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Author: A. LaVonne Brown Ruoff
Publisher: New York : Modern Language Association of America
ISBN: 9780873521918
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
This survey of Native American literature from 1772 to 1989 describes types of oral literatures and life histories and evaluates secondary works in the field.
Author: A. LaVonne Brown Ruoff
Publisher: New York : Modern Language Association of America
ISBN: 9780873521918
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
This survey of Native American literature from 1772 to 1989 describes types of oral literatures and life histories and evaluates secondary works in the field.
Author: Eric Cheyfitz
Publisher: Columbia University Press
ISBN: 0231511027
Category : Literary Criticism
Languages : en
Pages : 983
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Book Description
The Columbia Guide to American Indian Literatures of the United States Since 1945 is the first major volume of its kind to focus on Native literatures in a postcolonial context. Written by a team of noted Native and non-Native scholars, these essays consider the complex social and political influences that have shaped American Indian literatures in the second half of the twentieth century, with particular emphasis on core themes of identity, sovereignty, and land. In his essay comprising part I of the volume, Eric Cheyfitz argues persuasively for the necessary conjunction of Indian literatures and federal Indian law from Apess to Alexie. Part II is a comprehensive survey of five genres of literature: fiction (Arnold Krupat and Michael Elliott), poetry (Kimberly Blaeser), drama (Shari Huhndorf), nonfiction (David Murray), and autobiography (Kendall Johnson), and discusses the work of Vine Deloria Jr., N. Scott Momaday, Joy Harjo, Simon Ortiz, Louise Erdrich, Leslie Marmon Silko, Gerald Vizenor, Jimmy Santiago Baca, and Sherman Alexie, among many others. Drawing on historical and theoretical frameworks, the contributors examine how American Indian writers and critics have responded to major developments in American Indian life and how recent trends in Native writing build upon and integrate traditional modes of storytelling. Sure to be considered a groundbreaking contribution to the field, The Columbia Guide to American Indian Literatures of the United States Since 1945 offers both a rich critique of history and a wealth of new information and insight.
Author: Joni Adamson
Publisher: University of Arizona Press
ISBN: 9780816517923
Category : Social Science
Languages : en
Pages : 244
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Book Description
Although much contemporary American Indian literature examines the relationship between humans and the land, most Native authors do not set their work in the "pristine wilderness" celebrated by mainstream nature writers. Instead, they focus on settings such as reservations, open-pit mines, and contested borderlands. Drawing on her own teaching experience among Native Americans and on lessons learned from such recent scenes of confrontation as Chiapas and Black Mesa, Joni Adamson explores why what counts as "nature" is often very different for multicultural writers and activist groups than it is for mainstream environmentalists. This powerful book is one of the first to examine the intersections between literature and the environment from the perspective of the oppressions of race, class, gender, and nature, and the first to review American Indian literature from the standpoint of environmental justice and ecocriticism. By examining such texts as Sherman Alexie's short stories and Leslie Marmon Silko's novel Almanac of the Dead, Adamson contends that these works, in addition to being literary, are examples of ecological criticism that expand Euro-American concepts of nature and place. Adamson shows that when we begin exploring the differences that shape diverse cultural and literary representations of nature, we discover the challenge they present to mainstream American culture, environmentalism, and literature. By comparing the work of Native authors such as Simon Ortiz with that of environmental writers such as Edward Abbey, she reveals opportunities for more multicultural conceptions of nature and the environment. More than a work of literary criticism, this is a book about the search to find ways to understand our cultural and historical differences and similarities in order to arrive at a better agreement of what the human role in nature is and should be. It exposes the blind spots in early ecocriticism and shows the possibilities for building common groundÑ a middle placeÑ where writers, scholars, teachers, and environmentalists might come together to work for social and environmental change.
Author: Alan R. Velie
Publisher: University of Oklahoma Press
ISBN: 9780806127859
Category : Social Science
Languages : en
Pages : 144
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Book Description
"James Ruppert explores the bicultural nature of Indian writers and discusses strategies they employ in addressing several audiences at once: their tribe, other Indians, and other Americans. Helen Jaskoski analyzes the genre of autoethnography, or Indian historical writing, in an Ottawa writer's account of a smallpox epidemic. Kimberly Blaeser, a Chippewa, writes about how Indian writers reappropriate their history and stories of their land and people. Robert Allen Warrior, an Osage, examines the ideas of the leading Indian philosopher in America, Vine Deloria, Jr., who calls for a return to traditional tribal religions. Robert Berner exposes the incomplete myths and false legends pervading Indian views of American history. Alan Velie discusses the issue of historical objectivity in two Indian historical novels, James Welch's Fools Crow and Gerald Vizenor's The Heirs of Columbus. Kurt M. Peters relates how Laguna Indians retained their culture and identity while living in the boxcars of the Santa Fe Railroad Indian Village at Richmond, California. Juana Maria Rodriguez examines power relations in Gerald Vizenor's narrative of a Dakota Indian accused of murder in 1967, "Thomas White Hawk." Finally, Gerald Vizenor, a Chippewa, discusses Indian conceptions of identity in contemporary America, including simulations he calls "postindian identity."".
Author: Jace Weaver
Publisher: University of Oklahoma Press
ISBN: 9780806133522
Category : Social Science
Languages : en
Pages : 412
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Book Description
Eloh’, a Cherokee word, is usually translated by anthropologists as "religion," but it also simultaneously encompasses history, culture, knowledge, law, and land. In this provocative work, Jace Weaver interlaces these seemingly disparate meanings to form a coherent approach to Native American Studies. In nineteen interrelated chapters, Weaver presents a range of experiences shared by native peoples in the Americas, from the distant past to the uncertain future. He examines Indian creative output, from oral tradition to the postmodern wordplay of Gerald Vizenor, and brings to light previously overlooked texts. Weaver also tackles up-to-the-minute issues, including environmental crises, Native American spirituality, repatriation of Indian remains and cultural artifacts, and international human rights.
Author: Paula Gunn Allen
Publisher: Modern Language Assn of Amer
ISBN: 9780873523554
Category : Literary Criticism
Languages : en
Pages : 384
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Book Description
Author: Jace Weaver
Publisher: UNM Press
ISBN: 9780826340733
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
A study of Native literature from the perspective of national sovereignty and self-determination.
Author: James H. Cox
Publisher: University of Oklahoma Press
ISBN: 0806185465
Category : Fiction
Languages : en
Pages : 354
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Book Description
Native American fiction writers have confronted Euro-American narratives about Indians and the colonial world those narratives help create. These Native authors offer stories in which Indians remake this colonial world by resisting conquest and assimilation, sustaining their cultures and communities, and surviving. In Muting White Noise, James H. Cox considers how Native authors have liberated our imaginations from colonial narratives. Cox takes his title from Sherman Alexie, for whom the white noise of a television set represents the white mass-produced culture that mutes American Indian voices. Cox foregrounds the work of Native intellectuals in his readings of the American Indian novel tradition. He thereby develops a critical perspective from which to re-see the role played by the Euro-American novel tradition in justifying and enabling colonialism. By examining novels by Native authors—especially Thomas King, Gerald Vizenor, and Alexie—Cox shows how these writers challenge and revise colonizers’ tales about Indians. He then offers “red readings” of some revered Euro-American novels, including Herman Melville’s Moby-Dick, and shows that until quite recently, even those non-Native storytellers who sympathized with Indians could imagine only their vanishing by story’s end. Muting White Noise breaks new ground in literary criticism. It stands with Native authors in their struggle to reclaim their own narrative space and tell stories that empower and nurture, rather than undermine and erase, American Indians and their communities.
Author: John Bierhorst
Publisher: University of Arizona Press
ISBN: 9780816508860
Category : Literary Criticism
Languages : en
Pages : 404
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Book Description
These stories represent the Aztec, Iroquois, Maya, and Sioux cultures
Author: Louis Owens
Publisher: University of Oklahoma Press
ISBN: 9780806126739
Category : Literary Criticism
Languages : en
Pages : 306
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Book Description
This first book-length critical analysis of the full range of novels written between 1854 and today by American Indian authors takes as its theme the search for self-discovery and cultural recovery. In his introduction, Louis Owens places the novels in context by considering their relationships to traditional American Indian oral literature as well as their differences from mainstream Euroamerican literature. In the following chapters he looks at the novels of John Rollin Ridge, Mourning Dove, John Joseph Mathews, D'Arcy McNickle, N. Scott Momaday, James Welch, Leslie Marmon Silko, Louise Erdrich, Michael Dorris, and Gerald Vizenor. These authors are mixedbloods who, in their writing, try to come to terms with the marginalization both of mixed-bloods and fullbloods and of their cultures in American society. Their novels are complex and sophisticated narratives of cultural survival - and survival guides for fullbloods and mixedbloods in modern America. Rejecting the stereotypes and cliches long attached to the word Indian, they appropriate and adapt the colonizers language, English, to describe the Indian experience. These novels embody the American Indian point of view; the non-Indian is required to assume the role of "other". In his analysis Owens draws on a broad range of literary theory: myth and folklore, structuralism, modernism, poststructuralism, and, particularly, postmodernism. At the same time he argues that although recent American Indian fiction incorporates a number of significant elements often identified with postmodern writing, it contradicts the primary impulse of postmodernism. That is, instead of celebrating fragmentation, ephemerality, and chaos, these authors insistupon a cultural center that is intact and recoverable, upon immutable values and ecological truths. Other Destinies provides a new critical approach to novels by American Indians. It also offers a comprehensive introduction to the novels, helping teachers bring this important fiction to the classroom.
