The Ambiguity of Innocence: The Turn of the Screw PDF Download
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Author: Dennis Chase
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Dennis Chase
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: John Amos Stillwell
Publisher:
ISBN:
Category :
Languages : en
Pages : 56
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Author: Virginia L. Bonham
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: William Ian Miller
Publisher: Oxford University Press
ISBN: 0198793030
Category : Literary Criticism
Languages : en
Pages : 280
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William Ian Miller presents a close reading of one of the best known of the Icelandic sagas, showing its moral, political, and psychological sophistication. His account of this complex and nuanced saga corrects simplistic readings which have governed interpretation of the saga in the past.
Author: Barbara N. Nagel
Publisher: Bloomsbury Publishing USA
ISBN: 1501352725
Category : Literary Criticism
Languages : en
Pages : 173
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Our main words defining emotional states suggest that we have clarity about them: expressions like "love," "hatred," "anxiety," or "sorrow" seem clear enough. The reality, however, tends to be more complicated. We are often faced with gestures and utterances that are difficult to interpret; we thus find ourselves wondering about the affective force of what has just been said: "Was that an insult?" "Flirtation?" "Aggression?" Ambiguous Aggression in German Realism and Beyond looks at three interlocking forms of social violence--flirtation, passive aggression, and domestic violence. In order to understand their circulation, it traces their literary-historical genealogy in German realism and modernism--in scenes from Annette von Droste-Hülshoff, Adalbert Stifter, Theodor Storm, Theodor Fontane, Robert Walser, and Franz Kafka, covering a historical period from the middle of the 19th century to the early decades of the 20th century. Reading realist and modernist literature through 21st-century affect theory and vice versa, the analyses collected in this book show the deep literary history of our current cultural predicaments and predilections.
Author: Anthony Ossa-Richardson
Publisher: Princeton University Press
ISBN: 0691188777
Category : Literary Criticism
Languages : en
Pages :
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Ever since it was first published in 1930, William Empson’s Seven Types of Ambiguity has been perceived as a milestone in literary criticism—far from being an impediment to communication, ambiguity now seemed an index of poetic richness and expressive power. Little, however, has been written on the broader trajectory of Western thought about ambiguity before Empson; as a result, the nature of his innovation has been poorly understood. A History of Ambiguity remedies this omission. Starting with classical grammar and rhetoric, and moving on to moral theology, law, biblical exegesis, German philosophy, and literary criticism, Anthony Ossa-Richardson explores the many ways in which readers and theorists posited, denied, conceptualised, and argued over the existence of multiple meanings in texts between antiquity and the twentieth century. This process took on a variety of interconnected forms, from the Renaissance delight in the ‘elegance’ of ambiguities in Horace, through the extraordinary Catholic claim that Scripture could contain multiple literal—and not just allegorical—senses, to the theory of dramatic irony developed in the nineteenth century, a theory intertwined with discoveries of the double meanings in Greek tragedy. Such narratives are not merely of antiquarian interest: rather, they provide an insight into the foundations of modern criticism, revealing deep resonances between acts of interpretation in disparate eras and contexts. A History of Ambiguity lays bare the long tradition of efforts to liberate language, and even a poet’s intention, from the strictures of a single meaning.
Author: Nigel Barley
Publisher:
ISBN: 9780814908808
Category : Social Science
Languages : en
Pages : 189
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Describes the misadventures of a novice anthropologist trying to study the culture of the Dowayo people of the Cameroons
Author: Albert Borowitz
Publisher: HarperCollins Publishers
ISBN:
Category : Literary Criticism
Languages : en
Pages : 200
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Author: William Empson
Publisher: Read Books Ltd
ISBN: 1473351464
Category : Literary Criticism
Languages : en
Pages : 307
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Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Author: Nico Orlandi
Publisher: Oxford University Press
ISBN: 0199375046
Category : Philosophy
Languages : en
Pages : 260
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Book Description
Why does the world look to us as it does? Generally speaking, this question has received two types of answers in the cognitive sciences in the past fifty or so years. According to the first, the world looks to us the way it does because we construct it to look as it does. According to the second, the world looks as it does primarily because of how the world is. In The Innocent Eye, Nico Orlandi defends a position that aligns with this second, world-centered tradition, but that also respects some of the insights of constructivism. Orlandi develops an embedded understanding of visual processing according to which, while visual percepts are representational states, the states and structures that precede the production of percepts are not representations. If we study the environmental contingencies in which vision occurs, and we properly distinguish functional states and features of the visual apparatus from representational states and features, we obtain an empirically more plausible, world-centered account. Orlandi shows that this account accords well with models of vision in perceptual psychology -- such as Natural Scene Statistics and Bayesian approaches to perception -- and outlines some of the ways in which it differs from recent 'enactive' approaches to vision. The main difference is that, although the embedded account recognizes the importance of movement for perception, it does not appeal to action to uncover the richness of visual stimulation. The upshot is that constructive models of vision ascribe mental representations too liberally, ultimately misunderstanding the notion. Orlandi offers a proposal for what mental representations are that, following insights from Brentano, James and a number of contemporary cognitive scientists, appeals to the notions of de-coupleability and absence to distinguish representations from mere tracking states.
