Author: Lee Roddy
Publisher:
ISBN: 9781556612114
Category : Christian life
Languages : en
Pages : 0
Book Description
Hildy befriends a shy new girl in town who confides that she's the daughter of a notorious bank robber and has been kidnapped away from her mother. She wants to return to her mother, but she is afraid of her father, whose gang plans to rob a train carrying millions in gold.
The Gold Train Bandits
Author: Lee Roddy
Publisher:
ISBN: 9781556612114
Category : Christian life
Languages : en
Pages : 0
Book Description
Hildy befriends a shy new girl in town who confides that she's the daughter of a notorious bank robber and has been kidnapped away from her mother. She wants to return to her mother, but she is afraid of her father, whose gang plans to rob a train carrying millions in gold.
Publisher:
ISBN: 9781556612114
Category : Christian life
Languages : en
Pages : 0
Book Description
Hildy befriends a shy new girl in town who confides that she's the daughter of a notorious bank robber and has been kidnapped away from her mother. She wants to return to her mother, but she is afraid of her father, whose gang plans to rob a train carrying millions in gold.
The Great American Outlaw
Author: Frank Richard Prassel
Publisher: University of Oklahoma Press
ISBN: 9780806128429
Category : Social Science
Languages : en
Pages : 436
Book Description
This book explores in depth the origins, development, and prospects of outlawry and of the relationship of outlaws to the social conditions of changing times. Throughout American history you will find larger-than-life brigands in every period and every region. Often, because we hunger for simple justice, we romanticize them to the point of being unable to separate fact from fiction. Frank Richard Prassel brings this home in a thorough and fascinating examination of the concept of outlawry from Robin Hood, Dick Turpin, and Blackbeard through Jean Lafitte, Pancho Villa, and Billy the Kid to more modern personalities such as John Dillinger, Claude Dallas, and D. B. Cooper. A separate chapter on molls, plus equal treatment in the histories of gangs, traces women's involvement in outlaw activities. Prassel covers the folklore as well as the facts, even including an appendix of ballads by and about outlaws. He makes clear how this motley group of bandits, pirates, highwaymen, desperadoes, rebels, hoodlums, renegades, gangsters, and fugitives—who stand tall in myth—wither in the light of truth, but flourish in the movies. As he tells the stories, there is little to confirm that Jesse and Frank James, Butch Cassidy and the Sundance Kid, the Daltons, Pretty Boy Floyd, Ma Barker, Clyde Barrow and Bonnie Parker, Belle Starr, the Apache Kid, or any of the so-called good badmen, did anything that did not enrich or otherwise benefit themselves. But there is plenty of evidence, in the form of slain victims and ruined lives, to show how many ways they caused harm. The Great American Outlaw is as much an excellent survey on the phenomenon as it is a brilliant exposition of the larger than-life figures who created it. Above all, it is a tribute to that aspect of humanity that Americans admire most and that Prassel describes as a willingness "to fight, however hopelessly, against exhibitions of privilege."
Publisher: University of Oklahoma Press
ISBN: 9780806128429
Category : Social Science
Languages : en
Pages : 436
Book Description
This book explores in depth the origins, development, and prospects of outlawry and of the relationship of outlaws to the social conditions of changing times. Throughout American history you will find larger-than-life brigands in every period and every region. Often, because we hunger for simple justice, we romanticize them to the point of being unable to separate fact from fiction. Frank Richard Prassel brings this home in a thorough and fascinating examination of the concept of outlawry from Robin Hood, Dick Turpin, and Blackbeard through Jean Lafitte, Pancho Villa, and Billy the Kid to more modern personalities such as John Dillinger, Claude Dallas, and D. B. Cooper. A separate chapter on molls, plus equal treatment in the histories of gangs, traces women's involvement in outlaw activities. Prassel covers the folklore as well as the facts, even including an appendix of ballads by and about outlaws. He makes clear how this motley group of bandits, pirates, highwaymen, desperadoes, rebels, hoodlums, renegades, gangsters, and fugitives—who stand tall in myth—wither in the light of truth, but flourish in the movies. As he tells the stories, there is little to confirm that Jesse and Frank James, Butch Cassidy and the Sundance Kid, the Daltons, Pretty Boy Floyd, Ma Barker, Clyde Barrow and Bonnie Parker, Belle Starr, the Apache Kid, or any of the so-called good badmen, did anything that did not enrich or otherwise benefit themselves. But there is plenty of evidence, in the form of slain victims and ruined lives, to show how many ways they caused harm. The Great American Outlaw is as much an excellent survey on the phenomenon as it is a brilliant exposition of the larger than-life figures who created it. Above all, it is a tribute to that aspect of humanity that Americans admire most and that Prassel describes as a willingness "to fight, however hopelessly, against exhibitions of privilege."
Hoodlums
Author: William L. Van Deburg
Publisher: University of Chicago Press
ISBN: 9780226847191
Category : Biography & Autobiography
Languages : en
Pages : 316
Book Description
Du Bois to classic blaxploitation films like Black Caesar and The Mack, Van Deburg demonstrates how African Americans have combated such negative stereotypes and reconceptualized the idea of the badman through stories of social bandits - controversial individuals vilified by whites for their proclivity toward evil, but revered in the black community as necessarily insurgent and revolutionary."--BOOK JACKET.
Publisher: University of Chicago Press
ISBN: 9780226847191
Category : Biography & Autobiography
Languages : en
Pages : 316
Book Description
Du Bois to classic blaxploitation films like Black Caesar and The Mack, Van Deburg demonstrates how African Americans have combated such negative stereotypes and reconceptualized the idea of the badman through stories of social bandits - controversial individuals vilified by whites for their proclivity toward evil, but revered in the black community as necessarily insurgent and revolutionary."--BOOK JACKET.
Bandits and Liberals, Rebels and Saints
Author: Alan Knight
Publisher: U of Nebraska Press
ISBN: 1496230906
Category : History
Languages : en
Pages : 456
Book Description
In Bandits and Liberals, Rebels and Saints Alan Knight offers a distinct perspective on several overarching themes in Latin American history, spanning approximately two centuries, from 1800 to 2000. Knight’s approach is ambitious and comparative—sometimes ranging beyond Latin America and combining relevant social theory with robust empirical detail. He tries to offer answers to big questions while challenging alternative answers and approaches, including several recently fashionable ones. While the individual essays and the book as a whole are roughly chronological, the approach is essentially thematic, with chapters devoted to major contentious themes in Latin American history across two centuries: the sociopolitical roots and impact of banditry; the character and evolution of liberalism; religious conflict; the divergent historical trajectories of Peru and Mexico; the nature of informal empire and internal colonialism; and the region’s revolutionary history—viewed through the twin prisms of British perceptions and comparative global history.
Publisher: U of Nebraska Press
ISBN: 1496230906
Category : History
Languages : en
Pages : 456
Book Description
In Bandits and Liberals, Rebels and Saints Alan Knight offers a distinct perspective on several overarching themes in Latin American history, spanning approximately two centuries, from 1800 to 2000. Knight’s approach is ambitious and comparative—sometimes ranging beyond Latin America and combining relevant social theory with robust empirical detail. He tries to offer answers to big questions while challenging alternative answers and approaches, including several recently fashionable ones. While the individual essays and the book as a whole are roughly chronological, the approach is essentially thematic, with chapters devoted to major contentious themes in Latin American history across two centuries: the sociopolitical roots and impact of banditry; the character and evolution of liberalism; religious conflict; the divergent historical trajectories of Peru and Mexico; the nature of informal empire and internal colonialism; and the region’s revolutionary history—viewed through the twin prisms of British perceptions and comparative global history.
Bandits, Misfits, and Superheroes
Author: Josef Benson
Publisher: Univ. Press of Mississippi
ISBN: 1496838378
Category : Literary Criticism
Languages : en
Pages : 298
Book Description
American comics from the start have reflected the white supremacist culture out of which they arose. Superheroes and comic books in general are products of whiteness, and both signal and hide its presence. Even when comics creators and publishers sought to advance an antiracist agenda, their attempts were often undermined by a lack of awareness of their own whiteness and the ideological baggage that goes along with it. Even the most celebrated figures of the industry, such as Jerry Siegel and Joe Shuster, Jack Jackson, William Gaines, Stan Lee, Robert Crumb, Will Eisner, and Frank Miller, have not been able to distance themselves from the problematic racism embedded in their narratives despite their intentions or explanations. Bandits, Misfits, and Superheroes: Whiteness and Its Borderlands in American Comics and Graphic Novels provides a sober assessment of these creators and their role in perpetuating racism throughout the history of comics. Josef Benson and Doug Singsen identify how whiteness has been defined, transformed, and occasionally undermined over the course of eighty years in comics and in many genres, including westerns, horror, crime, funny animal, underground comix, autobiography, literary fiction, and historical fiction. This exciting and groundbreaking book assesses industry giants, highlights some of the most important episodes in American comic book history, and demonstrates how they relate to one another and form a larger pattern, in unexpected and surprising ways.
Publisher: Univ. Press of Mississippi
ISBN: 1496838378
Category : Literary Criticism
Languages : en
Pages : 298
Book Description
American comics from the start have reflected the white supremacist culture out of which they arose. Superheroes and comic books in general are products of whiteness, and both signal and hide its presence. Even when comics creators and publishers sought to advance an antiracist agenda, their attempts were often undermined by a lack of awareness of their own whiteness and the ideological baggage that goes along with it. Even the most celebrated figures of the industry, such as Jerry Siegel and Joe Shuster, Jack Jackson, William Gaines, Stan Lee, Robert Crumb, Will Eisner, and Frank Miller, have not been able to distance themselves from the problematic racism embedded in their narratives despite their intentions or explanations. Bandits, Misfits, and Superheroes: Whiteness and Its Borderlands in American Comics and Graphic Novels provides a sober assessment of these creators and their role in perpetuating racism throughout the history of comics. Josef Benson and Doug Singsen identify how whiteness has been defined, transformed, and occasionally undermined over the course of eighty years in comics and in many genres, including westerns, horror, crime, funny animal, underground comix, autobiography, literary fiction, and historical fiction. This exciting and groundbreaking book assesses industry giants, highlights some of the most important episodes in American comic book history, and demonstrates how they relate to one another and form a larger pattern, in unexpected and surprising ways.
The American Federationist
Author: William Green
Publisher:
ISBN:
Category : Labor unions
Languages : en
Pages : 1010
Book Description
Includes separately paged "Junior union section."
Publisher:
ISBN:
Category : Labor unions
Languages : en
Pages : 1010
Book Description
Includes separately paged "Junior union section."
American Federationist
Author:
Publisher:
ISBN:
Category : Labor unions
Languages : en
Pages : 962
Book Description
Publisher:
ISBN:
Category : Labor unions
Languages : en
Pages : 962
Book Description
Badmen, Bandits, and Folk Heroes
Author: Juan JosŽ Alonzo
Publisher: University of Arizona Press
ISBN: 9780816528684
Category : Social Science
Languages : en
Pages : 212
Book Description
Badmen, Bandits, and Folk Heroes is a comparative study of the literary and cinematic representation of Mexican American masculine identity from early twentieth-century adventure stories and movie Westerns through contemporary self-representations by Chicano/a writers and filmmakers. In this deeply compelling book, Juan J. Alonzo proposes a reconsideration of the early stereotypical depictions of Mexicans in fiction and film: rather than viewing stereotypes as unrelentingly negative, Alonzo presents them as part of a complex apparatus of identification and disavowal. Furthermore, Alonzo reassesses Chicano/a self-representation in literature and film, and argues that the Chicano/a expression of identity is characterized less by essentialism than by an acknowldgement of the contingent status of present-day identity formations. Alonzo opens his provocative study with a fresh look at the adventure stories of Stephen Crane and the silent Western movies of D. W. Griffith. He also investigates the conflation of the greaser, the bandit, and the Mexican revolutionary into one villainous figure in early Western movies and, more broadly, traces the development of the badman in Westerns. He newly interrogates the writings of AmŽrico Paredes regarding the makeup of Mexican masculinity, and productively trains his analytic eye on the recent films of Jim Mendiola and the contemporary poetry of Evangelina Vigil. Throughout Badmen, Bandits, and Folk Heroes, Alonzo convincingly demonstrates how fiction and films that formerly appeared one-dimensional in their treatment of Mexicans and Mexican Americans actually offer surprisingly multifarious and ambivalent representations. At the same time, his valuation of indeterminacy, contingency, and hybridity in contemporary cultural production creates new possibilities for understanding identity formation.
Publisher: University of Arizona Press
ISBN: 9780816528684
Category : Social Science
Languages : en
Pages : 212
Book Description
Badmen, Bandits, and Folk Heroes is a comparative study of the literary and cinematic representation of Mexican American masculine identity from early twentieth-century adventure stories and movie Westerns through contemporary self-representations by Chicano/a writers and filmmakers. In this deeply compelling book, Juan J. Alonzo proposes a reconsideration of the early stereotypical depictions of Mexicans in fiction and film: rather than viewing stereotypes as unrelentingly negative, Alonzo presents them as part of a complex apparatus of identification and disavowal. Furthermore, Alonzo reassesses Chicano/a self-representation in literature and film, and argues that the Chicano/a expression of identity is characterized less by essentialism than by an acknowldgement of the contingent status of present-day identity formations. Alonzo opens his provocative study with a fresh look at the adventure stories of Stephen Crane and the silent Western movies of D. W. Griffith. He also investigates the conflation of the greaser, the bandit, and the Mexican revolutionary into one villainous figure in early Western movies and, more broadly, traces the development of the badman in Westerns. He newly interrogates the writings of AmŽrico Paredes regarding the makeup of Mexican masculinity, and productively trains his analytic eye on the recent films of Jim Mendiola and the contemporary poetry of Evangelina Vigil. Throughout Badmen, Bandits, and Folk Heroes, Alonzo convincingly demonstrates how fiction and films that formerly appeared one-dimensional in their treatment of Mexicans and Mexican Americans actually offer surprisingly multifarious and ambivalent representations. At the same time, his valuation of indeterminacy, contingency, and hybridity in contemporary cultural production creates new possibilities for understanding identity formation.
Bandit Nation
Author: Chris Frazer
Publisher: U of Nebraska Press
ISBN: 0803220316
Category : History
Languages : en
Pages : 254
Book Description
A look at the bandit in history and current legend, showing how those memories remain alive and well in Mexican society.
Publisher: U of Nebraska Press
ISBN: 0803220316
Category : History
Languages : en
Pages : 254
Book Description
A look at the bandit in history and current legend, showing how those memories remain alive and well in Mexican society.
Revolutionaries, Rebels and Robbers
Author: Pascale Baker
Publisher: University of Wales Press
ISBN: 1783163453
Category : History
Languages : en
Pages : 305
Book Description
This volume delivers a comprehensive study of banditry in Latin America and of its cultural representation. In its scope across the continent, looking closely at nations where bandit culture has manifested itself forcefully ― Mexico (the subject of the case study), the Hispanic south-west of the United States, Argentina, Brazil, Venezuela and Cuba ― it imagines a ‘Golden Age’ of banditry in Latin America from the mid-nineteenth century to the 1940s when so-called ‘social bandits’, an idea first proposed by Eric Hobsbawm and further developed here, flourished. In its content, this work offers the most detailed and wide-ranging study of its kind currently available.
Publisher: University of Wales Press
ISBN: 1783163453
Category : History
Languages : en
Pages : 305
Book Description
This volume delivers a comprehensive study of banditry in Latin America and of its cultural representation. In its scope across the continent, looking closely at nations where bandit culture has manifested itself forcefully ― Mexico (the subject of the case study), the Hispanic south-west of the United States, Argentina, Brazil, Venezuela and Cuba ― it imagines a ‘Golden Age’ of banditry in Latin America from the mid-nineteenth century to the 1940s when so-called ‘social bandits’, an idea first proposed by Eric Hobsbawm and further developed here, flourished. In its content, this work offers the most detailed and wide-ranging study of its kind currently available.