Author: Martin W. Sandler
Publisher: McGraw-Hill/Contemporary
ISBN:
Category : Photography
Languages : en
Pages : 280
Book Description
American Image captures the nation's experience through one hundred fifty years of photography by anonymous amateurs and celebrated masters.
American Image
Author: Martin W. Sandler
Publisher: McGraw-Hill/Contemporary
ISBN:
Category : Photography
Languages : en
Pages : 280
Book Description
American Image captures the nation's experience through one hundred fifty years of photography by anonymous amateurs and celebrated masters.
Publisher: McGraw-Hill/Contemporary
ISBN:
Category : Photography
Languages : en
Pages : 280
Book Description
American Image captures the nation's experience through one hundred fifty years of photography by anonymous amateurs and celebrated masters.
The Warrior Image
Author: Andrew J. Huebner
Publisher: Univ of North Carolina Press
ISBN: 0807868213
Category : History
Languages : en
Pages : 384
Book Description
Images of war saturated American culture between the 1940s and the 1970s, as U.S. troops marched off to battle in World War II, the Korean War, and the Vietnam War. Exploring representations of servicemen in the popular press, government propaganda, museum exhibits, literature, film, and television, Andrew Huebner traces the evolution of a storied American icon--the combat soldier. Huebner challenges the pervasive assumption that Vietnam brought drastic changes in portrayals of the American warrior, with the jaded serviceman of the 1960s and 1970s shown in stark contrast to the patriotic citizen-soldier of World War II. In fact, Huebner shows, cracks began to appear in sentimental images of the military late in World War II and were particularly apparent during the Korean conflict. Journalists, filmmakers, novelists, and poets increasingly portrayed the steep costs of combat, depicting soldiers who were harmed rather than hardened by war, isolated from rather than supported by their military leadership and American society. Across all three wars, Huebner argues, the warrior image conveyed a growing cynicism about armed conflict, the federal government, and Cold War militarization.
Publisher: Univ of North Carolina Press
ISBN: 0807868213
Category : History
Languages : en
Pages : 384
Book Description
Images of war saturated American culture between the 1940s and the 1970s, as U.S. troops marched off to battle in World War II, the Korean War, and the Vietnam War. Exploring representations of servicemen in the popular press, government propaganda, museum exhibits, literature, film, and television, Andrew Huebner traces the evolution of a storied American icon--the combat soldier. Huebner challenges the pervasive assumption that Vietnam brought drastic changes in portrayals of the American warrior, with the jaded serviceman of the 1960s and 1970s shown in stark contrast to the patriotic citizen-soldier of World War II. In fact, Huebner shows, cracks began to appear in sentimental images of the military late in World War II and were particularly apparent during the Korean conflict. Journalists, filmmakers, novelists, and poets increasingly portrayed the steep costs of combat, depicting soldiers who were harmed rather than hardened by war, isolated from rather than supported by their military leadership and American society. Across all three wars, Huebner argues, the warrior image conveyed a growing cynicism about armed conflict, the federal government, and Cold War militarization.
The Mormon Image in the American Mind
Author: J.B. Haws
Publisher: Oxford University Press
ISBN: 0199897646
Category : History
Languages : en
Pages : 425
Book Description
What do Americans think about Mormons - and why do they think what they do? This is a story where the Osmonds, the Olympics, the Tabernacle Choir, Evangelical Christians, the Equal Rights Amendment, Sports Illustrated, and even Miss America all figure into the equation. The book is punctuated by the presidential campaigns of George and Mitt Romney, four decades apart. A survey of the past half-century reveals a growing tension inherent in the public's views of Mormons and the public's views of the religion that inspires that body.
Publisher: Oxford University Press
ISBN: 0199897646
Category : History
Languages : en
Pages : 425
Book Description
What do Americans think about Mormons - and why do they think what they do? This is a story where the Osmonds, the Olympics, the Tabernacle Choir, Evangelical Christians, the Equal Rights Amendment, Sports Illustrated, and even Miss America all figure into the equation. The book is punctuated by the presidential campaigns of George and Mitt Romney, four decades apart. A survey of the past half-century reveals a growing tension inherent in the public's views of Mormons and the public's views of the religion that inspires that body.
Framing Blackness
Author: Ed Guerrero
Publisher: Temple University Press
ISBN: 1439904138
Category : Performing Arts
Languages : en
Pages : 270
Book Description
A challenge to Hollywood's one-dimensional images of African Americans.
Publisher: Temple University Press
ISBN: 1439904138
Category : Performing Arts
Languages : en
Pages : 270
Book Description
A challenge to Hollywood's one-dimensional images of African Americans.
American Images of China, 1931-1949
Author: T. Christopher Jespersen
Publisher: Stanford University Press
ISBN: 9780804736541
Category : History
Languages : en
Pages : 296
Book Description
In the 1930's and 1940's, the prevalent American view of China was that of a friendly, democratic, and increasingly Christian state, in many ways akin to the United States. This view was fostered by a wide range of literary, political, and business leaders, including Pearl S. Buck, Franklin D. Roosevelt, Wendell Willkie, Joseph Stillwell, Claire Chennault, and most notably, the powerful publisher of Life and Time, Henry R. Luce. This book shows how the notion of the Chinese as aspiring Americans helped shape American opinions and policies toward Asia for almost twenty years. This notion derived less from the reality of Chinese historical or cultural similarities than from a projection of American values and culture; in the American view, fueled by various political, economic, and religious interests, China was less a geographical entity than a symbol of American hopes and fears. One of the more important consequences was the idealization of China and the demonization of Japan.
Publisher: Stanford University Press
ISBN: 9780804736541
Category : History
Languages : en
Pages : 296
Book Description
In the 1930's and 1940's, the prevalent American view of China was that of a friendly, democratic, and increasingly Christian state, in many ways akin to the United States. This view was fostered by a wide range of literary, political, and business leaders, including Pearl S. Buck, Franklin D. Roosevelt, Wendell Willkie, Joseph Stillwell, Claire Chennault, and most notably, the powerful publisher of Life and Time, Henry R. Luce. This book shows how the notion of the Chinese as aspiring Americans helped shape American opinions and policies toward Asia for almost twenty years. This notion derived less from the reality of Chinese historical or cultural similarities than from a projection of American values and culture; in the American view, fueled by various political, economic, and religious interests, China was less a geographical entity than a symbol of American hopes and fears. One of the more important consequences was the idealization of China and the demonization of Japan.
The Unwelcome Immigrant The American Image of the Chinese, 1785-1882
Author: Stuart Creighton Miller
Publisher:
ISBN:
Category :
Languages : en
Pages : 276
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 276
Book Description
The Big House
Author: Stephen D. Cox
Publisher: Yale University Press
ISBN: 030015495X
Category : Social Science
Languages : en
Pages : 255
Book Description
""The Big House" is America's idea of the prison - a huge, tough, ostentatiously oppressive pile of rock, bristling with rules and punishments, overwhelming in size and the intent to intimidate. Stephen Cox tells the story of the American prison - its politics, its sex, its violence, its inability to control itself - and its idealization in American popular culture. This book investigates both the popular images of prison and the realities behind them : problems of control and discipline, mainenance and reform, power and sexuality. It conveys an awareness of the limits of human and institutional power, and of the symbolic and iconic qualities the "Big House" has attained in America's understanding of itself"--Jacket.
Publisher: Yale University Press
ISBN: 030015495X
Category : Social Science
Languages : en
Pages : 255
Book Description
""The Big House" is America's idea of the prison - a huge, tough, ostentatiously oppressive pile of rock, bristling with rules and punishments, overwhelming in size and the intent to intimidate. Stephen Cox tells the story of the American prison - its politics, its sex, its violence, its inability to control itself - and its idealization in American popular culture. This book investigates both the popular images of prison and the realities behind them : problems of control and discipline, mainenance and reform, power and sexuality. It conveys an awareness of the limits of human and institutional power, and of the symbolic and iconic qualities the "Big House" has attained in America's understanding of itself"--Jacket.
Creating Their Own Image
Author: Lisa E. Farrington
Publisher:
ISBN: 019516721X
Category : African American art
Languages : en
Pages : 368
Book Description
Creating Their Own Image marks the first comprehensive history of African-American women artists, from slavery to the present day. Using an analysis of stereotypes of Africans and African-Americans in western art and culture as a springboard, Lisa E. Farrington here richly details hundreds ofimportant works--many of which deliberately challenge these same identity myths, of the carnal Jezebel, the asexual Mammy, the imperious Matriarch--in crafting a portrait of artistic creativity unprecedented in its scope and ambition. In these lavishly illustrated pages, some of which feature imagesnever before published, we learn of the efforts of Elizabeth Keckley, fashion designer to Mary Todd Lincoln; the acclaimed sculptor Edmonia Lewis, internationally renowned for her neoclassical works in marble; and the artist Nancy Elizabeth Prophet and her innovative teaching techniques. We meetLaura Wheeler Waring who portrayed women of color as members of a socially elite class in stark contrast to the prevalent images of compliant maids, impoverished malcontents, and exotics "others" that proliferated in the inter-war period. We read of the painter Barbara Jones-Hogu's collaboration onthe famed Wall of Respect, even as we view a rare photograph of Hogu in the process of painting the mural. Farrington expertly guides us through the fertile period of the Harlem Renaissance and the "New Negro Movement," which produced an entirely new crop of artists who consciously imbued their workwith a social and political agenda, and through the tumultuous, explosive years of the civil rights movement. Drawing on revealing interviews with numerous contemporary artists, such as Betye Saar, Faith Ringgold, Nanette Carter, Camille Billops, Xenobia Bailey, and many others, the second half ofCreating Their Own Image probes more recent stylistic developments, such as abstraction, conceptualism, and post-modernism, never losing sight of the struggles and challenges that have consistently influenced this body of work. Weaving together an expansive collection of artists, styles, andperiods, Farrington argues that for centuries African-American women artists have created an alternative vision of how women of color can, are, and might be represented in American culture. From utilitarian objects such as quilts and baskets to a wide array of fine arts, Creating Their Own Imageserves up compelling evidence of the fundamental human need to convey one's life, one's emotions, one's experiences, on a canvas of one's own making.
Publisher:
ISBN: 019516721X
Category : African American art
Languages : en
Pages : 368
Book Description
Creating Their Own Image marks the first comprehensive history of African-American women artists, from slavery to the present day. Using an analysis of stereotypes of Africans and African-Americans in western art and culture as a springboard, Lisa E. Farrington here richly details hundreds ofimportant works--many of which deliberately challenge these same identity myths, of the carnal Jezebel, the asexual Mammy, the imperious Matriarch--in crafting a portrait of artistic creativity unprecedented in its scope and ambition. In these lavishly illustrated pages, some of which feature imagesnever before published, we learn of the efforts of Elizabeth Keckley, fashion designer to Mary Todd Lincoln; the acclaimed sculptor Edmonia Lewis, internationally renowned for her neoclassical works in marble; and the artist Nancy Elizabeth Prophet and her innovative teaching techniques. We meetLaura Wheeler Waring who portrayed women of color as members of a socially elite class in stark contrast to the prevalent images of compliant maids, impoverished malcontents, and exotics "others" that proliferated in the inter-war period. We read of the painter Barbara Jones-Hogu's collaboration onthe famed Wall of Respect, even as we view a rare photograph of Hogu in the process of painting the mural. Farrington expertly guides us through the fertile period of the Harlem Renaissance and the "New Negro Movement," which produced an entirely new crop of artists who consciously imbued their workwith a social and political agenda, and through the tumultuous, explosive years of the civil rights movement. Drawing on revealing interviews with numerous contemporary artists, such as Betye Saar, Faith Ringgold, Nanette Carter, Camille Billops, Xenobia Bailey, and many others, the second half ofCreating Their Own Image probes more recent stylistic developments, such as abstraction, conceptualism, and post-modernism, never losing sight of the struggles and challenges that have consistently influenced this body of work. Weaving together an expansive collection of artists, styles, andperiods, Farrington argues that for centuries African-American women artists have created an alternative vision of how women of color can, are, and might be represented in American culture. From utilitarian objects such as quilts and baskets to a wide array of fine arts, Creating Their Own Imageserves up compelling evidence of the fundamental human need to convey one's life, one's emotions, one's experiences, on a canvas of one's own making.
The Image of Environmental Harm in American Social Documentary Photography
Author: Chris Balaschak
Publisher: Routledge
ISBN: 1000349276
Category : Art
Languages : en
Pages : 275
Book Description
With an emphasis on photographic works that offer new perspectives on the history of American social documentary, this book considers a history of politically engaged photography that may serve as models for the representation of impending environmental injustices. Chris Balaschak examines histories of American photography, the environmental movement, as well as the industrial and postindustrial economic conditions of the United States in the 20th century. With particular attention to a material history of photography focused on the display and dissemination of documentary images through print media and exhibitions, the work considered places emphasis on the depiction of communities and places harmed by industrialized capitalism. The book will be of interest to scholars working in art history, visual studies, photography, ecocriticism, environmental humanities, media studies, culture studies, and visual rhetoric.
Publisher: Routledge
ISBN: 1000349276
Category : Art
Languages : en
Pages : 275
Book Description
With an emphasis on photographic works that offer new perspectives on the history of American social documentary, this book considers a history of politically engaged photography that may serve as models for the representation of impending environmental injustices. Chris Balaschak examines histories of American photography, the environmental movement, as well as the industrial and postindustrial economic conditions of the United States in the 20th century. With particular attention to a material history of photography focused on the display and dissemination of documentary images through print media and exhibitions, the work considered places emphasis on the depiction of communities and places harmed by industrialized capitalism. The book will be of interest to scholars working in art history, visual studies, photography, ecocriticism, environmental humanities, media studies, culture studies, and visual rhetoric.
American Railroad China, Image and Experience
Author: Charles G. Kratz
Publisher: Brauer Museum of Art Valparaiso University
ISBN: 9780615233536
Category : Ceramic tableware
Languages : en
Pages : 71
Book Description
Publisher: Brauer Museum of Art Valparaiso University
ISBN: 9780615233536
Category : Ceramic tableware
Languages : en
Pages : 71
Book Description