Author: R.S. Johnson International
Publisher:
ISBN:
Category : Prints
Languages : en
Pages : 64
Book Description
American Printmakers, 1900-1950
Author: R.S. Johnson International
Publisher:
ISBN:
Category : Prints
Languages : en
Pages : 64
Book Description
Publisher:
ISBN:
Category : Prints
Languages : en
Pages : 64
Book Description
American Printmakers 1900-1950
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 64
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 64
Book Description
True Grit
Author: Stephanie Schrader
Publisher: Getty Publications
ISBN: 1606066277
Category : Art
Languages : en
Pages : 120
Book Description
An engaging look at early twentieth-century American printmaking, which frequently focused on the crowded, chaotic, and gritty modern city. In the first half of the twentieth century, a group of American artists influenced by the painter and teacher Robert Henri aimed to reject the pretenses of academic fine art and polite society. Embracing the democratic inclusiveness of the Progressive movement, these artists turned to making prints, which were relatively inexpensive to produce and easy to distribute. For their subject matter, the artists mined the bustling activity and stark realities of the urban centers in which they lived and worked. Their prints feature sublime towering skyscrapers and stifling city streets, jazzy dance halls and bleak tenement interiors—intimate and anonymous everyday scenes that addressed modern life in America. True Grit examines a rich selection of prints by well-known figures like George Bellows, Edward Hopper, Joseph Pennell, and John Sloan as well as lesser-known artists such as Ida Abelman, Peggy Bacon, Miguel Covarrubias, and Mabel Dwight. Written by three scholars of printmaking and American art, the essays present nuanced discussions of gender, class, literature, and politics, contextualizing the prints in the rapidly changing milieu of the first decades of twentieth-century America.
Publisher: Getty Publications
ISBN: 1606066277
Category : Art
Languages : en
Pages : 120
Book Description
An engaging look at early twentieth-century American printmaking, which frequently focused on the crowded, chaotic, and gritty modern city. In the first half of the twentieth century, a group of American artists influenced by the painter and teacher Robert Henri aimed to reject the pretenses of academic fine art and polite society. Embracing the democratic inclusiveness of the Progressive movement, these artists turned to making prints, which were relatively inexpensive to produce and easy to distribute. For their subject matter, the artists mined the bustling activity and stark realities of the urban centers in which they lived and worked. Their prints feature sublime towering skyscrapers and stifling city streets, jazzy dance halls and bleak tenement interiors—intimate and anonymous everyday scenes that addressed modern life in America. True Grit examines a rich selection of prints by well-known figures like George Bellows, Edward Hopper, Joseph Pennell, and John Sloan as well as lesser-known artists such as Ida Abelman, Peggy Bacon, Miguel Covarrubias, and Mabel Dwight. Written by three scholars of printmaking and American art, the essays present nuanced discussions of gender, class, literature, and politics, contextualizing the prints in the rapidly changing milieu of the first decades of twentieth-century America.
Great American Prints, 1900-1950
Author: June Kraeft
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 180
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 180
Book Description
American Printmakers of the Twentieth Century
Author: Donald E. Smith
Publisher: Saint Johann Press
ISBN:
Category : Art
Languages : en
Pages : 376
Book Description
Publisher: Saint Johann Press
ISBN:
Category : Art
Languages : en
Pages : 376
Book Description
American Printmakers, 1860-1950
Author:
Publisher:
ISBN:
Category : Prints
Languages : en
Pages : 119
Book Description
Publisher:
ISBN:
Category : Prints
Languages : en
Pages : 119
Book Description
Australian Printmakers in America 1900-1950
Author: Roger Butler
Publisher:
ISBN:
Category : Expatriate artists
Languages : en
Pages : 54
Book Description
Publisher:
ISBN:
Category : Expatriate artists
Languages : en
Pages : 54
Book Description
Graphic Excursions--American Prints in Black and White, 1900-1950
Author: Dave Williams
Publisher: David R. Godine Publisher
ISBN:
Category : Architecture
Languages : en
Pages : 170
Book Description
A sumptous collection of American prints.
Publisher: David R. Godine Publisher
ISBN:
Category : Architecture
Languages : en
Pages : 170
Book Description
A sumptous collection of American prints.
Aspects of American Printmaking, 1800-1950
Author: James F. O'Gorman
Publisher: Syracuse, N.Y. : Syracuse University Press
ISBN:
Category : Prints
Languages : en
Pages : 264
Book Description
Publisher: Syracuse, N.Y. : Syracuse University Press
ISBN:
Category : Prints
Languages : en
Pages : 264
Book Description
North American Prints, 1913-1947
Author: David Tatham
Publisher: Syracuse University Press
ISBN: 9780815630715
Category : Art
Languages : en
Pages : 230
Book Description
In this collection of essays, eight contemporary scholars examine the rich diversity in the subject, style, and geography of printmaking from 1913-1947, a singular period of artistic creation. Also, three distinguished printmakers, who were active during the 1930s and 1940s, share their recollections of those decades, offering rare, firsthand accounts of the political, social,and cultural elements that influenced the artists and their work. David Tatham has chosen two watershed events, the Armory Show of 1913 and the important Brooklyn Museum exhibition of 1947, as the temporal bookends for this collection. Recognizing this era as wholly distinct from what had gone before and what was to come after it in graphic arts, the volume’s contributors illuminate the period’s spirited and vital debate about style, content, and the role of prints in society. Offering fresh assessments and newly understood historical contexts, the essays bring well-deserved attention to artists whose work has often been neglected, while it reexamines the works of well-known artists. This volume represents an important contribution to the study of printmaking by illustrating the way in which historical and contemporary graphic arts occupy a vital and central presence in the culture of our times.
Publisher: Syracuse University Press
ISBN: 9780815630715
Category : Art
Languages : en
Pages : 230
Book Description
In this collection of essays, eight contemporary scholars examine the rich diversity in the subject, style, and geography of printmaking from 1913-1947, a singular period of artistic creation. Also, three distinguished printmakers, who were active during the 1930s and 1940s, share their recollections of those decades, offering rare, firsthand accounts of the political, social,and cultural elements that influenced the artists and their work. David Tatham has chosen two watershed events, the Armory Show of 1913 and the important Brooklyn Museum exhibition of 1947, as the temporal bookends for this collection. Recognizing this era as wholly distinct from what had gone before and what was to come after it in graphic arts, the volume’s contributors illuminate the period’s spirited and vital debate about style, content, and the role of prints in society. Offering fresh assessments and newly understood historical contexts, the essays bring well-deserved attention to artists whose work has often been neglected, while it reexamines the works of well-known artists. This volume represents an important contribution to the study of printmaking by illustrating the way in which historical and contemporary graphic arts occupy a vital and central presence in the culture of our times.