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Author: Nassau William Senior
Publisher:
ISBN:
Category : Slavery
Languages : en
Pages : 164
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Book Description
Author: Nassau William Senior
Publisher:
ISBN:
Category : Slavery
Languages : en
Pages : 164
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Book Description
Author: Jack Tager
Publisher: UPNE
ISBN: 9781555534615
Category : History
Languages : en
Pages : 310
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Book Description
The fascinating story of Boston's violent past is told for the first time in this history of the city's riots, from the food shortage uprisings in the 18th century to the anti-busing riots of the 20th century.
Author: Winston James
Publisher: NYU Press
ISBN: 0814742904
Category : Biography & Autobiography
Languages : en
Pages : 320
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Book Description
John Brown Russwurm (1799-1851) was an educator, abolitionist, editor, government official, emigrationist and colonizationist in the Pan-African movement. His life was one of "firsts" : first African American graduate of Maine's Bowdoin College; co-founder of Freedom's Journal, America's first newspaper to be owned, operated, and edited by African Americans; and, following his emigration to Africa, first black governor of the Maryland section of Liberia. Despite his accomplishments, Russwurm struggled internally with the perennial Pan-Africanist dilemma of whether to go to Africa or stay and fight in the United States, and his ordeal was the first of its kind to be experienced and resolved before the public eye.
Author: William Carlos Martyn
Publisher:
ISBN:
Category :
Languages : en
Pages : 612
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Book Description
Author: Neal Shirley
Publisher: AK Press
ISBN: 1849352089
Category : History
Languages : en
Pages : 280
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Book Description
In 1891, when coal companies in eastern Tennessee brought in cheap convict labor to take over their jobs, workers responded by storming the stockades, freeing the prisoners, and loading them onto freight trains. Over the next year, tactics escalated to include burning company property and looting company stores. This was one of the largest insurrections in US working-class history. It happened at the same time as the widely publicized northern labor war in Homestead, Pennsylvania. And it was largely ignored, then and now. Dixie Be Damned engages seven similarly "hidden" insurrectionary episodes in Southern history to demonstrate the region's long arc of revolt. Countering images of the South as pacified and conservative, this adventurous retelling presents history in the rough. Not the image of the South many expect, this is the South of maroon rebellion, wildcat strikes, and Robert F. Williams's book Negroes with Guns, a South where the dispossessed refuse to quietly suffer their fate. This is people's history at its best: slave revolts, multiracial banditry, labor battles, prison uprisings, urban riots, and more. Neal Shirley grew up in Winston-Salem, North Carolina, and now lives in Durham, NC, where he is involved in several anti-prison initiatives and runs a small publishing project called the North Carolina Piece Corps. Saralee Stafford was born in the Piedmont of North Carolina. Her recent political work has focused on connecting the struggles of street organizations with those of anarchists in the area. She teaches gender-related health in Durham, North Carolina.
Author: Booker T. Washington
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 190
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Book Description
This book was written by Booker Taliaferro Washington, an African-American educator, author, orator, and adviser to several presidents of the United States. Between 1890 and 1915, Washington was the dominant leader in the African-American community and of the contemporary black elite. Washington was from the last generation of black American leaders born into slavery and became the leading voice of the former slaves and their descendants. This book provides his insights on the value of industrial training and the methods employed to develop it.
Author: Maud Cuney-Hare
Publisher: Library of Alexandria
ISBN: 1465604782
Category : Fiction
Languages : en
Pages : 406
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Book Description
In offering this study of Negro music, I do so with the admission that there is no consistent development as found in national schools of music. The Negro, a musical force, through his own distinct racial characteristics has made an artistic contribution which is racial but not yet national. Rather has the influence of musical stylistic traits termed Negro, spread over many nations wherever the colonies of the New World have become homes of Negro people. These expressions in melody and rhythm have been a compelling force in American music Ð tragic and joyful in emotion, pathetic and ludicrous in melody, primitive and barbaric in rhythm. The welding of these expressions has brought about a harmonic effect which is now influencing thoughtful musicians throughout the world. At present there is evidenced a new movement far from academic, which plays an important technical part in the music of this and other lands. The question as to whether there exists a pure Negro art in America is warmly debated. Many Negroes as well as Anglo-Americans admit that the so-called American Negro is no longer an African Negro. Apart from the fusion of blood he has for centuries been moved by the same stimuli which have affected all citizens of the United States. They argue rightly that he is a product of a vital American civilization with all its daring, its progress, its ruthlessness, and unlovely speed. As an integral part of the nation, the Negro is influenced by like social environment and governed by the same political institutions; thus page vi we may expect the ultimate result of his musical endeavors to be an art-music which embodies national characteristics exercised upon by his soul's expression. In the field of composition, the early sporadic efforts by people of African descent, while not without historic importance, have been succeeded by contributions from a rising group of talented composers of color who are beginning to find a listening public. The tendency of this music is toward the development of an American symphonic, operatic and ballet school led for the moment by a few lone Negro musicians of vision and high ideals. The story of those working toward this end is herein treated. Facts for this volume have been obtained from educated African scholars with whom the author sought acquaintanceship and from printed sources found in the Boston Public Library, the New York Public Library and the Music Division of the Library of Congress. The author has also had access to rare collections and private libraries which include her own. Folk material has been gathered in personal travel.
Author: David Lowenthal
Publisher: Cambridge University Press
ISBN: 9780521635622
Category : History
Languages : en
Pages : 362
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Book Description
A paperback edition of a critically-acclaimed 1998 study of the meaning and effects of 'Heritage'.
Author: Robert Montgomery Bird
Publisher: e-artnow
ISBN:
Category : Fiction
Languages : en
Pages : 383
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Book Description
"Sheppard Lee, Written By Himself" is a satirical work from the early years of the American Republic. It was written in the form as an autobiography and acquired wide acclaim after publishing. The story tells about a young man wishing to find a buried treasure. Instead, he finds the power to transfer his soul into other men's bodies. This results in a picaresque journey through early American pursuits of happiness. But every new form disappoints him. Lee comes to the conclusion that everything in America, even virtue and vice, are interchangeable; everything is an object and has its price.
Author: Martin Halliwell
Publisher: Edinburgh University Press
ISBN: 0748628908
Category : Social Science
Languages : en
Pages : 336
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Book Description
This book provides a stimulating account of the dominant cultural forms of 1950s America: fiction and poetry; theatre and performance; film and television; music and radio; and the visual arts. Through detailed commentary and focused case studies of influential texts and events - from Invisible Man to West Side Story, from Disneyland to the Seattle World's Fair, from Rear Window to The Americans - the book examines the way in which modernism and the cold war offer two frames of reference for understanding the trajectory of postwar culture. The two core aims of this volume are to chart the changing complexion of American culture in the years following World War II and to provide readers with a critical investigation of 'the 1950s'. The book provides an intellectual context for approaching 1950s American culture and considers the historical impact of the decade on recent social and cultural developments.
