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Author: Kim Wilkins
Publisher: Bloomsbury Publishing USA
ISBN: 1501336932
Category : Performing Arts
Languages : en
Pages : 225
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Book Description
Since the late 1990s a new language has emerged in film scholarship and criticism in response to the popularity of American directors such as Wes Anderson, Charlie Kaufman, and David O. Russell. Increasingly, adjectives like 'quirky', 'cute', and 'smart' are used to describe these American films, with a focus on their ironic (and sometimes deliberately comical) stories, character situations and tones. Kim Wilkins argues that, beyond the seemingly superficial descriptions, 'American eccentric cinema' presents a formal and thematic eccentricity that is distinct to the American context. She distinguishes these films from mainstream Hollywood cinema as they exhibit irregularities in characterization, tone, and setting, and deviate from established generic conventions. Each chapter builds a case for this position through detailed film analyses and comparisons to earlier American traditions, such as the New Hollywood cinema of the 1960s and 1970s. American Eccentric Cinema promises to challenge the notion of irony in American contemporary cinema, and questions the relationship of irony to a complex national and individual identity.
Author: Kim Wilkins
Publisher: Bloomsbury Publishing USA
ISBN: 1501336932
Category : Performing Arts
Languages : en
Pages : 225
Get Book Here
Book Description
Since the late 1990s a new language has emerged in film scholarship and criticism in response to the popularity of American directors such as Wes Anderson, Charlie Kaufman, and David O. Russell. Increasingly, adjectives like 'quirky', 'cute', and 'smart' are used to describe these American films, with a focus on their ironic (and sometimes deliberately comical) stories, character situations and tones. Kim Wilkins argues that, beyond the seemingly superficial descriptions, 'American eccentric cinema' presents a formal and thematic eccentricity that is distinct to the American context. She distinguishes these films from mainstream Hollywood cinema as they exhibit irregularities in characterization, tone, and setting, and deviate from established generic conventions. Each chapter builds a case for this position through detailed film analyses and comparisons to earlier American traditions, such as the New Hollywood cinema of the 1960s and 1970s. American Eccentric Cinema promises to challenge the notion of irony in American contemporary cinema, and questions the relationship of irony to a complex national and individual identity.
Author: Kim Wilkins
Publisher: Bloomsbury Publishing USA
ISBN: 1501336924
Category : Performing Arts
Languages : en
Pages : 225
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Book Description
Since the late 1990s a new language has emerged in film scholarship and criticism in response to the popularity of American directors such as Wes Anderson, Charlie Kaufman, and David O. Russell. Increasingly, adjectives like 'quirky', 'cute', and 'smart' are used to describe these American films, with a focus on their ironic (and sometimes deliberately comical) stories, character situations and tones. Kim Wilkins argues that, beyond the seemingly superficial descriptions, 'American eccentric cinema' presents a formal and thematic eccentricity that is distinct to the American context. She distinguishes these films from mainstream Hollywood cinema as they exhibit irregularities in characterization, tone, and setting, and deviate from established generic conventions. Each chapter builds a case for this position through detailed film analyses and comparisons to earlier American traditions, such as the New Hollywood cinema of the 1960s and 1970s. American Eccentric Cinema promises to challenge the notion of irony in American contemporary cinema, and questions the relationship of irony to a complex national and individual identity.
Author: Claire Perkins
Publisher: Edinburgh University Press
ISBN: 0748654259
Category : Performing Arts
Languages : en
Pages : 193
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Book Description
American Smart Cinema examines a contemporary type of US filmmaking that exists at the intersection of mainstream, art and independent cinema and often gives rise to absurd, darkly comic and nihilistic effects.
Author: Geoff King
Publisher: Bloomsbury Publishing
ISBN: 0857737333
Category : Performing Arts
Languages : en
Pages : 333
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Book Description
The independent sector has produced many of the most distinctive films to have appeared in the US in recent decades. From 'Sex, Lies and Videotape' in the 1980s to 'The Blair Witch Project' and New Queer Cinema in the 1990s and the ultra-low budget digital video features of the 2000s, indie films have thrived, creating a body of work that stands out from the dominant Hollywood mainstream. But what exactly is 'independent' cinema? This, the first book to examine the question in detail, argues that independence can be defined partly in industry terms but also according to formal and aesthetic strategies and by distinctive attitudes towards social and political issues, suggesting that independence is a dynamic rather than a fixed quality. Chapters focus on distribution and relationships with Hollywood studios; narrative ('Clerks' and 'Slacker' to 'Pulp Fiction', 'Magnolia' and 'Memento') and other formal dimensions (from 'Blair Witch's' 'authenticity' to expressive and stylized camerawork and editing in work from Harmony Korine to the Coen brothers); approaches to genre and alternative socio-political visions.
Author: Jonas Mekas
Publisher: Columbia University Press
ISBN: 0231541589
Category : Performing Arts
Languages : en
Pages : 496
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Book Description
In his Village Voice "Movie Journal" columns, Jonas Mekas captured the makings of an exciting movement in 1960s American filmmaking. Works by Andy Warhol, Gregory J. Markapoulos, Stan Brakhage, Jack Smith, Robert Breer, and others echoed experiments already underway elsewhere, yet they belonged to a nascent tradition that only a true visionary could identify. Mekas incorporated the most essential characteristics of these films into a unique conception of American filmmaking's next phase. He simplified complex aesthetic strategies for unfamiliar audiences and appreciated the subversive genius of films that many dismissed as trash. This new edition presents Mekas's original critiques in full, with additional material on the filmmakers, film studies scholars, and popular and avant-garde critics whom he inspired and transformed.
Author: Ara Osterweil
Publisher: Manchester University Press
ISBN: 9780719088803
Category : Art
Languages : en
Pages : 304
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Book Description
Flesh Cinema: The Corporeal Turn in American Avant-Garde Film explores the groundbreaking representation of the body in experimental films of the 1960s and 1970s. Focusing on sexually explicit films by Andy Warhol, Barbara Rubin, Stan Brakhage, Carolee Schneemann, Yoko Ono and Paul Sharits, this book demonstrates how experimental cinema not only transformed American visual culture, but also the lives of those who created it. By situating these films in relation to the civil rights and sexual liberation movements, Flesh Cinema investigates how social politics continue to inform their meaning. Drawing upon unpublished archival materials, this book provides a rich account of the intimate artistic collaborations that inspired these films. Merging close readings with historical and biographical analysis, Flesh Cinema argues that queer forms of friendship were essential to the innovative representations of bodies on-screen. In doing so, it provides a fresh take on avant-garde cinema for film and art scholars and students.
Author: Jon Wilkman
Publisher: Bloomsbury Publishing USA
ISBN: 1635571057
Category : History
Languages : en
Pages : 521
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Book Description
“A towering achievement, and a volume I know I'll be consulting on a regular basis.”-Leonard Maltin "Authoritative, accessible, and elegantly written, Screening Reality is the history of American documentary film we have been waiting for." --Kenneth Turan, Los Angeles Times film critic From Edison to IMAX, Ken Burns to virtual environments, the first comprehensive history of American documentary film and the remarkable men and women who changed the way we view the world. Amidst claims of a new “post-truth” era, documentary filmmaking has experienced a golden age. Today, more documentaries are made and widely viewed than ever before, illuminating our increasingly fraught relationship with what's true in politics and culture. For most of our history, Americans have depended on motion pictures to bring the realities of the world into view. And yet the richly complex, ever-evolving relationship between nonfiction movies and American history is virtually unexplored. Screening Reality is a widescreen view of how American “truth” has been discovered, defined, projected, televised, and streamed during more than one hundred years of dramatic change, through World Wars I and II, the dawn of mass media, the social and political turmoil of the sixties and seventies, and the communications revolution that led to a twenty-first century of empowered yet divided Americans. In the telling, professional filmmaker Jon Wilkman draws on his own experience, as well as the stories of inventors, adventurers, journalists, entrepreneurs, artists, and activists who framed and filtered the world to inform, persuade, awe, and entertain. Interweaving American and motion picture history, and an inquiry into the nature of truth on screen, Screening Reality is essential and fascinating reading for anyone looking to expand an understanding of the American experience and today's truth-challenged times.
Author: Todd Berliner
Publisher: University of Texas Press
ISBN: 0292722796
Category : Performing Arts
Languages : en
Pages : 289
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Book Description
"Most books about American film in the 1970s tell stories about iconoclastic auteurs working in the shadow of the Vietnam War. Stepping away from this tradition, Todd Berliner gives us a bold and compelling study of the strange, paradoxical narrative style of seventies films, which seemed to flout the canonical structure of the well-made film. Berliner sheds new light on a well-studied period. His lively prose and the delight he takes in explicaring the classics of that era make this book a real pleasure to read."---Stephen Prince, Professor of Cinema at Virginia Tech and author of Firestorm: American Film in the Age of Terrorism "The wave of innovative filmmaking that surged in 1970s Hollywood has come to be cherished as dearly by many cineastes as the earlier `golden age' of studio filmmaking. American filmmaking of this period has been much discussed in relation to the crisis of the film industry and the sociopolitical currents of the time, Todd Berliner's important study focuses on what is usually taken for granted in such work: the form, texture, and tone of the films themselves, and the experiences that they create for spectators. His exacting and wide-ranging study explores the interplay between narrative unity and `incongruity,' as it is manifested in different ways in acknowledged classics directed by Coppola, Friedkin, Scorsese, and Cassavetes, as well as in many less well-known films. Berliner also shows how these films have had a lasting impact on Hollywood filmmaking. Hollywood Incoherent provides the sustained and systematic exploration of the aesthetics of the `Hollywood Renaissance' that the films deserve and the field of film studies needs."---Murray Smith, Professor of Film Studies, University of Kent
Author: Jesse Fox Mayshark
Publisher: Praeger
ISBN:
Category : Performing Arts
Languages : en
Pages : 214
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Book Description
Takes us on a film-by-film tour of the works of Wes and P T Anderson, Sofia Coppola, Richard Linklater, Alexander Payne, and David O Russell. This book reveals how a common pool of styles, collaborators, and personal connections helps them to confront the unifying problem of meaning in American film.
Author: David Mikics
Publisher: Yale University Press
ISBN: 0300255616
Category : Biography & Autobiography
Languages : en
Pages : 248
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Book Description
An engrossing biography of one of the most influential filmmakers in cinematic history Kubrick grew up in the Bronx, a doctor’s son. From a young age he was consumed by photography, chess, and, above all else, movies. He was a self†‘taught filmmaker and self†‘proclaimed outsider, and his films exist in a unique world of their own outside the Hollywood mainstream. Kubrick’s Jewishness played a crucial role in his idea of himself as an outsider. Obsessed with rebellion against authority, war, and male violence, Kubrick was himself a calm, coolly masterful creator and a talkative, ever†‘curious polymath immersed in friends and family. Drawing on interviews and new archival material, Mikics for the first time explores the personal side of Kubrick’s films.
