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Author: Peter Lurie
Publisher: Oxford University Press
ISBN: 0199797374
Category : Art
Languages : en
Pages : 233
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Book Description
American Obscurantism argues for a salutary indirection in U.S. culture. From its earliest canonical literary works through late twentieth and early twenty-first century film, the most compelling manifestations of America's troubled history have articulated this content through a unique formal and tonal obscurity. Envisioning the formidable darkness attending racial history at nearly every stage of the republic's founding and ongoing development, writers such as William Faulkner and Hart Crane or directors like the Coen brothers and Stanley Kubrick present a powerful critique of American conquest, southern plantation culture, and western frontier ideology. The book traces this arc from one of visual history's notoriously troubled texts: D.W. Griffith's The Birth of a Nation (1915). American Obscurantism engages the basis of these explorations in Poe and Melville, each of whom present notable occlusions in characters' racial understanding, an obtuseness or naïveté that is expressed by a corresponding formal opacity. Such oblique historicity as the book describes allows a method at odds with - and implicitly critical of - the historicizing trend that marked literary studies in the wake of the theoretical turn. Citing critiques such as those of Tim Dean and others of efforts to politicize literary and cultural studies, this book restores an emphasis on aesthetic and medium-specific features to argue for a formalist historicity. Working through challenges to an implicitly white-,bourgeois, heteronormative polity, American Obscurantism posits an insistent, vital racial otherness at the heart of American literature and cinema. It examines this pattern across a canon that shows more self-doubt than assuredness, arguing for the value of openness and questioning in place of epistemological or critical certainty. Following the insistence on a lamenting historical look back in the cases of Faulkner, Kubrick, and the Coens, the book ends by linking Crane's famous optimism in The Bridge, one rooted in an ecstatic celebrating of the body and an optimism attending "America" as both concept and nation-state, to the contemporary digital turn and the hope for a more inclusive visual culture as well as racial vision.
Author: Peter Lurie
Publisher: Oxford University Press
ISBN: 0199797374
Category : Art
Languages : en
Pages : 233
Get Book Here
Book Description
American Obscurantism argues for a salutary indirection in U.S. culture. From its earliest canonical literary works through late twentieth and early twenty-first century film, the most compelling manifestations of America's troubled history have articulated this content through a unique formal and tonal obscurity. Envisioning the formidable darkness attending racial history at nearly every stage of the republic's founding and ongoing development, writers such as William Faulkner and Hart Crane or directors like the Coen brothers and Stanley Kubrick present a powerful critique of American conquest, southern plantation culture, and western frontier ideology. The book traces this arc from one of visual history's notoriously troubled texts: D.W. Griffith's The Birth of a Nation (1915). American Obscurantism engages the basis of these explorations in Poe and Melville, each of whom present notable occlusions in characters' racial understanding, an obtuseness or naïveté that is expressed by a corresponding formal opacity. Such oblique historicity as the book describes allows a method at odds with - and implicitly critical of - the historicizing trend that marked literary studies in the wake of the theoretical turn. Citing critiques such as those of Tim Dean and others of efforts to politicize literary and cultural studies, this book restores an emphasis on aesthetic and medium-specific features to argue for a formalist historicity. Working through challenges to an implicitly white-,bourgeois, heteronormative polity, American Obscurantism posits an insistent, vital racial otherness at the heart of American literature and cinema. It examines this pattern across a canon that shows more self-doubt than assuredness, arguing for the value of openness and questioning in place of epistemological or critical certainty. Following the insistence on a lamenting historical look back in the cases of Faulkner, Kubrick, and the Coens, the book ends by linking Crane's famous optimism in The Bridge, one rooted in an ecstatic celebrating of the body and an optimism attending "America" as both concept and nation-state, to the contemporary digital turn and the hope for a more inclusive visual culture as well as racial vision.
Author: Yvor Winters
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 638
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Book Description
Author: Jonathan Auerbach
Publisher: Oxford University Press
ISBN: 0195345258
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
This book focuses on the intense intimacy between author and first-person narrator in the fictions of Poe, Hawthorne, and James in order to defend the beleaguered "I" in these works against the depersonalizing tendencies of postructuralism. In reaffirming the importance of the human subject for the study of narrative, Auerbach shows how the first person form, in particular, underscores fundamental problems of literary representation: how fictions come to be made, and the relation between these plots and the people who make them.
Author: Cornelius F. Murphy
Publisher: Peter Lang
ISBN: 9780820481722
Category : Philosophy
Languages : en
Pages : 184
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Book Description
"Most studies of the development of American ideas concentrate upon the growth of our political values and institutions. By contrast, this unique work goes directly to the core philosophical issues surrounding our sense of personal and social identity. It carefully examines the efforts of our major thinkers to elaborate a humanism adequate to our experience by breaking free from the theocentric cosmology imposed upon the nation by the New England Puritans. As these reflections record the quest for a new understanding of human nature, they also raise the possibility of a more comprehensive humanism grounded in a Catholic Christianity. Person and Society in American Thought will be of interest to students and scholars in the disciplines of philosophy and religion, as well as those of history, sociology, and literature." --Book Jacket.
Author: Mark Richardson
Publisher: Cambridge University Press
ISBN: 1107123828
Category : Literary Criticism
Languages : en
Pages : 491
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Book Description
This Companion brings together essays on some fifty-four American poets, from Anne Bradstreet to contemporary performance poetry. This book also examines such movements in American poetry as modernism, the Harlem (or New Negro) Renaissance, "confessional" poetry, the Black Mountain School, the New York School, the Beats, and L=A=N=G=U=A=G=E poetry.
Author: Sacvan Bercovitch
Publisher: Cambridge University Press
ISBN: 9780521301060
Category : Literary Criticism
Languages : en
Pages : 930
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Book Description
This is the fullest and richest account of the American Renaissance available in any literary history. The narratives in this volume made for a four-fold perspective on literature: social, cultural, intellectual and aesthetic. Michael D. Bell describes the social conditions of the literary vocation that shaped the growth of a professional literature in the United States. Eric Sundquist draws upon broad cultural patterns: his account of the writings of exploration, slavery, and the frontier is an interweaving of disparate voices, outlooks and traditions. Barbara L. Packer's sources come largely from intellectual history: the theological and philosophical controversies that prepared the way for transcendentalism. Jonathan Arac's categories are formalist: he sees the development of antebellum fiction as a dialectic of prose genres, the emergence of a literary mode out of the clash of national, local and personal forms. Together, these four narratives constitute a basic reassessment of American prose-writing between 1820 and 1865. It is an achievement that will remain authoritative for our time and that will set new directions for coming decades in American literary scholarship.
Author: Philipp Löffler
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110592231
Category : Literary Criticism
Languages : en
Pages : 609
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Book Description
The Handbook of American Romanticism presents a comprehensive survey of the various schools, authors, and works that constituted antebellum literature in the United States. The volume is designed to feature a selection of representative case studies and to assess them within two complementary frameworks: the most relevant historical, political, and institutional contexts of the antebellum decades and the consequent (re-)appropriations of the Romantic period by academic literary criticism in the twentieth and early twenty-first centuries.
Author: Russell Kirk
Publisher:
ISBN:
Category : Conservatism
Languages : en
Pages : 504
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Book Description
Author: David Brion Davis
Publisher: Cornell University Press
ISBN: 1501726218
Category : History
Languages : en
Pages : 365
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Book Description
No detailed description available for "Homicide in American Fiction, 1798-1860".
Author: Daniel S. Burt
Publisher: Houghton Mifflin Harcourt
ISBN: 9780618168217
Category : Juvenile Nonfiction
Languages : en
Pages : 824
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Book Description
If you are looking to brush up on your literary knowledge, check a favorite author's work, or see a year's bestsellers at a glance, The Chronology of American Literature is the perfect resource. At once an authoritative reference and an ideal browser's guide, this book outlines the indispensable information in America's rich literary past--from major publications to lesser-known gems--while also identifying larger trends along the literary timeline. Who wrote the first published book in America? When did Edgar Allan Poe achieve notoriety as a mystery writer? What was Hemingway's breakout title? With more than 8,000 works by 5,000 authors, The Chronology makes it easy to find answers to these questions and more. Authors and their works are grouped within each year by category: fiction and nonfiction; poems; drama; literary criticism; and publishing events. Short, concise entries describe an author's major works for a particular year while placing them within the larger context of that writer's career. The result is a fascinating glimpse into the evolution of some of America's most prominent writers. Perhaps most important, The Chronology offers an invaluable line through our literary past, tying literature to the American experience--war and peace, boom and bust, and reaction to social change. You'll find everything here from Benjamin Franklin's "Experiments and Observations on Electricity," to Davy Crockett's first memoir; from Thoreau's "Civil Disobedience" to Edith Wharton's Ethan Frome; from meditations by James Weldon Johnson and James Agee to poetry by Elizabeth Bishop. Also included here are seminal works by authors such as Rachel Carson, Toni Morrison, John Updike, and Arthur Schlesinger, Jr. Lavishly illustrated--and rounded out with handy bestseller lists throughout the twentieth century, lists of literary awards and prizes, and authors' birth and death dates--The Chronology of American Literature belongs on the shelf of every bibliophile and literary enthusiast. It is the essential link to our literary past and present.
