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Author: Edward Keyes Whitley
Publisher: Univ of North Carolina Press
ISBN: 0807834211
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
"Edward Whitley's book maps James M. Whitfield, Eliza R. Snow, and John Rollin Ridge prominently onto nineteenth-century American poetic history as a group of poets seeking to become national bards not by embracing the traditional trappings of nationalism
Author: Edward Keyes Whitley
Publisher: Univ of North Carolina Press
ISBN: 0807834211
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
"Edward Whitley's book maps James M. Whitfield, Eliza R. Snow, and John Rollin Ridge prominently onto nineteenth-century American poetic history as a group of poets seeking to become national bards not by embracing the traditional trappings of nationalism
Author: John Holmes
Publisher: Edinburgh University Press
ISBN: 0748687777
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
A comprehensive study of Darwin's legacy for religion, ecology and the arts. Includes over 50 complete poems and long extracts with an interpretative framework and close readings. Poets examined include Tennyson, Browning, Hardy, Frost, Ted Hughes, Pattia
Author: Walt Whitman
Publisher: Viking Adult
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 56
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Book Description
Author: Joan R. Sherman
Publisher: Univ of North Carolina Press
ISBN: 0807864463
Category : Poetry
Languages : en
Pages : 172
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Book Description
For his humanistic religious verse, his poignant and deeply personal antislavery poems, and, above all, his lifelong enthusiasm for liberty, nature, and the art of poetry, George Moses Horton merits a place of distinction among nineteenth-century African American poets. Enslaved from birth until the close of the Civil War, the self-taught Horton was the first American slave to protest his bondage in published verse and the first black man to publish a book in the South. As a man and as a poet, his achievements were extraordinary. In this volume, Joan Sherman collects sixty-two of Horton's poems. Her comprehensive introduction--combining biography, history, cultural commentary, and critical insight--presents a compelling and detailed picture of this remarkable man's life and art. George Moses Horton (ca. 1797-1883) was born in Northampton County, North Carolina. A slave for sixty-eight years, Horton spent much of his life on a farm near Chapel Hill, and in time he fostered a deep connection with the University of North Carolina at Chapel Hill. The author of three books of poetry, Horton was inducted into the North Carolina Literary Hall of Fame in May of 1996.
Author: Keith D. Leonard
Publisher: University of Virginia Press
ISBN: 9780813925066
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
In Fettered Genius, Keith D. Leonard identifies how African American poets' use and revision of traditional poetics constituted an antiracist political agency. Comparing this practice to the use of poetic mastery by the ancient Celtic bards to resist British imperialism, Leonard shows how traditional poetics enable African American poets to insert racial experience, racial protest, and African American culture into public discourse by making them features of validated artistic expression. As with the Celtic bards, these poets' artistry testified to their marginalized people's capacity for imagination and reason within and against the terms of the dominant culture. In an ambitious survey that moves from slavery to the cultural nationalism of the 1960s, Leonard examines numerous poets, placing each in the context of his or her time to demonstrate the antiracist meaning of their accomplishments. The book offers new insight on the conservatism of Phillis Wheatley, Paul Laurence Dunbar, and the genteel members of the Harlem Renaissance, how their rage for assimilation functioned to refute racist notions of difference and, paradoxically, to affirm a distinctive racial experience as valid material for poetry. Leonard also demonstrates how the more progressive and ethnically distinctive poetics of Langston Hughes, Sterling Brown, Gwendolyn Brooks, Robert Hayden, and Melvin B. Tolson share some of the same ambivalence about cultural achievement as those of the earlier poets. They also have in common the self-conscious pursuit of an affirmation of the African American self through the substitution of African American vernacular language and cultural forms for traditional poetic themes and forms. The evolution of these poetics parallels the emergence of notions of ethnic identity over racial identity and, indeed, in some ways even motivated this shift. Leonard recognizes poetic mastery as the African American bardic poet's most powerful claim of ethnic tradition and of social belonging and clarifies the full hybrid complexity of African American identity that makes possible this political self-assertion. The development that is traced in Fettered Genius illustrates nothing less than the defining artistic coherence and political significance of the African American poetic tradition.
Author: Ralph Leslie Rusk
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 488
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Book Description
Author: Alfred Bendixen
Publisher: Cambridge University Press
ISBN: 1316123308
Category : Literary Criticism
Languages : en
Pages : 1442
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Book Description
The Cambridge History of American Poetry offers a comprehensive exploration of the development of American poetic traditions from their beginnings until the end of the twentieth century. Bringing together the insights of fifty distinguished scholars, this literary history emphasizes the complex roles that poetry has played in American cultural and intellectual life, detailing the variety of ways in which both public and private forms of poetry have met the needs of different communities at different times. The Cambridge History of American Poetry recognizes the existence of multiple traditions and a dramatically fluid canon, providing current perspectives on both major authors and a number of representative figures whose work embodies the diversity of America's democratic traditions.
Author:
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 496
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Author: Gary Schmidgall
Publisher: Oxford University Press
ISBN: 0199374422
Category : Literary Criticism
Languages : en
Pages : 401
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Book Description
Walt Whitman burst onto the literary stage raring for a fight with his transatlantic forebears. With the unmetered and unrhymed long lines of Leaves of Grass, he blithely forsook "the old models" declaring that "poems distilled from other poems will probably pass away." In a self-authored but unsigned review of the inaugural 1855 edition, Whitman boasted that its influence-free author "makes no allusions to books or writers; their spirits do not seem to have touched him." There was more than a hint here of a party-crasher's bravado or a new-comer's anxiety about being perceived as derivative. But the giants of British literature were too well established in America to be toppled by Whitman's patronizing "that wonderful little island," he called England-or his frequent assertions that Old World literature was non grata on American soil. As Gary Schmidgall demonstrates, the American bard's manuscripts, letters, prose criticism, and private conversations all reveal that Whitman's negotiation with the literary "big fellows" across the Atlantic was much more nuanced and contradictory than might be supposed. His hostile posture also changed over the decades as the gymnastic rebel transformed into Good Gray Poet, though even late in life he could still crow that his masterwork Leaves of Grass "is an iconoclasm, it starts out to shatter the idols of porcelain." Containing Multitudes explores Whitman's often uneasy embrace of five members of the British literary pantheon: Shakespeare, Milton, Burns, Blake, and Wordsworth (five others are treated more briefly: Scott, Carlyle, Tennyson, Wilde, and Swinburne). It also considers how the arcs of their creative careers are often similar to the arc of Whitman's own fifty years of poem-making. Finally, it seeks to illuminate the sometimes striking affinities between the views of these authors and Whitman on human nature and society. Though he was loath to admit it, these authors anticipated much that we now see as quintessentially Whitmanic.
Author: Benjamin Franklin Underwood
Publisher:
ISBN:
Category : Religion
Languages : en
Pages : 654
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Book Description
