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Author: Alma J. Bennett
Publisher: McFarland
ISBN: 0786460253
Category : Performing Arts
Languages : en
Pages : 195
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Book Description
While the history of American theatre has been widely documented, the history of its female reviewers has been routinely overlooked. This book seeks to correct that oversight by exploring the role of the great female American critics, thereby expanding their canonical status. The anthology provides a brief description of the women's lives, their working conditions, samples of their writing, and supporting analyses. For some readers, this will be a first encounter with women who deserve to be represented in the American theatre of their times and recognized for their contributions to the development of dramatic theory and criticism.
Author: Alma J. Bennett
Publisher: McFarland
ISBN: 0786460253
Category : Performing Arts
Languages : en
Pages : 195
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Book Description
While the history of American theatre has been widely documented, the history of its female reviewers has been routinely overlooked. This book seeks to correct that oversight by exploring the role of the great female American critics, thereby expanding their canonical status. The anthology provides a brief description of the women's lives, their working conditions, samples of their writing, and supporting analyses. For some readers, this will be a first encounter with women who deserve to be represented in the American theatre of their times and recognized for their contributions to the development of dramatic theory and criticism.
Author: Helen Krich Chinoy
Publisher: Theatre Communications Grou
ISBN: 9781559362634
Category : Drama
Languages : en
Pages : 602
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Book Description
First full-scale revision since 1987.
Author: Yvonne Shafer
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Drama
Languages : en
Pages : 568
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Book Description
This book presents an analysis of the many plays written by women in the American theatre in the first half of the century. Such playwrights as Rachel Crothers, Zona Gale, Susan Glaspell, Edna Ferber, and Lillian Hellman were popular and successful contributors to the stage. Many of their plays won such awards as the Pulitzer Prize, the Drama Critics Circle Award, and Tony Awards. The plays are discussed in terms of their popular and critical value and placed within the historical and social background of the period. In this time of intense change for women in American society, the plays reflect the new demands for freedom, careers, the right to vote, equality with men, and the right to intellectual development. Shafer calls attention to many fine plays which deserve production today.
Author: Anne Fliotsos
Publisher: University of Illinois Press
ISBN: 0252032268
Category : Performing Arts
Languages : en
Pages : 490
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Book Description
The first reference tool to focus on American women directors
Author: Carey Purcell
Publisher: Rowman & Littlefield
ISBN: 1538115263
Category : Performing Arts
Languages : en
Pages : 309
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Book Description
Theatre has long been considered a feminine interest for which women consistently purchase the majority of tickets, while the shows they are seeing typically are written and brought to the stage by men. Furthermore, the stories these productions tell are often about men, and the complex leading roles in these shows are written for and performed by male actors. Despite this imbalance, the feminist voice presses to be heard and has done so with more success than ever before. In From Aphra Behn to Fun Home: A Cultural History of Feminist Theatre, Carey Purcell traces the evolution of these important artists and productions over several centuries. After examining the roots of feminist theatre in early Greek plays and looking at occasional works produced before the twentieth century, Purcell then identifies the key players and productions that have emerged over the last several decades. This book covers the heyday of the second wave feminist movement—which saw the growth of female-centric theatre groups—and highlights the work of playwrights such as Caryl Churchill, Pam Gems, and Wendy Wasserstein. Other prominent artists discussed here include playwrights Paula Vogel Lynn and Tony-award winning directors Garry Hynes and Julie Taymor. The volume also examines diversity in contemporary feminist theatre—with discussions of such playwrights as Young Jean Lee and Lynn Nottage—and a look toward the future. Purcell explores the very nature of feminist theater—does it qualify if a play is written by a woman or does it just need to feature strong female characters?—as well as how notable activist work for feminism has played a pivotal role in theatre. An engaging survey of female artists on stage and behind the scenes, From Aphra Behn to Fun Home will be of interest to theatregoers and anyone interested in the invaluable contributions of women in the performing arts.
Author: Faye E. Dudden
Publisher: Yale University Press
ISBN: 9780300070583
Category : History
Languages : en
Pages : 278
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Book Description
Through a series of biographical sketches of female performers and managers, Dudden provides a discussion of the conflicted messages conveyed by the early theatre about what it meant to be a woman. It both showed women as sex objects and provided opportunities for careers.
Author: Gay Gibson Cima
Publisher: Cambridge University Press
ISBN: 1139456830
Category : Drama
Languages : en
Pages : 217
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Book Description
Early American Women Critics demonstrates that performances of various kinds - religious, political and cultural - enabled women to enter the human rights debates that roiled the American colonies and young republic. Black and white women staked their claims on American citizenship through disparate performances of spirit possession, patriotism, poetic and theatrical production. They protected themselves within various shields which allowed them to speak openly while keeping the individual basis of their identities invisible. Cima shows that between the First and Second Great Religious Awakenings (1730s–1830s), women from West Africa, Europe, and various corners of the American colonies self-consciously adopted performance strategies that enabled them to critique American culture and establish their own diverse and contradictory claims on the body politic. This book restores the primacy of religious performances - Christian, Yoruban, Bantu and Muslim - to the study of early American cultural and political histories, revealing that religion and race are inseparable.
Author: Greeley, Lynne
Publisher: Cambria Press
ISBN:
Category : Performing Arts
Languages : en
Pages :
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Book Description
Note: this is an abridged version of the book with references removed. The complete edition is also available. In this unprecedented, fascinating book which covers women in theatre from the 1910s to the 2010s, author Lynne Greeley notes that, for the purposes of this study, "feminism" is defined as the political impulse toward economic and social empowerment for females or the female-identified, a position perceived by many feminists as oppositional to ideas of femininity that they see as personally and politically constraining and that "femininity" comprises social behaviors and practices that mean as "many different things as there are women," some of which are empowering and others of which are not. This book illuminates how throughout the twentieth century and into the twenty-first, playwrights and artists in American theatre both embodied and disrupted the feminine of their times. Through approaches as wide ranging as performing their own recipes, energizing silences, raging against war and rape, and inviting the public to inscribe their naked bodies, theatre artists have used performance as a site to insert themselves between the physicality of their female presence and the liminality of their disrupting the role of the feminine. Capturing that place of liminality, a neither-here-nor-there place that is often unsafe, where the established order is overturned by acts as banal as raising a plant, women have written and performed and disrupted their way through one hundred years of theatre history, even within the constraints of a variably rigid and usually unsympathetic social order. Creating a feminist femininity, they have reinscribed their place in the culture and provided models for their audiences to do the same. This comprehensive tome, part of the Cambria Contemporary Global Performing Arts headed by John Clum (Duke University) is an essential addition for theater studies and women's studies.
Author: Montrose Jonas Moses
Publisher: New York : Cooper Square Publishers, 1967 [c1934]
ISBN:
Category : Literary Criticism
Languages : en
Pages : 400
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Book Description
Author: Lynne Greeley
Publisher: Cambria Press
ISBN: 1621967425
Category : Performing Arts
Languages : en
Pages : 588
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Book Description
In this unprecedented, fascinating book which covers women in theatre from the 1910s to the 2010s, author Lynne Greeley notes that, for the purposes of this study, "feminism" is defined as the political impulse toward economic and social empowerment for females or the female-identified, a position perceived by many feminists as oppositional to ideas of femininity that they see as personally and politically constraining and that "femininity" comprises social behaviors and practices that mean as "many different things as there are women," some of which are empowering and others of which are not. This book illuminates how throughout the twentieth century and into the twenty-first, playwrights and artists in American theatre both embodied and disrupted the feminine of their times. Through approaches as wide ranging as performing their own recipes, energizing silences, raging against war and rape, and inviting the public to inscribe their naked bodies, theatre artists have used performance as a site to insert themselves between the physicality of their female presence and the liminality of their disrupting the role of the feminine. Capturing that place of liminality, a neither-here-nor-there place that is often unsafe, where the established order is overturned by acts as banal as raising a plant, women have written and performed and disrupted their way through one hundred years of theatre history, even within the constraints of a variably rigid and usually unsympathetic social order. Creating a feminist femininity, they have reinscribed their place in the culture and provided models for their audiences to do the same. This comprehensive tome, part of the Cambria Contemporary Global Performing Arts headed by John Clum (Duke University) is an essential addition for theater studies and women's studies.