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Author: Ragnhild Brøvig
Publisher: MIT Press
ISBN: 0262374110
Category : Social Science
Languages : en
Pages : 323
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Book Description
The art of mashup music, its roots in parody, and its social and legal implications. Parody needn’t recognize copyright—but does an algorithm recognize parody? The ever-increasing popularity of remix culture and mashup music, where parody is invariably at play, presents a conundrum for internet platforms, with their extensive automatic, algorithmic policing of content. Taking a wide-ranging look at mashup music—the creative and technical considerations that go into making it; the experience of play, humor, enlightenment, and beauty it affords; and the social and legal issues it presents—Parody in the Age of Remix offers a pointed critique of how society balances the act of regulating art with the act of preserving it. In several jurisdictions, national and international, parody is exempted from copyright laws. Ragnhild Brøvig contends that mashups should be understood as a form of parody, and thus be protected from removal from hosting platforms. Nonetheless, current copyright-related content-moderation regimes, relying on algorithmic detection and automated decision making, frequently eliminate what might otherwise be deemed gray-area content—to the detriment of human listeners and, especially, artists. Given the inaccuracy of takedowns, Parody in the Age of Remix makes a persuasive argument in favor of greater protection for remix creativity in the future—but it also suggests that the content-moderation challenges facing mashup producers and other remixers are symptomatic of larger societal issues.
Author: Ragnhild Brøvig
Publisher: MIT Press
ISBN: 0262374110
Category : Social Science
Languages : en
Pages : 323
Get Book
Book Description
The art of mashup music, its roots in parody, and its social and legal implications. Parody needn’t recognize copyright—but does an algorithm recognize parody? The ever-increasing popularity of remix culture and mashup music, where parody is invariably at play, presents a conundrum for internet platforms, with their extensive automatic, algorithmic policing of content. Taking a wide-ranging look at mashup music—the creative and technical considerations that go into making it; the experience of play, humor, enlightenment, and beauty it affords; and the social and legal issues it presents—Parody in the Age of Remix offers a pointed critique of how society balances the act of regulating art with the act of preserving it. In several jurisdictions, national and international, parody is exempted from copyright laws. Ragnhild Brøvig contends that mashups should be understood as a form of parody, and thus be protected from removal from hosting platforms. Nonetheless, current copyright-related content-moderation regimes, relying on algorithmic detection and automated decision making, frequently eliminate what might otherwise be deemed gray-area content—to the detriment of human listeners and, especially, artists. Given the inaccuracy of takedowns, Parody in the Age of Remix makes a persuasive argument in favor of greater protection for remix creativity in the future—but it also suggests that the content-moderation challenges facing mashup producers and other remixers are symptomatic of larger societal issues.
Author: J. Jeffrey Hanson
Publisher: Pearson Education
ISBN: 0321591852
Category : Computers
Languages : en
Pages : 693
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Book Description
Creating Enterprise-Quality Web 2.0 Mashups: The Complete How-To Guide Mashups give businesses powerful new ways to leverage today’s massive public and private data resources for competitive advantage. In Mashups: Strategies for the Modern Enterprise, J. Jeffrey Hanson brings together all the knowledge enterprise developers need to create mashups that are reliable, secure, flexible, and effective. Using detailed sample code and third-party tools, Hanson walks readers through every step of creating a working enterprise mashup, as well as every component: presentation, process, data, and infrastructure. He surveys the styles, technologies, and standards used in mashup development, identifying key trade-offs and helping you choose the best options for your environment. You’ll learn how to overcome technical and business concerns associated with mashups, apply proven mashup patterns, and much more. Coverage includes Understanding and using presentation-oriented, data-oriented, process-oriented, or hybrid mashup styles Identifying the optimal uses for mashups in your environment Up-front planning: requirements, constraints, and security considerations; stability, reliability, and performance issues Creating an enterprise mashup, step by step: design, identification of services and data sources, and more Creating effective frameworks for mashup mediation and monitoring Applying proven patterns to your enterprise mashup infrastructure Securing mashups: validation, HTML sanitization, protecting iframes, and avoiding common attacks, such as cross-site request forgery Building mashups with third-party tools for Google, Oracle, Salesforce.com, Amazon, and other environments Developing an open, agile environment that supports rapid, flexible development of new mashups Also of interest: The companion book, Mashup Patterns: Designs and Examples for the Modern Enterprise by Mike Ogrinz (Addison-Wesley), is an indispensable guide to patterns, with insights for making mashups work in production environments.
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Publisher:
ISBN:
Category : Ice cream industry
Languages : en
Pages : 1806
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Author: Sheila Whiteley
Publisher: Oxford University Press
ISBN: 0190614048
Category : Music
Languages : en
Pages : 720
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Book Description
Has the virtual invaded the realm of the real, or has the real expanded its definition to include what once was characterized as virtual? With the continual evolution of digital technology, this distinction grows increasingly hazy. But perhaps the distinction has become obsolete; perhaps it is time to pay attention to the intersections, mutations, and transmigrations of the virtual and the real. Certainly it is time to reinterpret the practice and study of music. The Oxford Handbook of Music and Virtuality, edited by Sheila Whiteley and Shara Rambarran, is the first book to offer a kaleidoscope of interdisciplinary perspectives from scholars around the globe on the way in which virtuality mediates the dissemination, acquisition, performance, creation, and reimagining of music. The Oxford Handbook of Music and Virtuality addresses eight themes that often overlap and interact with one another. Questions of the role of the audience, artistic agency, individual and communal identity, subjectivity, and spatiality repeatedly arise. Authors specifically explore phenomena including holographic musicians and virtual bands, and the benefits and detriments surrounding the free circulation of music on the internet. In addition, the book investigates the way in which fans and musicians negotiate gender identities as well as the dynamics of audience participation and community building in a virtual environment. The handbook rehistoricizes the virtual by tracing its progression from cartoons in the 1950s to current industry innovations and changes in practice. Well-grounded and wide-reaching, this is a book that students of any number of disciplines, from Music to Cultural Studies, have awaited.
Author: J. Michael Spector
Publisher: Springer
ISBN: 3319302957
Category : Education
Languages : en
Pages : 363
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Book Description
This book makes a contribution to a global conversation about the competencies, challenges, and changes being introduced as a result of digital technologies. This volume consists of four parts, with the first being elaborated from each of the featured panelists at CELDA (Cognition and Exploratory Learning in the Digital Age) 2014. Part One is an introduction to the global conversation about competencies and challenges for 21st-century teachers and learners. Part Two discusses the changes in learning and instructional paradigms. Part Three is a discussion of assessments and analytics for teachers and decision makers. Lastly, Part Four analyzes the changing tools and learning environments teachers and learners must face. Each of the four parts has six chapters. In addition, the book opens with a paper by the keynote speaker aimed at the broad considerations to take into account with regard to instructional design and learning in the digital age. The volume closes with a reflective piece on the progress towards systemic and sustainable improvements in educational systems in the early part of the 21st century.
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ISBN:
Category : Dairy farms
Languages : en
Pages : 570
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Author: Hung, Patrick
Publisher: IGI Global
ISBN: 1466619430
Category : Computers
Languages : en
Pages : 455
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Book Description
"Detailing the functions, issues and trends of service composition, this book offers the most relevant research and models pertaining to the design and maturity of semantic use"--Provided by publisher.
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ISBN:
Category : Pharmacy
Languages : en
Pages : 948
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Author:
Publisher:
ISBN:
Category : Pharmacology
Languages : en
Pages : 940
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Author: Pharmaceutical Society of Great Britain
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 376
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Book Description
