Author: Maria Elizabeth Budden
Publisher:
ISBN:
Category :
Languages : en
Pages : 190
Book Description
Always Happy! Or, Anecdotes of Felix and His Sister Serena. Written for Her Children. By a Mother [i.e. M.E. Budden]. 11th Ed
Author: Maria Elizabeth Budden
Publisher:
ISBN:
Category :
Languages : en
Pages : 190
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 190
Book Description
General Catalogue of Printed Books
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 982
Book Description
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 982
Book Description
The British Library General Catalogue of Printed Books to 1975
Author: British Library
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 536
Book Description
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 536
Book Description
Nineteenth Century Short-title Catalogue: phase 1. 1816-1870
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 576
Book Description
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 576
Book Description
Always Happy
Author: Maria Elizabeth Budden
Publisher:
ISBN:
Category : Brothers and sisters
Languages : en
Pages : 196
Book Description
Publisher:
ISBN:
Category : Brothers and sisters
Languages : en
Pages : 196
Book Description
Beyond the Hoax
Author: Alan Sokal
Publisher: OUP Oxford
ISBN: 0191623342
Category : Science
Languages : en
Pages : 771
Book Description
In 1996, Alan Sokal, a Professor of Physics at New York University, wrote a paper for the cultural-studies journal Social Text, entitled 'Transgressing the Boundaries: Towards a transformative hermeneutics of quantum gravity'. It was reviewed, accepted and published. Sokal immediately confessed that the whole article was a hoax - a cunningly worded paper designed to expose and parody the style of extreme postmodernist criticism of science. The story became front-page news around the world and triggered fierce and wide-ranging controversy. Sokal is one of the most powerful voices in the continuing debate about the status of evidence-based knowledge. In Beyond the Hoax he turns his attention to a new set of targets - pseudo-science, religion, and misinformation in public life. 'Whether my targets are the postmodernists of the left, the fundamentalists of the right, or the muddle-headed of all political and apolitical stripes, the bottom line is that clear thinking, combined with a respect for evidence, are of the utmost importance to the survival of the human race in the twenty-first century.' The book also includes a hugely illuminating annotated text of the Hoax itself, and a reflection on the furore it provoked.
Publisher: OUP Oxford
ISBN: 0191623342
Category : Science
Languages : en
Pages : 771
Book Description
In 1996, Alan Sokal, a Professor of Physics at New York University, wrote a paper for the cultural-studies journal Social Text, entitled 'Transgressing the Boundaries: Towards a transformative hermeneutics of quantum gravity'. It was reviewed, accepted and published. Sokal immediately confessed that the whole article was a hoax - a cunningly worded paper designed to expose and parody the style of extreme postmodernist criticism of science. The story became front-page news around the world and triggered fierce and wide-ranging controversy. Sokal is one of the most powerful voices in the continuing debate about the status of evidence-based knowledge. In Beyond the Hoax he turns his attention to a new set of targets - pseudo-science, religion, and misinformation in public life. 'Whether my targets are the postmodernists of the left, the fundamentalists of the right, or the muddle-headed of all political and apolitical stripes, the bottom line is that clear thinking, combined with a respect for evidence, are of the utmost importance to the survival of the human race in the twenty-first century.' The book also includes a hugely illuminating annotated text of the Hoax itself, and a reflection on the furore it provoked.
Always Happy! Or, Anecdotes of Felix and His Sister Serena
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The Film Work of Norman McLaren
Author: Terence Dobson
Publisher: JOHN LIBBEY PUBLISHING
ISBN:
Category : Performing Arts
Languages : en
Pages : 312
Book Description
For half a century from the 1930s to the 1980s, the celebrated Canadian animator Norman McLaren made films at a prodigious rate - his output averaged about one film every year. The innovatory nature of his films won him worldwide acclaim, honours and prizes (including an Oscar"!. Curiously, there has been a dearth of serious literature that focuses on the film work of Norman McLaren. One reason for this has been the difficulty in identifying constants through McLaren's work. The very scope of McLaren's innovations together with the varied purposes of his films meant that McLaren's films appeared incongruent. There is, for example, the shocking violence of Neighbours and the gentle whimsy of Hen Hop; the didacticism of Canon or Rythmetic and the scintillating abstract energy of Begone Dull Care; the functionalism of Book Bargain and the sublime beauty of Pas de deux. By looking at the nature and span of McLaren's innovations, and by putting his work in the context of his own ambitions and of his era, Terence Dobson approaches the puzzles that are set by the film work of Norman McLaren. On the way, the encounter with McLaren's movies - which features a detailed analysis of some of his chief works - provides a pivotal view of one of the major film-makers of the twentieth century
Publisher: JOHN LIBBEY PUBLISHING
ISBN:
Category : Performing Arts
Languages : en
Pages : 312
Book Description
For half a century from the 1930s to the 1980s, the celebrated Canadian animator Norman McLaren made films at a prodigious rate - his output averaged about one film every year. The innovatory nature of his films won him worldwide acclaim, honours and prizes (including an Oscar"!. Curiously, there has been a dearth of serious literature that focuses on the film work of Norman McLaren. One reason for this has been the difficulty in identifying constants through McLaren's work. The very scope of McLaren's innovations together with the varied purposes of his films meant that McLaren's films appeared incongruent. There is, for example, the shocking violence of Neighbours and the gentle whimsy of Hen Hop; the didacticism of Canon or Rythmetic and the scintillating abstract energy of Begone Dull Care; the functionalism of Book Bargain and the sublime beauty of Pas de deux. By looking at the nature and span of McLaren's innovations, and by putting his work in the context of his own ambitions and of his era, Terence Dobson approaches the puzzles that are set by the film work of Norman McLaren. On the way, the encounter with McLaren's movies - which features a detailed analysis of some of his chief works - provides a pivotal view of one of the major film-makers of the twentieth century
Always Happy!!! Or, Anecdotes of Felix and His Sister Serena
Author: Maria Elizabeth Budden
Publisher:
ISBN:
Category : Children's stories
Languages : en
Pages : 188
Book Description
Publisher:
ISBN:
Category : Children's stories
Languages : en
Pages : 188
Book Description
Italian Gothic Horror Films, 1957-1969
Author: Roberto Curti
Publisher: McFarland
ISBN: 1476619891
Category : Performing Arts
Languages : en
Pages : 221
Book Description
The "Gothic" style was a key trend in Italian cinema of the 1950s and 1960s because of its peculiar, often strikingly original approach to the horror genre. These films portrayed Gothic staples in a stylish and idiosyncratic way, and took a daring approach to the supernatural and to eroticism, with the presence of menacing yet seductive female witches, vampires and ghosts. Thanks to such filmmakers as Mario Bava (Black Sunday), Riccardo Freda (The Horrible Dr. Hichcock), and Antonio Margheriti (Castle of Blood), as well the iconic presence of actress Barbara Steele, Italian Gothic horror went overseas and reached cult status. The book examines the Italian Gothic horror of the period, with an abundance of previously unpublished production information drawn from official papers and original scripts. Entries include a complete cast and crew list, home video releases, plot summary and the author's analysis. Excerpts from interviews with filmmakers, scriptwriters and actors are included. The foreword is by film director and scriptwriter Ernesto Gastaldi.
Publisher: McFarland
ISBN: 1476619891
Category : Performing Arts
Languages : en
Pages : 221
Book Description
The "Gothic" style was a key trend in Italian cinema of the 1950s and 1960s because of its peculiar, often strikingly original approach to the horror genre. These films portrayed Gothic staples in a stylish and idiosyncratic way, and took a daring approach to the supernatural and to eroticism, with the presence of menacing yet seductive female witches, vampires and ghosts. Thanks to such filmmakers as Mario Bava (Black Sunday), Riccardo Freda (The Horrible Dr. Hichcock), and Antonio Margheriti (Castle of Blood), as well the iconic presence of actress Barbara Steele, Italian Gothic horror went overseas and reached cult status. The book examines the Italian Gothic horror of the period, with an abundance of previously unpublished production information drawn from official papers and original scripts. Entries include a complete cast and crew list, home video releases, plot summary and the author's analysis. Excerpts from interviews with filmmakers, scriptwriters and actors are included. The foreword is by film director and scriptwriter Ernesto Gastaldi.