American Indian and Other Folk Dances for Schools, Pageants and Playgrounds PDF Download
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Author: Mary Severance Shafter
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 94
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Book Description
Author: Mary Severance Shafter
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 94
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Book Description
Author: Josephine Condon
Publisher:
ISBN: 9781258999018
Category :
Languages : en
Pages : 86
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Book Description
This is a new release of the original 1928 edition.
Author: Mary Severance Shafter
Publisher: Hassell Street Press
ISBN: 9781015306486
Category :
Languages : en
Pages : 98
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Mary Severance Shafter
Publisher:
ISBN:
Category : Folk dancing
Languages : en
Pages :
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Book Description
Author: Mary Severance Shafter
Publisher:
ISBN:
Category : Balls (Parties)
Languages : en
Pages : 70
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Book Description
Author: Elizabeth Burchenal
Publisher: Forgotten Books
ISBN: 9781330254356
Category : Performing Arts
Languages : en
Pages : 83
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Book Description
Excerpt from American Country-Dances, Vol. 1 For this first volume of American Folk-Dances I have taken the "contra-dances" of rural New England, for this is one of the old, most truly American sections of our country, where many generations of the same stock have grown up undisturbed by foreign influences, and where sufficient time has elapsed since the days of the early settlers for the building up of certain traditions and customs. The social group-dances which have originated or evolved through common usage under such conditions in this country are as truly folk-dances as those found in the older countries, and have elements which are almost universally characteristic of folk-dances. And yet it has often been said that our country has no folk-music or folk-dancing of its own other than that of the American Indian! We are to-day a nation of immigrants, not of Indians, and the folk-traditions that are most essentially our own are those which have developed (from traditions brought to us by our early immigrants) into something peculiarly our own. And we have the new and dazzling wealth of folk-art brought in with the comparatively recent rush of immigration from many countries, the beauty and value of which is not yet generally understood or appreciated. Surely, the folk-dances and music of all the nationalities which make up the people of our country may be considered ours just as these people are our people, and every effort should be made to encourage, preserve and assimilate this dancing and music, so that we may not only have these added resources for social enjoyment and recreation; but that our national life may be enriched with beauty and color and joy of living which may become the foundation of a yet undreamed-of development of art In this country. It was with the hope of assisting toward this end that my earlier collections of folk-dances and music of other countries were published, and for the same purpose the Organization Committee of an American Folk-Dance Society was formed In February, 1916. This present volume contains some of the old Country-Dances which are most essentially American Folk-Dances because they have grown here. Some of them are slightly reminiscent of English country-dances, and were probably originally suggested by or evolved from them. Most of them, however, seem to be products of this country, and all have a typical and distinctly individual quality of their own, both In their form and the manner and style in which they are danced.- The constant repetition of the theme, and the easy swing and rhythm of the dance, are almost hypnotically fascinating. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Ann M. Axtmann
Publisher: University Press of Florida
ISBN: 0813048648
Category : Performing Arts
Languages : en
Pages : 198
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Book Description
Colloquially the term “powwow” refers to a meeting where important matters will be discussed. However, at the thousands of Native American intertribal dances that occur every year throughout the United States and Canada, a powwow means something else altogether. Sometimes lasting up to a week, these social gatherings are a sacred tradition central to Native American spirituality. Attendees dance, drum, sing, eat, re-establish family ties, and make new friends. In this compelling interdisciplinary work, Ann Axtmann examines powwows as practiced primarily along the Atlantic coastline, from New Jersey to New England. She offers an introduction to the many complexities of the tradition and explores the history of powwow performance, the variety of their setups, the dances themselves, and the phenomenon of “playing Indian.” Ultimately, Axtmann seeks to understand how the dancers express and embody power through their moving bodies and what the dances signify for the communities in which they are performed.
Author: Matthew Krystal
Publisher: University Press of Colorado
ISBN: 1457111594
Category : Social Science
Languages : en
Pages : 341
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Book Description
Focusing on the enactment of identity in dance, Indigenous Dance and Dancing Indian is a cross-cultural, cross-ethnic, and cross-national comparison of indigenous dance practices. Considering four genres of dance in which indigenous people are represented--K'iche Maya traditional dance, powwow, folkloric dance, and dancing sports mascots--the book addresses both the ideational and behavioral dimensions of identity. Each dance is examined as a unique cultural expression in individual chapters, and then all are compared in the conclusion, where striking parallels and important divergences are revealed. Ultimately, Krystal describes how dancers and audiences work to construct and consume satisfying and meaningful identities through dance by either challenging social inequality or reinforcing the present social order. Detailed ethnographic work, thorough case studies, and an insightful narrative voice make Indigenous Dance and Dancing Indian a substantial addition to scholarly literature on dance in the Americas. It will be of interest to scholars of Native American studies, social sciences, and performing arts.
Author: Bryan Burton
Publisher: Danbury, CT : World Music Press
ISBN:
Category : Social Science
Languages : en
Pages : 188
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Book Description
"A dynamic collection of twenty-four social songs and dances, flute songs and guided listening experiences, as well as instructions for making present day instruments. Representing the music of the Pueblo, Lakota, Kiowa, Nanticoke, Hidatsa, Haliwa-Saponi, Seneca and other peoples, [the book] includes in-depth cultural and historical background"--Back cover.
Author: Erica M. Nielsen
Publisher: Bloomsbury Publishing USA
ISBN: 0313376891
Category : Performing Arts
Languages : en
Pages : 176
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Book Description
This overview of folk dancing in the United States showcases an important historical movement and explains how folk dance communities evolved to fulfill the needs of specific groups of people over time. While the general term "folk dance" encompasses a surprising variety of specific dances, there are three major recreational communities or forms: international folk dance, modern western square dance, and contra dance. Throughout the last century, millions of people have enjoyed folk dancing as an educational and recreational activity, regardless of the particular style. Folk Dancing explains the reasons for the folk dance movement that exploded in Europe and North America in the late 19th century. It describes the clubs, camps, festivals, and communities that sprang up, and examines the culture of the movement—the music, key individuals and events, types of clothing, and influences of technologies and popular culture. The book contains authoritative, original information gleaned from the author's own research conducted with hundreds of folk dance enthusiasts across America.
