Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 936
Book Description
The Annual American Catalog, 1900-1909
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 936
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 936
Book Description
The Annual American Catalog, 1908
Author:
Publisher:
ISBN:
Category : American imprints
Languages : en
Pages : 946
Book Description
Publisher:
ISBN:
Category : American imprints
Languages : en
Pages : 946
Book Description
Raoul Wallenberg
Author: Ulf Zander
Publisher: Manchester University Press
ISBN: 9198557815
Category : History
Languages : en
Pages : 294
Book Description
The Swedish diplomat Raoul Wallenberg was responsible for saving the lives of thousands of Jews in Budapest between 1944 and 1945. He is recognised by the Israeli state as one of the Righteous among the Nations. This book examines both Wallenberg’s activities during the Holocaust and the ways posterity has remembered him. It explores secret Swedish diplomacy and how Wallenberg was transformed over time into a Swedish brand. It considers the political aspects of Wallenberg’s Americanisation and analyses his portrayals in music, film and television. Representations of Wallenberg as a monument are discussed with special reference to Swedish and Hungarian examples. The question of how Wallenberg’s memory can and should be kept alive in future is an essential issue related to the politics of memory.
Publisher: Manchester University Press
ISBN: 9198557815
Category : History
Languages : en
Pages : 294
Book Description
The Swedish diplomat Raoul Wallenberg was responsible for saving the lives of thousands of Jews in Budapest between 1944 and 1945. He is recognised by the Israeli state as one of the Righteous among the Nations. This book examines both Wallenberg’s activities during the Holocaust and the ways posterity has remembered him. It explores secret Swedish diplomacy and how Wallenberg was transformed over time into a Swedish brand. It considers the political aspects of Wallenberg’s Americanisation and analyses his portrayals in music, film and television. Representations of Wallenberg as a monument are discussed with special reference to Swedish and Hungarian examples. The question of how Wallenberg’s memory can and should be kept alive in future is an essential issue related to the politics of memory.
The American Shorthorn Herd Book
Author:
Publisher:
ISBN:
Category : Cattle
Languages : en
Pages : 1122
Book Description
Publisher:
ISBN:
Category : Cattle
Languages : en
Pages : 1122
Book Description
Swordsmen of the Screen
Author: Jeffrey Richards
Publisher: Routledge
ISBN: 1317928636
Category : Performing Arts
Languages : en
Pages : 525
Book Description
This fascinating study of the genre of swashbuckling films received wide critical acclaim when it was first published in 1977. Jeffrey Richards assesses the contributions to the genre of directors, designers and fencing masters, as well as of the stars themselves, and devotes several chapters to the principal subjects if the swashbucklers – pirates, highwaymen, cavaliers and knights. The result is to recall, however fleetingly, the golden days of the silver screen. Reviews of the original edition: ‘An intelligent, scholarly, well-written account of adventure films, this work is sensitive both to cinema history and to the literary origins of the "swashbuckler"....Essential for any library with books on film, it may very well be the definitive book on its subject.’ – Library Journal
Publisher: Routledge
ISBN: 1317928636
Category : Performing Arts
Languages : en
Pages : 525
Book Description
This fascinating study of the genre of swashbuckling films received wide critical acclaim when it was first published in 1977. Jeffrey Richards assesses the contributions to the genre of directors, designers and fencing masters, as well as of the stars themselves, and devotes several chapters to the principal subjects if the swashbucklers – pirates, highwaymen, cavaliers and knights. The result is to recall, however fleetingly, the golden days of the silver screen. Reviews of the original edition: ‘An intelligent, scholarly, well-written account of adventure films, this work is sensitive both to cinema history and to the literary origins of the "swashbuckler"....Essential for any library with books on film, it may very well be the definitive book on its subject.’ – Library Journal
The Culture of History
Author: Billie Melman
Publisher: OUP Oxford
ISBN: 0191538027
Category : History
Languages : en
Pages : 378
Book Description
In this original and widely researched book, Billie Melman explores the culture of history during the age of modernity. Her book is about the production of English pasts, the multiplicity of their representations and the myriad ways in which the English looked at history (sometimes in the most literal sense of 'looking') and made use of it in a social and material urban world, and in their imagination. Covering the period between the Napoleonic Wars and the Coronation of 1953, Melman recoups the work of antiquarians, historians, novelists and publishers, wax modellers, cartoonists and illustrators, painters, playwrights and actors, reformers and educationalists, film stars and their fans, musicians and composers, opera-fans, and radio listeners. Avoiding a separation between 'high' and 'low' culture, Melman analyses nineteenth-century plebeian culture and twentieth-century mass-culture and their venues - like Madame Tussaud's Chamber of Horrors, panoramas, national monuments like the Tower of London, and films - as well as studying forms of 'minority' art - notably opera. She demonstrates how history was produced and how it circulated from texts, visual images, and sounds, to people and places and back to a variety of texts and images. While paying attention to individuals' making-do with culture, Melman considers constrictions of class, gender, the state, and the market-place on the consumption of history. Focusing on two privileged pasts, the Tudor monarchy and the French Revolution, the latter seen as an English event and as the framework for narrating and comprehending history, Melman shows that during the nineteenth century, the most popular, longest-enduring, and most highly commercialized images of the past represented it not as cosy and secure, but rather as dangerous, disorderly, and violent. The past was also imagined as an urban place, rather than as rural. In Melman's account, City not green Country, is the centre of a popular version of the past whose central Images are the dungeon, the gallows, and the guillotine.
Publisher: OUP Oxford
ISBN: 0191538027
Category : History
Languages : en
Pages : 378
Book Description
In this original and widely researched book, Billie Melman explores the culture of history during the age of modernity. Her book is about the production of English pasts, the multiplicity of their representations and the myriad ways in which the English looked at history (sometimes in the most literal sense of 'looking') and made use of it in a social and material urban world, and in their imagination. Covering the period between the Napoleonic Wars and the Coronation of 1953, Melman recoups the work of antiquarians, historians, novelists and publishers, wax modellers, cartoonists and illustrators, painters, playwrights and actors, reformers and educationalists, film stars and their fans, musicians and composers, opera-fans, and radio listeners. Avoiding a separation between 'high' and 'low' culture, Melman analyses nineteenth-century plebeian culture and twentieth-century mass-culture and their venues - like Madame Tussaud's Chamber of Horrors, panoramas, national monuments like the Tower of London, and films - as well as studying forms of 'minority' art - notably opera. She demonstrates how history was produced and how it circulated from texts, visual images, and sounds, to people and places and back to a variety of texts and images. While paying attention to individuals' making-do with culture, Melman considers constrictions of class, gender, the state, and the market-place on the consumption of history. Focusing on two privileged pasts, the Tudor monarchy and the French Revolution, the latter seen as an English event and as the framework for narrating and comprehending history, Melman shows that during the nineteenth century, the most popular, longest-enduring, and most highly commercialized images of the past represented it not as cosy and secure, but rather as dangerous, disorderly, and violent. The past was also imagined as an urban place, rather than as rural. In Melman's account, City not green Country, is the centre of a popular version of the past whose central Images are the dungeon, the gallows, and the guillotine.
National List of Plant Species that Occur in Wetlands
Author: Resource Management Group
Publisher:
ISBN:
Category : Wetland plants
Languages : en
Pages : 100
Book Description
Publisher:
ISBN:
Category : Wetland plants
Languages : en
Pages : 100
Book Description
American Medicinal Plants
Author: Charles Frederick Millspaugh
Publisher: Courier Corporation
ISBN: 9780486230344
Category : Nature
Languages : en
Pages : 838
Book Description
Presents illustrated profiles of 180 American wild plants of medicinal value, arranged in botanical order, describing their uses and properties.
Publisher: Courier Corporation
ISBN: 9780486230344
Category : Nature
Languages : en
Pages : 838
Book Description
Presents illustrated profiles of 180 American wild plants of medicinal value, arranged in botanical order, describing their uses and properties.
RAF Evaders
Author: Oliver Clutton-Brock
Publisher: Casemate Publishers
ISBN: 1908117710
Category : History
Languages : en
Pages : 959
Book Description
Stories of the British airmen shot down over Western Europe who evaded capture by the Germans and made their way to Allied territory during World War II. During the five years from May 1940 to May 1945 several thousand Allied airmen, forced to abandon their aircraft behind enemy lines, evaded capture and reached freedom, by land, sea and air. The territory held by the Germans was immense—from Norway and Denmark in the north, through Holland, Belgium, Luxembourg to the south of France—and initially there was no organization to help the men on the run. The first one to assist the evaders and escapers (“E & E” as the Americans called them) was the PAT line, along the Mediterranean coast to Perpignan and down the Spanish border; named after a naval officer Pat O’Leary, from 1942 it became the PAO line. Next was the Comet line, from Brussels to the Pyrenees. Thousands of brave people were to be involved for whom, if caught, the penalty was death. Theirs is a stirring and awe-inspiring story. Respected historian Oliver Clutton-Brock has researched in depth this secret world of evasion, uncovering some treachery and many hitherto unpublished details, operations and photos. It is a tremendous reference work, written in his own colorful style with numerous anecdotes, which fills a gap of knowledge formerly unavailable to historians, professional or amateur. Packed the information, key figure biographies and listings—2, 094 evaders identified—this is a valuable testimony to the courage of all those involved.
Publisher: Casemate Publishers
ISBN: 1908117710
Category : History
Languages : en
Pages : 959
Book Description
Stories of the British airmen shot down over Western Europe who evaded capture by the Germans and made their way to Allied territory during World War II. During the five years from May 1940 to May 1945 several thousand Allied airmen, forced to abandon their aircraft behind enemy lines, evaded capture and reached freedom, by land, sea and air. The territory held by the Germans was immense—from Norway and Denmark in the north, through Holland, Belgium, Luxembourg to the south of France—and initially there was no organization to help the men on the run. The first one to assist the evaders and escapers (“E & E” as the Americans called them) was the PAT line, along the Mediterranean coast to Perpignan and down the Spanish border; named after a naval officer Pat O’Leary, from 1942 it became the PAO line. Next was the Comet line, from Brussels to the Pyrenees. Thousands of brave people were to be involved for whom, if caught, the penalty was death. Theirs is a stirring and awe-inspiring story. Respected historian Oliver Clutton-Brock has researched in depth this secret world of evasion, uncovering some treachery and many hitherto unpublished details, operations and photos. It is a tremendous reference work, written in his own colorful style with numerous anecdotes, which fills a gap of knowledge formerly unavailable to historians, professional or amateur. Packed the information, key figure biographies and listings—2, 094 evaders identified—this is a valuable testimony to the courage of all those involved.
Cinema and Radio in Britain and America, 1920–60
Author: Jeffrey Richards
Publisher: Manchester University Press
ISBN: 1526141248
Category : Performing Arts
Languages : en
Pages : 321
Book Description
Cinema and radio in Britain and America, 1920-60 charts the evolving relationship between the two principal mass media of the period. It explores the creative symbiosis that developed between the two, including regular film versions of popular radio series as well as radio versions of hit films. This fascinating volume examines specific genres (comedy and detective stories) to identify similarities and differences in their media appearances, and in particular issues arising from the nature of film as predominantly visual and radio as exclusively aural. Richards also highlights the interchange of personnel, such as Orson Welles, between the two media. Throughout the book runs the theme of comparison and contrast between the experiences of the two media in Britain and America. The book culminates with an in-depth analysis of the media appearances of three enduring mythic figures in popular culture: Sherlock Holmes, Tarzan and The Scarlet Pimpernel. Students, scholars and lay enthusiasts of cinema history, cultural history and media studies will find this an accessible yet scholarly read.
Publisher: Manchester University Press
ISBN: 1526141248
Category : Performing Arts
Languages : en
Pages : 321
Book Description
Cinema and radio in Britain and America, 1920-60 charts the evolving relationship between the two principal mass media of the period. It explores the creative symbiosis that developed between the two, including regular film versions of popular radio series as well as radio versions of hit films. This fascinating volume examines specific genres (comedy and detective stories) to identify similarities and differences in their media appearances, and in particular issues arising from the nature of film as predominantly visual and radio as exclusively aural. Richards also highlights the interchange of personnel, such as Orson Welles, between the two media. Throughout the book runs the theme of comparison and contrast between the experiences of the two media in Britain and America. The book culminates with an in-depth analysis of the media appearances of three enduring mythic figures in popular culture: Sherlock Holmes, Tarzan and The Scarlet Pimpernel. Students, scholars and lay enthusiasts of cinema history, cultural history and media studies will find this an accessible yet scholarly read.