages : en
Pages : 336
Get Book Here
Book Description
NAMED A BEST BOOK OF THE WEEK BY THE NEW YORK POST ALSO AVAILABLE AS AN AUDIOBOOK A from-the-trenches view of New York Daily News and New York Post runners and photographers as they stop at nothing to break the story and squash their tabloid arch-rivals. When author Mike Jaccarino was offered a job at the Daily News in 2006, he was asked a single question: “Kid, what are you going to do to help us beat the Post?” That was the year things went sideways at the News, when the New York Post surpassed its nemesis in circulation for the first time in the history of both papers. Tasked with one job—crush the Post—Jaccarino here provides the behind-the-scenes story of how the runners and shooters on both sides would do anything and everything to get the scoop before their opponents. The New York Daily News and the New York Post have long been the Hatfields and McCoys of American media: two warring tabloids in a town big enough for only one of them. As digital news rendered print journalism obsolete, the fight to survive in NYC became an epic, Darwinian battle. In America’s Last Great Newspaper War, Jaccarino exposes the untold story of this tabloid death match of such ferocity and obsession its like has not occurred since Pulitzer– Hearst. Told through the eyes of hungry “runners” (field reporters) and “shooters” (photographers) who would employ phony police lights to overcome traffic, Mike Jaccarino’s memoir unmasks the do-whatever-it-takes era of reporting—where the ends justified the means and nothing was off-limits. His no-holds-barred account describes sneaking into hospitals, months-long stakeouts, infiltrating John Gotti’s crypt, bidding wars for scoops, high-speed car chases with Hillary Clinton, O.J. Simpson, and the baby mama of a philandering congressman—all to get that coveted front-page story. Today, few runners and shooters remain on the street. Their age and exploits are as bygone as the News–Post war and American newspapers, generally. Where armies once battled, often no one is covering the story at all. Funding for this book was provided by: Furthermore: a program of the J. M. Kaplan Fund
Author: Kenneth J. Ward
Publisher:
ISBN:
Category : American newspapers
Languages : en
Pages :
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Book Description
Author: Kevin McAuliffe
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 520
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Book Description
Traces the rise and fall The Village Voice, the country's first alternative newsweekly.
Author: John P. Avlon
Publisher: Abrams
ISBN: 1590209877
Category : History
Languages : en
Pages : 582
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Book Description
Now in its fifth hardcover printing, Deadline Artists celebrates the relevance of the newspaper column through the simple power of excellent writing. It is an inspiration for a new generation of writers— whether their medium is print or digital—looking to learn from the best of their predecessors. Contributors include: Jimmy Breslin, Ernie Pyle, Dorothy Thompson, Thomas L. Friedman, David Brooks, Ernest Hemingway, Will Rogers, Langston Hughes, Woody Guthrie, Ambrose Bierce, Mark Twain, H.L. Mencken, Art Buchwald, William F. Buckley, Dave Barry, Anna Quindlen, George Will, and Pete Hamill.
Author: William G. Jordan
Publisher: Univ of North Carolina Press
ISBN: 080787552X
Category : Social Science
Languages : en
Pages : 256
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Book Description
During World War I, the publishers of America's crusading black newspapers faced a difficult dilemma. Would it be better to advance the interests of African Americans by affirming their patriotism and offering support of President Wilson's war for democracy in Europe, or should they demand that the government take concrete steps to stop the lynching, segregation, and disfranchisement of blacks at home as a condition of their participation in the war? This study of their efforts to resolve that dilemma offers important insights into the nature of black protest, race relations, and the role of the press in a republican system. William Jordan shows that before, during, and after the war, the black press engaged in a delicate and dangerous dance with the federal government and white America--at times making demands or holding firm, sometimes pledging loyalty, occasionally giving in. But although others have argued that the black press compromised too much, Jordan demonstrates that, given the circumstances, its strategic combination of protest and accommodation was remarkably effective. While resisting persistent threats of censorship, the black press consistently worked at educating America about the need for racial justice.
Author: James O'Shea
Publisher: Hachette UK
ISBN: 1610392140
Category : Language Arts & Disciplines
Languages : en
Pages : 416
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Book Description
In 2000, after the Tribune Company acquired Times Mirror Corporation, it comprised the most powerful collection of newspapers in the world. How then did Tribune nosedive into bankruptcy and public scandal? In The Deal From Hell, veteran Tribune and Los Angeles Times editor James O'Shea takes us behind the scenes of the decisions that led to disaster in boardrooms and newsrooms from coast to coast, based on access to key players, court testimony, and sworn depositions. The Deal From Hell is a riveting narrative that chronicles how news industry executives and editors--convinced they were acting in the best interests of their publications--made a series of flawed decisions that endangered journalistic credibility and drove the newspapers, already confronting a perfect storm of political, technological, economic, and social turmoil, to the brink of extinction.
Author: Chris Dubbs
Publisher: U of Nebraska Press
ISBN: 1496200195
Category : Biography & Autobiography
Languages : en
Pages : 311
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Book Description
When war erupted in Europe in 1914, American journalists hurried across the Atlantic ready to cover it the same way they had covered so many other wars. However, very little about this war was like any other. Its scale, brutality, and duration forced journalists to write their own rules for reporting and keeping the American public informed. American Journalists in the Great War tells the dramatic stories of the journalists who covered World War I for the American public. Chris Dubbs draws on personal accounts from contemporary newspaper and magazine articles and books to convey the experiences of the journalists of World War I, from the western front to the Balkans to the Paris Peace Conference. Their accounts reveal the challenges of finding the war news, transmitting a story, and getting it past the censors. Over the course of the war, reporters found that getting their scoop increasingly meant breaking the rules or redefining the very meaning of war news. Dubbs shares the courageous, harrowing, and sometimes humorous stories of the American reporters who risked their lives in war zones to record their experiences and send the news to the people back home.
Author: Allan Holtz
Publisher:
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 632
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Book Description
The most comprehensive guide to U.S. newspaper comics ever published
Author: WYTHE WILLIAMS
Publisher: BEYOND BOOKS HUB
ISBN:
Category : Fiction
Languages : en
Pages : 167
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Book Description
Special correspondents in great numbers have come from America into the European "zone of military activity," and in almost equal numbers have they gone out, to write their impressions, their descriptions, their histories, their romances and songs. Other correspondents who are not "special," but who by the grace of the military authorities have been permitted to enter the forbidden territory, and by the favor of the censor have been allowed to tell what they saw there, have entered it again and again at regular intervals. These are the "regular" correspondents, who lived in Europe before war was declared, and who during many idle hours speculated on what they would do with that great arm of their vocation—the cable—when the expected hour of conflict arrived. Few of their plans worked out, and new ones were formed on the minute—on the second. For the Germans did not cut the cable, as some of the correspondents, in moments of despair, almost hoped they would do, and the great American public clamored insistently for the "news" with its breakfast. It is a journalist's methods in covering the biggest, the hardest "story" that newspapers were ever compelled to handle, that this book attempts to describe.
Author: Todd Andrlik
Publisher:
ISBN: 9781402269677
Category : American newspapers
Languages : en
Pages : 0
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Book Description
Presents a collection of primary source newspaper articles and correspondence reporting the events of the Revolution, containing both American and British eyewitness accounts and commentary and analysis from thirty-seven historians.
