Author: Christopher L. Miller
Publisher: Duke University Press
ISBN: 0822388839
Category : History
Languages : en
Pages : 589
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Book Description
The French slave trade forced more than one million Africans across the Atlantic to the islands of the Caribbean. It enabled France to establish Saint-Domingue, the single richest colony on earth, and it connected France, Africa, and the Caribbean permanently. Yet the impact of the slave trade on the cultures of France and its colonies has received surprisingly little attention. Until recently, France had not publicly acknowledged its history as a major slave-trading power. The distinguished scholar Christopher L. Miller proposes a thorough assessment of the French slave trade and its cultural ramifications, in a broad, circum-Atlantic inquiry. This magisterial work is the first comprehensive examination of the French Atlantic slave trade and its consequences as represented in the history, literature, and film of France and its former colonies in Africa and the Caribbean. Miller offers a historical introduction to the cultural and economic dynamics of the French slave trade, and he shows how Enlightenment thinkers such as Montesquieu and Voltaire mused about the enslavement of Africans, while Rousseau ignored it. He follows the twists and turns of attitude regarding the slave trade through the works of late-eighteenth- and early-nineteenth-century French writers, including Olympe de Gouges, Madame de Staël, Madame de Duras, Prosper Mérimée, and Eugène Sue. For these authors, the slave trade was variously an object of sentiment, a moral conundrum, or an entertaining high-seas “adventure.” Turning to twentieth-century literature and film, Miller describes how artists from Africa and the Caribbean—including the writers Aimé Césaire, Maryse Condé, and Edouard Glissant, and the filmmakers Ousmane Sembene, Guy Deslauriers, and Roger Gnoan M’Bala—have confronted the aftermath of France’s slave trade, attempting to bridge the gaps between silence and disclosure, forgetfulness and memory.
![Alzira. A tragedy ... The second edition. [Translated and adapted from Voltaire's “Alzire” by Aaron Hill.] PDF](https://books.google.com/books/content/images/frontcover/HQdgAAAAcAAJ?fife=w80-h100)
Author: Voltaire
Publisher:
ISBN:
Category :
Languages : en
Pages : 72
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Author: Voltaire
Publisher: Simon and Schuster
ISBN: 1627932968
Category : Drama
Languages : en
Pages : 51
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Book Description
Alzire first appeared on the stage in 1736 to great acclaim and success. Alzire is set Lima, Peru, at the time of the Spanish conquest. Don Gusman, a Spanish grandee, has just succeeded his father, Don Alvarez, in the Governorship of Peru. The rule of Don Alvarez had been beneficent and just; he had spent his life in endeavoring to soften the cruelty of his countrymen; and his only remaining wish was to see his son carry on the work which he had begun. Unfortunately, however, Don Gusman's temperament was the very opposite of his father's; he was tyrannical, harsh, headstrong, and bigoted. It is in vain that Don Alvarez reminds his son that the true Christian returns good for evil and as a result tragedy insues. Wilder Publications is a green publisher. All of our books are printed to order. This reduces waste and helps us keep prices low while greatly reducing our impact on the environment.
Author: Deborah Poole
Publisher: Princeton University Press
ISBN: 0691234647
Category : Social Science
Languages : en
Pages : 279
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Book Description
Through an intensive examination of photographs and engravings from European, Peruvian, and U.S. archives, Deborah Poole explores the role visual images and technologies have played in shaping modern understandings of race. Vision, Race, and Modernity traces the subtle shifts that occurred in European and South American depictions of Andean Indians from the late eighteenth to the early twentieth centuries, and explains how these shifts led to the modern concept of "racial difference." While Andean peoples were always thought of as different by their European describers, it was not until the early nineteenth century that European artists and scientists became interested in developing a unique visual and typological language for describing their physical features. Poole suggests that this "scientific" or "biological" discourse of race cannot be understood outside a modern visual economy. Although the book specifically documents the depictions of Andean peoples, Poole's findings apply to the entire colonized world of the nineteenth century. Poole presents a wide range of images from operas, scientific expeditions, nationalist projects, and picturesque artists that both effectively elucidate her argument and contribute to an impressive history of photography. Vision, Race, and Modernity is a fascinating attempt to study the changing terrain of racial theory as part of a broader reorganization of vision in European society and culture.
Author: François Marie Arouet de Voltaire
Publisher:
ISBN:
Category :
Languages : fr
Pages : 118
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Author: Voltaire
Publisher:
ISBN:
Category :
Languages : en
Pages : 674
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Author: Clifton C. Cherpack
Publisher:
ISBN:
Category :
Languages : en
Pages : 5
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Author: Pierre Force
Publisher: JHU Press
ISBN: 1421421283
Category : History
Languages : en
Pages : 253
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Book Description
G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Z
Author: Voltaire
Publisher:
ISBN:
Category :
Languages : en
Pages : 652
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Author: Charles-François Panard
Publisher:
ISBN:
Category :
Languages : en
Pages : 96
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