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Author: Johnstone Campbell
Publisher:
ISBN:
Category : America
Languages : en
Pages : 416
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Book Description
Author: Johnstone Campbell
Publisher:
ISBN:
Category : America
Languages : en
Pages : 416
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Book Description
Author: Bertolt Brecht
Publisher: Bloomsbury Publishing
ISBN: 1474243347
Category : Literary Criticism
Languages : en
Pages : 421
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Book Description
This volume contains new translations to extend our image of one of the twentieth century's most entertaining and thought provoking writers on culture, aesthetics and politics. Here are a cross-section of Brecht's wide-ranging thoughts which offer us an extraordinary window onto the concerns of a modern world in four decades of economic and political disorder. The book is designed to give wider access to the experience of a dynamic intellect, radically engaged with social, political and cultural processes. Each section begins with a short essay by the editors introducing and summarising Brecht's thought in the relevant year.
Author: James K. Lyon
Publisher: Princeton University Press
ISBN: 140085590X
Category : Drama
Languages : en
Pages : 439
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Book Description
This colorful account of Bertolt Brecht's move from Germany to America during the Hitler era explores his activities as a Hollywood writer, a playwright determined to conquer Broadway, a political commentator and activist, a social observer, and an exile in an alien land. Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Wolf Von Eckardt
Publisher: U of Nebraska Press
ISBN: 9780803296121
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
In 1936, at the age of eighteen, Wolf Von Eckardt and his mother and sister fled Berlin and came to New York. With Sander L. Gilman, he as brought into focus, through words and pictures, an uneasy era that divided two great catastrophes.
Author: Philip Glahn
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 792
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Book Description
Author: Bertolt Brecht
Publisher: Liveright Publishing
ISBN: 087140768X
Category : Poetry
Languages : en
Pages : 1606
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Book Description
Times Literary Supplement • Books of the Year ("The most generous available English collection of Brecht’s poetry.") A landmark literary event, The Collected Poems of Bertolt Brecht is the most extensive English translation of Brecht’s poetry to date. Widely celebrated as the greatest German playwright of the twentieth century, Bertolt Brecht was also, as George Steiner observed, “that very rare phenomenon, a great poet, for whom poetry is an almost everyday visitation and drawing of breath.” Hugely prolific, Brecht also wrote more than two thousand poems—though fewer than half were published in his lifetime, and early translations were heavily censored. Now, award-winning translators David Constantine and Tom Kuhn have heroically translated more than 1,200 poems in the most comprehensive English collection of Brecht’s poetry to date. Written between 1913 and 1956, these poems celebrate Brecht’s unquenchable “love of life, the desire for better and more of it,” and reflect the technical virtuosity of an artist driven by bitter and violent politics, as well as by the untrammeled forces of love and erotic desire. A monumental achievement and a reclamation, The Collected Poems of Bertolt Brecht is a must-have for any lover of twentieth-century poetry.
Author: J. Chris Westgate
Publisher: Cambridge Scholars Publishing
ISBN:
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
Not long after the 2001 terrorist attacks in New York City, Bertolt Brechtâ (TM)s name was on the lips of many writing about Broadway. Invoked knowinglyâ "but not always knowledgeablyâ "â oeBrechtâ became something between marketing strategy and erudite justification for another season of Broadway musicals, another ignominy endured by the German playwright whose epic theater has only seldom been understood in the United States. To say that Brechtian and Broadway theatrical traditions represent divergence of philosophy, method, or ambition is to indulgeâ "with the whimsy of Mark Twainâ "in understatement. Nevertheless, many references to Brecht since 2001 imply compatibility instead of contradictionâ "a confusion or corruption that suggested the need of looking closely at what Brecht wrote and intended in his epic theater more than seventy years after his firstâ "and, unfortunately, typicalâ "experience with United States theater. Beginning with the 1935 production of The Mother and moving through recent productions of political theater, including The Resistible Rise of Arturo Ui, Urinetown: The Musical, and My Name is Rachel Corrie, this anthology considers the encounters of Brecht and Broadway in terms of dramaturgy, performance, and reception. The essays in this anthology explore the political, cultural, and economic constraints shaping many of the encounters of Brecht and Broadway in U.S. theater history. This means looking at how, in many cases, epic theater has been co-opted and commodified by Broadway and what that commodification reveals about the culture of theater. Simultaneously, this means theorizing how epic theater findsâ "or can findâ "ways of providing a necessary bulwark against Broadway escapism, and what this suggests for the future of political theater in the U.S. What results is a dialectical history tracing Brechtâ (TM)s encounters with Broadway, a history that opens-up and debates the complicated and often conflicted influence of Bertolt Brecht on United States theater. â oeDr. Westgate's book on Brecht and Broadway is an excellent study of the reception of Brecht's work in the American theater and academe. Brecht, along with Moliere; Ibsen and Chekhov, is one of the most frequently performed playwrights in translation in America. A thorough investigation of the trajectory of Brecht stagings on Broadway has long been overdue. I am very grateful that Dr. Westgate has taken on the task and arrived at such a splendid result. The book is a must reading for any serious Brecht scholar.â â "Carl Weber, Stanford Drama Department, Collaborator with Brecht at the Berliner Ensemble, Director of many Brecht stagings in the U.S. â oeThis is a provocative collection of essays outlining the sometimes unexpected connections between Brecht and the Broadway theatre. Like Brecht himself, these essays are playful, argumentative, and productively dialectical in their contradictions. The book is both entertaining and educational, and bound to provoke healthy debate. I recommend it as a demonstration of the ongoing relevance of Brechtian theories of theatre to the analysis of mainstream commercial theatre. â "Sean Carney, Associate Professor, McGill University
Author:
Publisher: BRILL
ISBN: 9004404503
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
This interdisciplinary anthology unites scholars with the notion that Bertolt Brecht is a missing link in bridging diverse discourses in social philosophy and aesthetics—an essential read for all those interested in Brecht as a socio-cultural theorist and theatre practitioners.
Author: Henry Bial
Publisher: Routledge
ISBN: 1134637101
Category : Performing Arts
Languages : en
Pages : 420
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Book Description
Bertolt Brecht is one of the most prolific and influential writer-directors of the twentieth century. This fascinating anthology brings together in one volume many of the most important articles written about Brecht between 1957 and 1997. The collection explores a wide range of viewpoints about Brecht's theatre theories and practice, as well as including three plays not otherwise available in English: The Beggar or The Dead Dog, Baden Lehrstuck and The Seven Deadly Sins of the Lower Middle Class. Editors Martin and Bial have brought together a unique compendium which covers all the key areas including: * the development of Brecht's aesthetic theories * the relationship of Epic theatre to orthodox dramatic theatre * Brecht's collaboration with Kurt Weill, Paul Dessau and Max Frisch * Brecht's influence on a variety of cultures and contexts including England, Italy , Moscow and Japan. Together these essays are an ideal companion to Brecht's plays, and provide an invaluable reconsideration of Brecht's work. Contributors include: Werner Hecht, Mordecai Gorelik, Eric Bentley, Jean-Paul Sartre, Kurt Weill, Ernst Bloch, Darko Suvin, Carl Weber, Paul Dessau, Denis Calandra, W. Stuart McDowell, Ernst Schmacher, Hans-Joachim Bunge, Martin Esslin, Artuto Lazzari, Tadashi Uchino, Diana Taylor, Elin Diamond, and Lee Baxandall.
Author: Steve Giles
Publisher: Rodopi
ISBN: 9789042003095
Category : Art
Languages : en
Pages : 276
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Book Description
The publication of this volume of essays marks the centenary of the birth of Bertolt Brecht on 10 February 1898. The essays were commissioned from scholars and critics around the world, and cover six main areas: recent biographical controversies; neglected theoretical writings; the semiotics of Brechtian theatre; new readings of classic texts; Brecht's role and reception in the GDR; and contemporary appropriations of Brecht's work. This volume will be essential reading for all those interested in twentieth century theatre, modern German studies, and the contemporary reassessment of post-war culture in the wake of German unification and the collapse of Stalinist communism in Central and Eastern Europe. The essays in this volume also address a variety of general questions, concerning - for example - authorship and textuality; the nature of Brecht's Marxism in relation to his understanding of modernity, science and Enlightenment reason; Marxist aesthetics; radical cultural politics; and feminist performance theory.
