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Author: Ann Brigham
Publisher: University of Virginia Press
ISBN: 0813937515
Category : Literary Criticism
Languages : en
Pages : 343
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Book Description
The freedom to go anywhere and become anyone has profoundly shaped our national psyche. Transforming our sense of place and identity--whether in terms of social and economic status, or race and ethnicity, or gender and sexuality—American mobility is perhaps nowhere more vividly captured than in the image of the open road. From pioneer trails to the latest car commercial, the road looms large as a form of expansiveness and opportunity. Too often it is the celebratory idea of the road as a free-floating zone moving the traveler beyond the typical concerns of space and time that dominates the discussion. Rather than thinking of mobility as an escape from cultural tensions, however, Ann Brigham proposes that we understand mobility as a mode of engagement with them. She explores the genre of road narratives to show how mobility both thrives on and attempts to manage shifting conflicts about space and society in the United States. From the earliest transcontinental automobile narratives from the 1910s, through classics like Jack Kerouac's On the Road and the film Thelma & Louise, up to post-9/11 narratives, Brigham traces the ways in which mobility has been imagined, created, and interrogated over the past century and shows how mobility promises, and threatens, to incorporate the outsider and to blur boundaries. Bringing together textual and cultural analysis, theories of spatiality, and sociohistorical frameworks, this book offers an invigoratingly different view of mobility and a new understanding of the road narrative’s importance in American culture. Choice Outstanding Academic Title from American Library Association
Author: Ann Brigham
Publisher: University of Virginia Press
ISBN: 0813937515
Category : Literary Criticism
Languages : en
Pages : 343
Get Book Here
Book Description
The freedom to go anywhere and become anyone has profoundly shaped our national psyche. Transforming our sense of place and identity--whether in terms of social and economic status, or race and ethnicity, or gender and sexuality—American mobility is perhaps nowhere more vividly captured than in the image of the open road. From pioneer trails to the latest car commercial, the road looms large as a form of expansiveness and opportunity. Too often it is the celebratory idea of the road as a free-floating zone moving the traveler beyond the typical concerns of space and time that dominates the discussion. Rather than thinking of mobility as an escape from cultural tensions, however, Ann Brigham proposes that we understand mobility as a mode of engagement with them. She explores the genre of road narratives to show how mobility both thrives on and attempts to manage shifting conflicts about space and society in the United States. From the earliest transcontinental automobile narratives from the 1910s, through classics like Jack Kerouac's On the Road and the film Thelma & Louise, up to post-9/11 narratives, Brigham traces the ways in which mobility has been imagined, created, and interrogated over the past century and shows how mobility promises, and threatens, to incorporate the outsider and to blur boundaries. Bringing together textual and cultural analysis, theories of spatiality, and sociohistorical frameworks, this book offers an invigoratingly different view of mobility and a new understanding of the road narrative’s importance in American culture. Choice Outstanding Academic Title from American Library Association
Author: Various
Publisher: Penguin
ISBN: 9780140390889
Category : Travel
Languages : en
Pages : 388
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Book Description
Four journeys by early Americans Mary Rowlandson, Sarah Kemble Knight, William Byrd II, and Dr. Alexander Hamilton recount the vivid physical and psychological challenges of colonial life. Essential primary texts in the study of early American cultural life, they are now conveniently collected in a single volume. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Author: Margaret Crumpton Winter
Publisher: LSU Press
ISBN: 0807149543
Category : Literary Criticism
Languages : en
Pages : 218
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Book Description
American Narratives takes readers back to the turn of the twentieth century to reintroduce four writers of varying ethnic backgrounds whose works were mostly ignored by critics of their day. With the skill of a literary detective, Molly Crumpton Winter recovers an early multicultural discourse on assimilation and national belonging that has been largely overlooked by literary scholars. At the heart of the book are close readings of works by four nearly forgotten artists from 1890 to 1915, the era often termed the age of realism: Mary Antin, a Jewish American immigrant from Russia; Zitkala- a, a Sioux woman originally from South Dakota; Sutton E. Griggs, an African American from the South; and Sui Sin Far, a biracial, Chinese American female writer who lived on the West Coast. Winter's treatment of Antin's The Promised Land serves as an occasion for a reexamination of the concept of assimilation in American literature, and the chapter on Zitkala- a is the most comprehensive analysis of her narratives to date. Winter argues persuasively that Griggs should have long been a more visible presence in American literary history, and the exploration of Sui Sin Far reveals her to be the embodiment of the varied and unpredictable ways that diversity of cultures came together in America. In American Narratives, Winter maintains that the writings of these four rediscovered authors, with their emphasis on issues of ethnicity, identity, and nationality, fit squarely in the American realist tradition. She also establishes a multiethnic dialogue among these writers, demonstrating ways in which cultural identity and national belonging are peristently contested in this literature.
Author: Alan Nadel
Publisher: Duke University Press
ISBN: 9780822316992
Category : Art
Languages : en
Pages : 356
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Book Description
Alan Nadel provides a unique analysis of the rise of American postmodernism by viewing it as a breakdown in Cold War cultural narratives of containment. These narratives, which embodied an American postwar foreign policy charged with checking the spread of Communism, also operated, Nadel argues, within a wide spectrum of cultural life in the United States to contain atomic secrets, sexual license, gender roles, nuclear energy, and artistic expression. Because these narratives were deployed in films, books, and magazines at a time when American culture was for the first time able to dominate global entertainment and capitalize on global production, containment became one of the most widely disseminated and highly privileged national narratives in history. Examining a broad sweep of American culture, from the work of George Kennan to Playboy Magazine, from the movies of Doris Day and Walt Disney to those of Cecil B. DeMille and Alfred Hitchcock, from James Bond to Holden Caulfield, Nadel discloses the remarkable pervasiveness of the containment narrative. Drawing subtly on insights provided by contemporary theorists, including Baudrillard, Foucault, Jameson, Sedgwick, Certeau, and Hayden White, he situates the rhetoric of the Cold War within a gendered narrative powered by the unspoken potency of the atom. He then traces the breakdown of this discourse of containment through such events as the Bay of Pigs invasion and the Free Speech Movement at Berkeley, and ties its collapse to the onset of American postmodernism, typified by works such as Catch–22 and The Man Who Shot Liberty Valence. An important work of cultural criticism, Containment Culture links atomic power with postmodernism and postwar politics, and shows how a multifarious national policy can become part of a nation’s cultural agenda and a source of meaning for its citizenry.
Author: Ghassan Zeineddine
Publisher: Wayne State University Press
ISBN: 0814349269
Category : Biography & Autobiography
Languages : en
Pages : 293
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Book Description
This engaged stance is not a byproduct of culture, but a new way of thinking about the US in relation to one's homeland.
Author: Kafū Nagai
Publisher: Columbia University Press
ISBN: 9780231500241
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
Nagai Kafu is one of the greatest modern Japanese writers, but until now his classic collection, American Stories, based on his sojourn from Japan to Washington State, Michigan, and New York City in the early years of the twentieth century, has never been available in English. Here, with a detailed and insightful introduction, is an elegant translation of Kafu's perceptive and lyrical account. Like de Tocqueville a century before, Kafu casts a fresh, keen eye on vibrant and varied America—world fairs, concert halls, and college campuses; saloons, the immigrant underclass, and red-light districts. Many of his vignettes involve encounters with fellow Japanese or Chinese immigrants, some of whom are poorly paid laborers facing daily discrimination. The stories paint a broad landscape of the challenges of American life for the poor, the foreign born, and the disaffected, peopled with crisp individual portraits that reveal the daily disappointments and occasional euphorias of modern life. Translator Mitsuko Iriye's introduction provides important cultural and biographical background about Kafu's upbringing in rapidly modernizing Japan, as well as literary context for this collection. In the first story, "Night Talk in a Cabin," three young men sailing from Japan to Seattle each reveal how poor prospects, shattered confidence, or a broken heart has driven him to seek a better life abroad. In "Atop the Hill," the narrator meets a fellow Japanese expatriate at a small midwestern religious college, who slowly reveals his complex reasons for leaving behind his wife in Japan. Caught between the pleasures of America's cities and the stoicism of its small towns, he wonders if he can ever return home. Kafu plays with the contradictions and complexities of early twentieth-century America, revealing the tawdry, poor, and mundane underside of New York's glamour in "Ladies of the Night" while celebrating the ingenuity, cosmopolitanism, and freedom of the American city in "Two Days in Chicago." At once sensitive and witty, elegant and gritty, these stories provide a nuanced outsider's view of the United States and a perfect entrance into modern Japanese literature.
Author: Mark Wish
Publisher: Coolest Stories Press
ISBN: 1737573911
Category : Fiction
Languages : en
Pages : 235
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Book Description
America's most talented storytellers share their most courageous, compelling, unputdownable work in a collection made for story lovers. Praised early on by Billy Lynn's Long Halftime Walk author Ben Fountain and The Weight of Blood author Laura McHugh, COOLEST AMERICAN STORIES is a new annual short story anthology whose guiding philosophy is that a collection of interesting "full meal" short stories could, as one @JustCoolStories Twitter follower put it, "make America cool again." Toward this end, COOLEST AMERICAN STORIES 2022 features a previously unpublished story by the multi-major-book-award-winning author of Blacktop Wasteland S. A. Cosby; the timeless, previously unpublished short story that led Tina Brown to sign Frances Park's When My Sister Was Cleopatra Moon; and Pulitzer Prize finalist Lee Martin's heartfelt rendering of married life that apparently was too startling for the editors of several university-affiliated literary magazines. And since interesting storytelling―rather than a list of publishing credits―matters most to story-hungry readers, COOLEST AMERICAN STORIES 2022 also includes a page-turner about dating in Hollywood written by MFA student Megan Ritchie; Brooklyn native D.Z. Stone's very first published fiction, a hilarious love story that celebrates the power of women; a heartbreaking account of adult siblinghood authored by David Ebenbach―among others in this treasure trove of unputdownable, sharply written, sometimes comic, sometimes frightening, always suspenseful stories loaded with twists and turns. "Coolest American Stories 2022 is a helluva lot of fun. These stories bump and brim with rambunctious energy and show that the American short story is alive and well. Many thanks to Mark Wish and Elizabeth Coffey for this breath―or let's call it a gale―of fresh literary air." --Ben Fountain, winner of the PEN/Hemingway Award and the National Book Critics’ Circle Award, author of Billy Lynn’s Long Halftime Walk "Extraordinarily rich storytelling from fresh, vibrant voices―Coolest American Stories promises to be an annual force." --Laura McHugh, internationally bestselling author of The Weight of Blood and What’s Done in Darkness "Love short stories? This collection is for you. Not yet sure how to feel about short stories? This collection is definitely for you. Whoever you are, wherever you are: read these stories!" --Lori Ostlund, Flannery O’Connor Award winner and author of After the Parade and The Bigness of the World
Author: Thomas Myers
Publisher: Oxford University Press
ISBN: 0195363841
Category : Literary Criticism
Languages : en
Pages : 267
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Book Description
Arguing that the unprecedented nature of our first postmodernist war demanded either the revision of traditional modes of war writing or the discovery of new styles that would render the emotional and psychological center of a new national trauma, this study assesses the most important novels and personal memoirs written by Americans about the Vietnam War. Myers examines the work of Tim O'Brien, David Halberstam, Ward Just, Stephen Wright, John Del Vecchio, and others working in the modes of realism, the classical memoir, black humor, revised romanticism, and mnemonic narrative. Drawing on the work of thinkers such as Hayden White, Fredric Jameson, and Michel Foucault--whose understanding of the written text as a battleground of competing historical voices expands any definition of historical text--Myers defines the historical novel as a text that self-consciously and imaginatively shapes lived experience into a readable aesthetic form.
Author: Kyle Wiggins
Publisher: Springer
ISBN: 3319937464
Category : Social Science
Languages : en
Pages : 294
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Book Description
American Revenge Narratives critically examines the nation’s vengeful storytelling tradition. With essays on late twentieth and twenty-first century fiction, film, and television, it maps the coordinates of the revenge genre’s contemporary reinvention across American culture. By surveying American revenge narratives, this book measures how contemporary payback plots appraise the nation’s political, social, and economic inequities. The volume’s essays collectively make the case that retribution is a defining theme of post-war American culture and an artistic vehicle for critique. In another sense, this book presents a scholarly coming to terms with the nation’s love for vengeance. By investigating recent iterations of an ancient genre, contributors explore how the revenge narrative evolves and thrives within American literary and filmic imagination. Taken together, the book’s diverse chapters attempt to understand American culture’s seemingly inexhaustible production of vengeful tales.
Author: David E. Nye
Publisher: MIT Press
ISBN: 0262263947
Category : History
Languages : en
Pages : 384
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Book Description
An exploration of the dialogue that emerged after 1776 between different visions of what it meant to use new technologies to transform the land. After 1776, the former American colonies began to reimagine themselves as a unified, self-created community. Technologies had an important role in the resulting national narratives, and a few technologies assumed particular prominence. Among these were the axe, the mill, the canal, the railroad, and the irrigation dam. In this book David Nye explores the stories that clustered around these technologies. In doing so, he rediscovers an American story of origins, with America conceived as a second creation built in harmony with God's first creation. While mainstream Americans constructed technological foundation stories to explain their place in the New World, however, marginalized groups told other stories of destruction and loss. Native Americans protested the loss of their forests, fishermen resisted the construction of dams, and early environmentalists feared the exhaustionof resources. A water mill could be viewed as the kernel of a new community or as a new way to exploit labor. If passengers comprehended railways as part of a larger narrative about American expansion and progress, many farmers attacked railroad land grants. To explore these contradictions, Nye devotes alternating chapters to narratives of second creation and to narratives of those who rejected it.Nye draws on popular literature, speeches, advertisements, paintings, and many other media to create a history of American foundation stories. He shows how these stories were revised periodically, as social and economic conditions changed, without ever erasing the earlier stories entirely. The image of the isolated frontier family carving a homestead out of the wilderness with an axe persists to this day, alongside later images and narratives. In the book's conclusion, Nye considers the relation between these earlier stories and such later American developments as the conservation movement, narratives of environmental recovery, and the idealization of wilderness.
