Author: American Indian Center of Chicago
Publisher:
ISBN:
Category : Indigenous peoples
Languages : en
Pages : 1
Book Description
Flier for tribal and ceremonial dances held at the American Indian Center (1630 West Wilson Ave) on May 11-12, 1968.
American Indian Center Program Tribal and Ceremonial Dances
Author: American Indian Center of Chicago
Publisher:
ISBN:
Category : Indigenous peoples
Languages : en
Pages : 1
Book Description
Flier for tribal and ceremonial dances held at the American Indian Center (1630 West Wilson Ave) on May 11-12, 1968.
Publisher:
ISBN:
Category : Indigenous peoples
Languages : en
Pages : 1
Book Description
Flier for tribal and ceremonial dances held at the American Indian Center (1630 West Wilson Ave) on May 11-12, 1968.
Native American Dance
Author: Charlotte Heth
Publisher: Washington, D.C. : National Museum of the American Indian, Smithsonian Institution, with Starwood Pub.
ISBN:
Category : Indian dance
Languages : en
Pages : 226
Book Description
This premier publication of the Smithsonian Institution's National Museum of the American Indian documents Native American dance with stunning photographs and essays by noted contributors.
Publisher: Washington, D.C. : National Museum of the American Indian, Smithsonian Institution, with Starwood Pub.
ISBN:
Category : Indian dance
Languages : en
Pages : 226
Book Description
This premier publication of the Smithsonian Institution's National Museum of the American Indian documents Native American dance with stunning photographs and essays by noted contributors.
The People Have Never Stopped Dancing
Author: Jacqueline Shea Murphy
Publisher: U of Minnesota Press
ISBN: 1452913439
Category : Indians of North America
Languages : en
Pages : 331
Book Description
During the past thirty years, Native American dance has emerged as a visible force on concert stages throughout North America. In this first major study of contemporary Native American dance, Jacqueline Shea Murphy shows how these performances are at once diverse and connected by common influences. Demonstrating the complex relationship between Native and modern dance choreography, Shea Murphy delves first into U.S. and Canadian federal policies toward Native performance from the late nineteenth through the early twentieth centuries, revealing the ways in which government sought to curtail authentic ceremonial dancing while actually encouraging staged spectacles, such as those in Buffalo Bill’s Wild West shows. She then engages the innovative work of Ted Shawn, Lester Horton, and Martha Graham, highlighting the influence of Native American dance on modern dance in the twentieth century. Shea Murphy moves on to discuss contemporary concert dance initiatives, including Canada’s Aboriginal Dance Program and the American Indian Dance Theatre. Illustrating how Native dance enacts, rather than represents, cultural connections to land, ancestors, and animals, as well as spiritual and political concerns, Shea Murphy challenges stereotypes about American Indian dance and offers new ways of recognizing the agency of bodies on stage. Jacqueline Shea Murphy is associate professor of dance studies at the University of California, Riverside, and coeditor of Bodies of the Text: Dance as Theory, Literature as Dance.
Publisher: U of Minnesota Press
ISBN: 1452913439
Category : Indians of North America
Languages : en
Pages : 331
Book Description
During the past thirty years, Native American dance has emerged as a visible force on concert stages throughout North America. In this first major study of contemporary Native American dance, Jacqueline Shea Murphy shows how these performances are at once diverse and connected by common influences. Demonstrating the complex relationship between Native and modern dance choreography, Shea Murphy delves first into U.S. and Canadian federal policies toward Native performance from the late nineteenth through the early twentieth centuries, revealing the ways in which government sought to curtail authentic ceremonial dancing while actually encouraging staged spectacles, such as those in Buffalo Bill’s Wild West shows. She then engages the innovative work of Ted Shawn, Lester Horton, and Martha Graham, highlighting the influence of Native American dance on modern dance in the twentieth century. Shea Murphy moves on to discuss contemporary concert dance initiatives, including Canada’s Aboriginal Dance Program and the American Indian Dance Theatre. Illustrating how Native dance enacts, rather than represents, cultural connections to land, ancestors, and animals, as well as spiritual and political concerns, Shea Murphy challenges stereotypes about American Indian dance and offers new ways of recognizing the agency of bodies on stage. Jacqueline Shea Murphy is associate professor of dance studies at the University of California, Riverside, and coeditor of Bodies of the Text: Dance as Theory, Literature as Dance.
The Osage Ceremonial Dance I'n-Lon-Schka
Author: Alice Anne Callahan
Publisher: University of Oklahoma Press
ISBN: 9780806124865
Category : Performing Arts
Languages : en
Pages : 200
Book Description
In English, I’n-Lon-Schka means "playground of the eldest son." The dance, in which women are allowed only a peripheral role, celebrates traditional masculine values while helping to break down factionalism and feuding within the tribe. The participants, who now number in the hundreds, assemble each June in three Oklahoma communities-Pawhuska, Hominy, and Grayhorse-where the Dance Chairmen, the Drumkeeper (an eldest son of the tribe), and the dance organization have been preparing for the dance throughout the year. The I’n-Lon-Schka is religious in content and continues to establish conduct and ways of living for tribal members.
Publisher: University of Oklahoma Press
ISBN: 9780806124865
Category : Performing Arts
Languages : en
Pages : 200
Book Description
In English, I’n-Lon-Schka means "playground of the eldest son." The dance, in which women are allowed only a peripheral role, celebrates traditional masculine values while helping to break down factionalism and feuding within the tribe. The participants, who now number in the hundreds, assemble each June in three Oklahoma communities-Pawhuska, Hominy, and Grayhorse-where the Dance Chairmen, the Drumkeeper (an eldest son of the tribe), and the dance organization have been preparing for the dance throughout the year. The I’n-Lon-Schka is religious in content and continues to establish conduct and ways of living for tribal members.
Ceremony, Spirituality, and Ritual in Native American Performance
Author: Hanay Geiogamah
Publisher: UCLA American Indian Studies Center
ISBN: 9780935626650
Category : Indian dance
Languages : en
Pages : 0
Book Description
Approaching Native American theater as ceremonial performance comprised of centuries-old tribal traditions and aesthetic concepts, Hanay Geiogamah combines his thirty-five years of creative and experimental work and research in Native theater to illuminate the elements of myth, spirituality, and ceremony and their integration into dramatic performances. Specific observations on how ritual is constructed and activated are presented along with selected examples of the process from recent native theater works. Other topics include spirituality as the basis for dramatic text, the techniques of the shaman as director, and the creative process of integration. Drama. Native American Studies. Performing Arts.
Publisher: UCLA American Indian Studies Center
ISBN: 9780935626650
Category : Indian dance
Languages : en
Pages : 0
Book Description
Approaching Native American theater as ceremonial performance comprised of centuries-old tribal traditions and aesthetic concepts, Hanay Geiogamah combines his thirty-five years of creative and experimental work and research in Native theater to illuminate the elements of myth, spirituality, and ceremony and their integration into dramatic performances. Specific observations on how ritual is constructed and activated are presented along with selected examples of the process from recent native theater works. Other topics include spirituality as the basis for dramatic text, the techniques of the shaman as director, and the creative process of integration. Drama. Native American Studies. Performing Arts.
Ghost Dances and Identity
Author: Gregory E. Smoak
Publisher: Univ of California Press
ISBN: 0520256271
Category : History
Languages : en
Pages : 304
Book Description
" This is a compellingly nuanced and sophisticated study of Indian peoples as negotiators and shapers of the modern world."—Richard White, author of The Middle Ground: Indians, Empires, and Republics in the Great Lakes Region, 1650-1815
Publisher: Univ of California Press
ISBN: 0520256271
Category : History
Languages : en
Pages : 304
Book Description
" This is a compellingly nuanced and sophisticated study of Indian peoples as negotiators and shapers of the modern world."—Richard White, author of The Middle Ground: Indians, Empires, and Republics in the Great Lakes Region, 1650-1815
Ritual of the Wind
Author: Jamake Highwater
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 214
Book Description
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 214
Book Description
Indian Dances of North America
Author: Reginald Laubin
Publisher: University of Oklahoma Press
ISBN: 9780806121727
Category : Social Science
Languages : en
Pages : 584
Book Description
Descriptions of the dances, costumes, body decorations, and musical accompaniment supplement information on the cultural background of Indian dancing
Publisher: University of Oklahoma Press
ISBN: 9780806121727
Category : Social Science
Languages : en
Pages : 584
Book Description
Descriptions of the dances, costumes, body decorations, and musical accompaniment supplement information on the cultural background of Indian dancing
Indians and Wannabes
Author: Ann M. Axtmann
Publisher: University Press of Florida
ISBN: 0813048648
Category : Performing Arts
Languages : en
Pages : 198
Book Description
Colloquially the term “powwow” refers to a meeting where important matters will be discussed. However, at the thousands of Native American intertribal dances that occur every year throughout the United States and Canada, a powwow means something else altogether. Sometimes lasting up to a week, these social gatherings are a sacred tradition central to Native American spirituality. Attendees dance, drum, sing, eat, re-establish family ties, and make new friends. In this compelling interdisciplinary work, Ann Axtmann examines powwows as practiced primarily along the Atlantic coastline, from New Jersey to New England. She offers an introduction to the many complexities of the tradition and explores the history of powwow performance, the variety of their setups, the dances themselves, and the phenomenon of “playing Indian.” Ultimately, Axtmann seeks to understand how the dancers express and embody power through their moving bodies and what the dances signify for the communities in which they are performed.
Publisher: University Press of Florida
ISBN: 0813048648
Category : Performing Arts
Languages : en
Pages : 198
Book Description
Colloquially the term “powwow” refers to a meeting where important matters will be discussed. However, at the thousands of Native American intertribal dances that occur every year throughout the United States and Canada, a powwow means something else altogether. Sometimes lasting up to a week, these social gatherings are a sacred tradition central to Native American spirituality. Attendees dance, drum, sing, eat, re-establish family ties, and make new friends. In this compelling interdisciplinary work, Ann Axtmann examines powwows as practiced primarily along the Atlantic coastline, from New Jersey to New England. She offers an introduction to the many complexities of the tradition and explores the history of powwow performance, the variety of their setups, the dances themselves, and the phenomenon of “playing Indian.” Ultimately, Axtmann seeks to understand how the dancers express and embody power through their moving bodies and what the dances signify for the communities in which they are performed.
Sharing a Heritage
Author: Charlotte Heth
Publisher:
ISBN:
Category : Indian art
Languages : en
Pages : 228
Book Description
Publisher:
ISBN:
Category : Indian art
Languages : en
Pages : 228
Book Description